Sergey Yakovlevich Lemeshev |

Sergei Lemeshev

A Bolshoi gidan wasan kwaikwayo Sergei Yakovlevich sau da yawa yi a kan mataki lokacin da Boris Emmanuilovich Khaikin ya tsaya a na'ura wasan bidiyo. Ga abin da jagoran ya ce game da abokin aikinsa: “Na sadu kuma na yi wasa da ƙwararrun masu fasaha na ƙarni daban-daban. Amma a cikin su akwai wanda nake so musamman - kuma ba kawai a matsayin abokin wasan kwaikwayo ba, amma sama da duka a matsayin mai zane wanda ke haskakawa da farin ciki! Wannan shi ne Sergei Yakovlevich Lemeshev. Sashinsa mai zurfi, haɗakar murya mai daraja da fasaha mai girma, sakamakon babban aiki da aiki mai wuyar gaske - duk wannan yana ɗaukar tambarin sauƙi mai hikima da gaggawa, shiga cikin zuciyar ku, yana taɓa igiyoyin ciki. A duk inda aka sami fosta mai sanar da kide-kide na Lemeshev, tabbas an san cewa zauren zai cika da cunkoso da wutar lantarki! Haka kuma har tsawon shekaru hamsin. Lokacin da muka yi wasa tare, ni, a tsaye a tashar madubin, ba zan iya ƙaryata kaina ba game da jin daɗin kallon cikin akwatunan gefe, da idona. Kuma na ga yadda, a ƙarƙashin rinjayar babban ilhami na fasaha, fuskokin masu sauraro sun kasance masu rai.

An haifi Sergei Yakovlevich Lemeshev a ranar 10 ga Yuli, 1902 a ƙauyen Staroe Knyazevo, lardin Tver, a cikin dangin matalauta.

Uwar ita kadai ta ja yara uku, tunda uban ya tafi birni aiki. Tuni tun yana da shekaru takwas ko tara, Sergei ya taimaka wa mahaifiyarsa kamar yadda zai iya: an hayar shi don yin burodi ko kula da dawakai da dare. Ya fi son kamun kifi da tsinke namomin kaza: “Ina son shiga daji ni kaɗai. A nan ne kawai, a cikin taron bishiyar birch masu shuru, na kuskura in yi waƙa. Wakoki sun dade suna faranta raina, amma bai kamata yara su yi waƙa a ƙauye a gaban manya ba. Na rera mafi yawan waƙoƙin baƙin ciki. An kama ni a cikin su ta hanyar taɓa kalmomi masu faɗi game da kaɗaici, soyayyar da ba ta da tushe. Kuma ko da yake nisa daga duk wannan ya bayyana a gare ni, wani ɗaci ya kama ni, mai yiwuwa a ƙarƙashin rinjayar kyawun kyawun sautin baƙin ciki… "

A cikin bazara na 1914, bisa ga al'adar ƙauyen, Sergei ya tafi birnin don yin takalma, amma nan da nan ya fara yakin duniya na farko kuma ya koma ƙauyen.

Bayan Oktoba juyin juya halin, an shirya makarantar sana'a ga matasa karkara a kauyen, karkashin jagorancin injiniyan farar hula Nikolai Aleksandrovich Kvashnin. Ya kasance ƙwararren ƙwararren malami, mai sha'awar wasan kwaikwayo kuma mai son kiɗa. Tare da shi, Sergei ya fara raira waƙa, ya yi karatu m notation. Sannan ya koyi wasan opera na farko - Lensky's aria daga wasan opera na Tchaikovsky Eugene Onegin.

A rayuwar Lemeshev akwai wani m aukuwa. Shahararren masanin kida EA Troshev:

“A cikin sanyin safiyar Disamba (1919. – Kimanin Aut.), wani yaro kauye ya bayyana a kulob din ma’aikata mai suna Third International. Sanye yake cikin wata gajeriyar rigar wando, yana jin takalmi da wando na takarda, ya yi kama da matashi: hakika yana da shekara sha bakwai kacal… Cikin jin kunya, saurayin ya nemi a saurare shi:

"Kuna da wasan kwaikwayo a yau," in ji shi, "Ina so in yi a wurin.

- Me za ku iya yi? Inji shugaban kungiyar.

“Waƙa,” in ji amsar. - Ga repertoire na: waƙoƙin Rasha, arias na Lensky, Nadir, Levko.

A wannan maraice, sabon mai zane ya yi wasa a wani wasan kwaikwayo na kulob. Yaron da ya yi tafiya 48 versts ta cikin sanyi don rera Lensky's aria a cikin kulob din yana sha'awar masu sauraro sosai ... Levko, Nadir, waƙoƙin Rasha sun bi Lensky ... Dukan waƙoƙin mawaƙin sun riga sun gaji, amma har yanzu masu sauraro ba su bar shi ya bar filin wasa ba. . Nasarar ta kasance ba zato ba tsammani kuma cikakke! Tafi, taya murna, musafiha - duk abin da ya haɗu da saurayin a cikin tunani mai mahimmanci: "Zan zama mawaƙa!"

Duk da haka, bisa lallashin abokinsa, ya shiga makarantar sojan doki don yin karatu. Amma sha'awar fasaha, don waƙa, ya kasance. A 1921, Lemeshev wuce ƙofar jarrabawa zuwa Moscow Conservatory. An gabatar da aikace-aikacen ɗari biyar don guraben aiki ashirin da biyar na ƙungiyar murya! Amma saurayin ƙauyen ya ci nasara da tsattsauran kwamitin zaɓe tare da ƙaƙƙarfan yanayi da kyawun muryarsa. Farfesa Nazariy Grigoryevich Raisky, sanannen malamin murya, abokin SI Taneeva ne ya dauki Sergei a cikin ajinsa.

Ƙwararriyar waƙa ta yi wa Lemeshev wuya: “Na yi tunanin cewa koyon waƙa abu ne mai sauƙi kuma mai daɗi, amma ya zama da wahala sosai har ya yi wuya a iya ƙware ta. Na kasa gane yadda za a yi waƙa daidai! Ko dai na rasa numfashina na takura min tsokar makogwarona, sai harshena ya fara tsoma baki. Amma duk da haka na kasance ina son sana'ar da zan yi na mawaƙi a nan gaba, wadda ta zama kamar ta fi kowa a duniya.

A 1925, Lemeshev sauke karatu daga Conservatory - a jarrabawa, ya rera wani ɓangare na Vaudemont (daga Tchaikovsky ta opera Iolanta) da kuma Lensky.

Lemeshev ya rubuta: “Bayan na yi karatu a ɗakin karatu, an ɗauke ni a ɗakin karatu na Stanislavsky. A karkashin jagorancin kai tsaye na babban jagoran mataki na Rasha, na fara nazarin rawar farko - Lensky. Ba dole ba ne a ce, a cikin wannan yanayi na gaske wanda ke kewaye da Konstantin Sergeevich, ko kuma, wanda shi da kansa ya halitta, babu wanda zai iya tunanin kwaikwayo, na inji kwafi na wani image. Cike da himmar ƙuruciya, kalmomin rabuwa daga Stanislavsky, wanda ya ƙarfafa hankalinsa da kulawarsa, mun fara nazarin littafin Tchaikovsky clavier da littafin Pushkin. Hakika, na san duk halin da Pushkin ya yi na Lensky, da kuma dukan labari, da zuciya da kuma, a hankali maimaita shi, kullum evoked a cikin tunanina, a cikin ji na, da ji na image na matashin mawaki.

Bayan kammala karatu daga Conservatory, da matasa singer yi a Sverdlovsk, Harbin, Tbilisi. Alexander Stepanovich Pirogov, wanda ya isa babban birnin Jojiya, ya ji Lemeshev, ya shawarce shi da gaske ya sake gwada hannunsa a Bolshoi Theater, wanda ya yi.

"A cikin bazara na 1931, Lemeshev ya fara halarta a Bolshoi Theatre," in ji ML Lvov. - Don halarta na farko, ya zaɓi operas "The Snow Maiden" da "Lakme". Ya bambanta da ɓangaren Gerald, ɓangaren Berendey ya kasance, kamar yadda yake, an halicce shi don matashin mawaƙa, tare da sauti mai ma'ana a fili kuma a zahiri tare da rajista na sama na kyauta. Jam'iyyar tana buƙatar sauti mai ma'ana, bayyanannen murya. Cantilena mai ɗanɗano na cello da ke tare da aria da kyau yana tallafawa mawaƙi cikin santsi da tsayuwar numfashi, kamar yana kaiwa ga cello mai raɗaɗi. Lemeshev ya yi nasarar rera waka Berendey. Wasan farko a cikin "Snegurochka" ya riga ya yanke shawarar batun shigar da shi a cikin kungiyar. Ayyukan da aka yi a Lakma bai canza kyakkyawan ra'ayi da shawarar da gudanarwa ta yanke ba. "

Ba da da ewa ba sunan sabon soloist na Bolshoi Theatre ya zama sananne. Masoyan Lemeshev sun hada da sojoji duka, masu sadaukar da kai ga gunkinsu. Shahararrun mai zane ya karu har ma bayan ya taka rawar direban Petya Govorkov a cikin tarihin Musical. Fim mai ban mamaki, kuma, ba shakka, halartar shahararren mawakin ya ba da gudummawa sosai ga nasararsa.

Lemeshev an ba shi kyauta da murya na kyan gani na musamman da katako na musamman. Amma a kan wannan harsashi, da wuya ya kai irin wannan matsayi mai daraja. Shi ne na farko da kuma mai fasaha. Arziki na ruhaniya na ciki kuma ya ba shi damar isa kan gaba na fasahar murya. A wannan ma’anar, furucinsa yana kama da: “Mutum zai hau kan mataki, kuma kuna tunani: oh, irin murya mai ban mamaki! Amma a nan ya yi waƙa biyu ko uku na soyayya, kuma ya zama m! Me yasa? Haka ne, domin babu haske na ciki a cikinsa, mutumin da kansa ba shi da sha'awa, ba shi da basira, amma Allah ne kawai ya ba shi murya. Kuma yana faruwa a wata hanya: muryar mai zane yana da alama ya zama mediocre, amma sai ya ce wani abu a hanya ta musamman, a hanyarsa, kuma ƙaunar da aka saba da ita ba zato ba tsammani ya haskaka, ya haskaka tare da sababbin kalmomi. Kuna sauraron irin wannan mawaki da jin dadi, domin yana da abin da zai fada. Wannan shi ne babban abin.”

Kuma a cikin zane-zane na Lemeshev, haɗe-haɗe da farin ciki na iya haɗawa da iyawar murya da zurfin abun ciki na halitta. Yana da abin da zai ce wa mutane.

Domin shekaru ashirin da biyar a kan mataki na Bolshoi Theater Lemeshev rera waka da yawa sassa a cikin ayyukan Rasha da kuma yammacin Turai litattafan. Yadda masu son kiɗa suka yi marmarin zuwa wasan kwaikwayon lokacin da ya rera Duke a Rigoletto, Alfred a La Traviata, Rudolf a La Boheme, Romeo a Romeo da Juliet, Faust, Werther, da kuma Berendey a cikin Snow Maiden, Levko a cikin “May Night ", Vladimir Igorevich a cikin "Prince Igor" da Almaviva a cikin "Barber of Seville" ... Mawaƙin ya ba da sha'awar masu sauraro da kyau, mai rairayi tare da muryarsa, shigar da hankali, fara'a.

Amma Lemeshev yana da mafi ƙaunataccen kuma mafi nasara rawar - wannan shi ne Lensky. Ya yi bangare daga "Eugene Onegin" fiye da sau 500. Abin mamaki ya yi daidai da dukan hoton mawaƙin na mu mai kyan gani. Anan fara'ar muryarsa da matakin wasansa, ikhlasi na zucciya, bayyananniyar bayyanarsa gaba daya ta mamaye masu sauraro.

Shahararriyar mawaƙinmu Lyudmila Zykina ta ce: "Da farko, Sergey Yakovlevich ya shiga cikin tunanin mutanen zamanina tare da hoton Lensky na musamman daga wasan opera na Tchaikovsky "Eugene Onegin" a cikin gaskiyarsa da tsarkinsa. Lensky nasa yanayi ne mai budewa da gaskiya, wanda ya hada da halayen halayen halayen kasar Rasha. Wannan rawa ya zama abun ciki na dukan m rayuwa, sauti kamar majestic apotheosis a kwanan nan ranar tunawa da singer a Bolshoi Theater, wanda shekaru da yawa yaba da nasarori.

Tare da mawaƙin opera mai ban sha'awa, masu sauraro suna haɗuwa akai-akai a wuraren wasan kwaikwayo. Shirye-shiryensa sun bambanta, amma mafi yawan lokuta ya juya zuwa ga litattafan Rasha, yana ganowa da gano kyaun da ba a gano ba a ciki. Da yake gunaguni game da ƙayyadaddun ƙayyadaddun wasan kwaikwayo na wasan kwaikwayo, mai zanen ya jaddada cewa a kan wasan kwaikwayo shi ne ubangidansa don haka zai iya zaɓar waƙar da ya dace kawai. “Ban taba daukar wani abu da ya wuce karfina ba. Af, kide kide da wake-wake sun taimaka mini a aikin opera. Ɗari na soyayya na Tchaikovsky, wanda na rera a cikin zagayowar na kide-kide biyar, ya zama tushen ga Romeo na - wani bangare mai wuyar gaske. A ƙarshe, Lemeshev ya rera waƙoƙin jama'a na Rasha sau da yawa. Da kuma yadda ya rera waka - da gaske, mai ratsa jiki, tare da ma'aunin kasa na gaske. Zuciya shine abin da ya bambanta mai zane tun farko lokacin da ya yi wakokin jama'a.

Bayan karshen aikinsa a matsayin mawaƙa, Sergei Yakovlevich a 1959-1962 ya jagoranci Opera Studio a Moscow Conservatory.

Lemeshev ya mutu a ranar 26 ga Yuni, 1977.