Samuil Aleksandrovich Stolerman (Stolerman, Samuil) |

Stollerman, Samuel

Mai daraja Artist na Jojiya SSR (1924), Jama'ar Artist na Ukrainian SSR (1937). Sunan wannan mai zane yana da alaƙa da haɓakar wasan kwaikwayo na kiɗa na jumhuriya da yawa. Ƙarfin da ba ya gajiyawa da kuma iya fahimtar yanayi da salon al'adun kiɗa na ƙasa ya sa ya zama aboki na ban mamaki na mawaƙa na Jojiya, Armenia, Azerbaijan, Ukraine, wanda ya ba da rayuwa ga ayyuka da yawa.

A wata hanya da ba a saba gani ba, dan wani talakan tela, wanda aka haifa a garin Kyakta mai nisa a Gabas, ya zo sana’ar madugu. A farkon ƙuruciya, ya san aiki tuƙuru, buƙata da rashi. Amma wata rana, da ya ji wasan makaho na violin, saurayin ya ji cewa aikinsa na kiɗa ne. Ya yi tafiyar daruruwan kilomita da ƙafa - zuwa Irkutsk - kuma ya sami damar shiga ƙungiyar tagulla ta soja, inda ya yi aiki na tsawon shekaru takwas. A cikin tsakiyar 90s, Stolerman ya fara gwada hannunsa a matsayin jagora a filin wasan makada na kirtani a cikin gidan wasan kwaikwayo. Bayan haka, ya yi aiki a cikin operetta troupe, sa'an nan kuma ya fara gudanar da wasan kwaikwayo.

A 1905, Stolerman ya fara zuwa Moscow. V. Safonov ya jawo hankali zuwa gare shi, wanda ya taimaka wa matasa mawaƙa samun wuri a matsayin madugu a cikin gidan wasan kwaikwayo na gidan jama'a. Bayan shirya "Ruslan" da "Amaryar Tsar" a nan, Stolerman ya sami tayin zuwa Krasnoyarsk kuma ya jagoranci ƙungiyar mawaƙa a can.

Ayyukan Stolerman sun ci gaba da ban mamaki bayan juyin juya hali. Aiki a cikin gidan wasan kwaikwayo na Tiflis da Baku, sa'an nan, shugaban opera gidajen Odessa (1927-1944) da Kyiv (1944-1949), ba ya karya dangantaka da Jamhuriyar Transcaucasia, ba da kide kide a ko'ina. Tare da kuzari mai ban mamaki, mai zane yana ɗaukar sabbin operas waɗanda ke nuna alamar haifuwar al'adun kiɗan ƙasa. A Tbilisi, a karkashin jagorancinsa, a karon farko ya ga hasken ramp "The Legend of Shota Rustaveli" na D. Arakishvili, "Insidious Tamara" na M. Balanchivadze, "Keto da Kote" da "Leila" na V. Dolidze a shekarar 1919-1926. A Baku, ya shirya wasan operas Arshin Mal Alan da Shah Senem. A cikin Ukraine, tare da sa hannu, farkon wasan kwaikwayo na operas Taras Bulba na Lysenko (a cikin sabon bugu), Rupture na Femilidi, Golden Hoop (Zakhar Berkut) na Lyatoshinsky, Kama Bishiyoyin Apple na Chishko, da Dare mai ban tsoro ta Dankevich ya faru. Ɗaya daga cikin operas da Stolerman ya fi so shine Spendiarov's Almast: a cikin 1930 ya shirya ta a karon farko a Odessa, cikin Ukrainian; shekaru biyu bayan haka, a Jojiya, kuma a karshe, a cikin 19, ya gudanar a Yerevan a farkon wasan opera a ranar bude na farko opera gidan a Armenia. Tare da wannan babban aikin, Stolerman akai-akai shirya wasan kwaikwayo na gargajiya: Lohengrin, The Barber of Seville, Aida, Boris Godunov, The Tsar's Bride, May Night, Ivan Susanin, Sarauniya Spades da sauransu. Duk wannan tabbataccen shaida ne ga faɗin abubuwan ƙirƙirar mai zane.

L. Grigoriev, J. Platek