Matsayi |

daga lat. matsayi - matsayi

Matsayin hannun mai yin da yatsu lokacin kunna kayan kida dangane da fretboard na kayan kirtani ko madannai na kayan aikin madannai.

1) Lokacin kunna violin P. - matsayi na hannun hagu a kan fretboard, wanda aka ƙaddara ta hanyar rabo da hulɗar farko da babban yatsan hannu kuma yana ba ka damar yin jerin da aka ba da sauti ba tare da motsa hannunka ba. Ana ƙayyade wurin P. ta nisa daga yatsa na farko da aka sanya akan kirtani zuwa goro. 1st P. ana kiransa irin wannan matsayi na hannu da yatsa na farko dangane da goro, tare da Krom akan kirtani e, an fitar da sautin f1. An raba fretboard na violin zuwa P., dangane da canjin nisa tsakanin yatsan farko da na goro da kuma canjin da ya dace a matsayin babban yatsan hannu lokacin da aka ci gaba da motsa hannun sama tare da wuyansa. A cikin 1738 Bafaranshe M. Corret a cikin "School of Orpheus" ya gabatar da rarraba wuyan violin zuwa matsayi 7. Ya dogara da wannan rarrabuwa akan bambance-bambancen fretboard a cikin sautunan sauti da ƙananan sauti; kowane P. akan layi ɗaya yana rungumar kewayon kwata.

Wannan yanki, to-rogo ya bi wakilan Faransanci. makarantar violin, daga baya ya zama karbabbu gabaɗaya (tare da haɓaka fasahar virtuoso, adadin violin ya karu. Rarraba wuyan violin zuwa P.

kayan aikin taimako ne na ma'ana, yanke a cikin tsarin horo na farko yana taimaka wa ɗalibin ya mallaki wuyansa. Ma'anar P. yana ba da damar dan wasan violin don rarraba motsin yatsu a hankali a kan sassan da suka dace na fretboard kuma yana ba da gudummawa ga ci gaban ma'anar nesa. Ga waɗanda suka sami fasaha na fasaha na violinist, mallakar sauti zuwa ɗaya ko wani P. ba su da halittu. dabi'u kuma wani lokacin yakan juya ya zama birki, yana haifar da 'yancin kai hari akan fretboard. Ainihin matsayi na hannun hagu na violin a cikin aiwatar da wasan kwaikwayon sau da yawa yana cin karo da ƙa'idar da aka yarda da ita P. Wannan yana gabatar da rudani maras buƙata kuma shine tushen kurakurai masu tsanani lokacin zabar yatsa.

A zamanin yau ana amfani da al'adar buga violin. nau'ikan tsari na yatsu akan fretboard, enharmonic. maye gurbin sautuna, wasa lokaci guda a kusa da P.

A irin waɗannan lokuta, yana iya zama ba zai yiwu a tantance ko wane matsayi hannun ke ciki ba daga ra'ayi na tsarin matsayi na gaba ɗaya. Ci gaba daga wannan, P. ya kamata a yi la'akari da shi kawai a matsayin wurin farawa na wucin gadi na goyon bayan motsi na yatsa, canza kowane lokaci daidai da bukatun takamaiman shirin wasan kwaikwayo na kiɗa.

2) A cikin wasan akan fp. P. - ƙungiyar bayanan da aka rufe (ko za'a iya rufe su) akan madannai ta wurin wuri ɗaya na hannun don kowane yatsa a wannan lokacin ya kasance akan maɓalli ɗaya. Za'a iya raba nassi zuwa P. wanda aka yi ta hanyar "rikitarwa" (kamar yadda yake a cikin maƙallan ƙira) na dukan hannun (ba tare da saka yatsan 1st ba).

F. Jerin. "Mephisto Waltz" (bangaren hannun dama).

Irin wannan aikin na sassa yana ɗaya daga cikin manyan ka'idodin fasaha F. List, F. Busoni da mabiyansu.

References: Yampolsky I., Mahimman abubuwan yatsa na violin, M., 1933, sake dubawa. da ƙarin ed., 1955 (ch. 5. Matsayi); Logan G., Akan rubutun piano, M., 1961.

IM Yampolsky, GM Kogan