Monique de la Bruchollerie |

Monique de la Bruchollerie

Babban ƙarfi yana ɓoye cikin wannan ƙaramar mace mai rauni. Wasa-wasa ba ko da yaushe ya kasance abin koyi na kamala ba, kuma ba zurfin falsafa da hazaka na kirki ne ya same ta ba, sai dai wani nau'in sha'awa mai ban sha'awa da ba za a iya jurewa ba, wanda ya mayar da ita, a cikin kalaman daya daga cikin masu sukar, ta shiga. wani Valkyrie, da piano a cikin fagen fama. . Kuma wannan ƙarfin hali, ikon yin wasa, ba da kanta gabaɗaya ga kiɗa, zabar wani lokacin da ba a iya misaltawa, kona duk gadoji na taka tsantsan, daidai wannan ma'anar, ko da yake yana da wahalar isarwa cikin kalmomi, fasalin da ya kawo nasararta, ya ba ta damar kamawa a zahiri. masu sauraro. Tabbas, ƙarfin hali ba shi da tushe - ya dogara ne akan isasshen ƙwarewar da aka samu a lokacin nazarin a Conservatory na Paris tare da I. Philip da kuma ingantawa a ƙarƙashin jagorancin sanannen E. Sauer; Tabbas, wannan ƙarfin hali ya sami ƙarfafawa da ƙarfafa ta A. Cortot, wanda ya ɗauki Brusholri a matsayin bege na pianist na Faransa kuma ya taimaka mata da shawara. Amma duk da haka, daidai wannan ingancin ne ya ba ta damar yin sama da ƙwararrun ƴan wasan pian na zamaninta.

Tauraron Monique de la Brucholrie bai tashi a Faransa ba, amma a Poland. A 1937 ta shiga cikin Gasar Chopin ta Duniya ta Uku. Ko da yake lambar yabo ta bakwai ba ta yi kama da babbar nasara ba, amma idan kun tuna yadda abokan hamayyar suka kasance masu karfi (kamar yadda kuka sani, Yakov Zak ya zama wanda ya lashe gasar), to, ga mai zane mai shekaru 22 ba shi da kyau. Bugu da ƙari, duka alkalai da jama'a sun lura da ita, tsananin zafinta ya burge masu sauraro, kuma an karɓi aikin Chopin's E-manjor Scherzo cikin ƙwazo.

Shekara guda bayan haka, ta sami wani lambar yabo - kuma ba ta da girma sosai, lambar yabo ta goma, kuma a wata gasa ta musamman a Brussels. Jin dan wasan pian na Faransa a cikin waɗannan shekarun, G. Neuhaus, bisa ga abubuwan tunawa na K. Adzhemov, musamman ya lura da kyakkyawan aikinta na Toccata Saint-Saens. A ƙarshe, ƴan uwanta suma sun yaba mata, bayan da Brucholri ta buga kide-kide na piano guda uku a zauren Paris Hall "Pleyel" da yamma ɗaya, tare da ƙungiyar makaɗa da Ch. Munsch.

Furen baiwar mai zane ta zo ne bayan yakin. Brucholrie ya zagaya Turai da yawa kuma tare da nasara, a cikin 50s ya yi balaguron haske na Amurka, Kudancin Amurka, Afirka, da Asiya. Ta bayyana a gaban masu sauraro a cikin nau'i-nau'i daban-daban, a cikin shirye-shiryenta, watakila, ana iya samun sunayen Mozart, Brahms, Chopin, Debussy da Prokofiev fiye da sauran, amma tare da su tana buga waƙar Bach da Mendelssohn. , Clementi da Schumann, Franck da de Falla, Shimanovsky da Shostakovich … Waƙar wasan kwaikwayo na farko na Tchaikovsky wani lokaci suna tare tare da rubutun piano na Violin Concerto na Vivaldi, wanda malaminta na farko - Isidor Philip ya yi. Masu sukar Amurkawa sun kwatanta Breucholrie da Arthur Rubinstein da kansa, suna mai jaddada cewa "hanyoyinta suna sa mutum ya manta da halin gida na siffarta, kuma ƙarfin yatsunta yana da girma. Dole ne ku yi imani cewa mace mai wasan piano za ta iya yin wasa da kuzarin namiji."

A cikin 60s, Brucholrie ya ziyarci Tarayyar Soviet sau biyu kuma ya yi a birane da yawa. Kuma da sauri muka sami tausayi, bayan mun sami nasarar nuna kyawawan halaye na wasanta. "Mawaƙin pian yana da mafi mahimmancin ingancin mawaƙa: ikon da zai iya jan hankalin mai sauraro, ya sa shi ya fuskanci ƙarfin motsin kiɗa tare da ita," in ji mawaki N. Makarova a Pravda. Baku critic A. Isazade found in her "a happy compound of a strong and matured intellect with impeccable feelingity." Amma tare da wannan, ƙaddamar da sukar Soviet ba zai iya kasa lura da dabi'un pianist a wasu lokuta ba, mai ban sha'awa ga stereotypes, wanda ya yi mummunan tasiri a kan ayyukanta na manyan ayyukan Beethoven da Schumann.

Wani mummunan lamari ya katse aikin mai zane: a cikin 1969, yayin da yake yawon shakatawa a Romania, ta kasance cikin hatsarin mota. Mummunan raunuka na dindindin ya hana ta damar yin wasa. Amma ta yi fama da cutar: ta yi karatu tare da dalibai, ta shiga cikin aikin juri na gasa da yawa na kasa da kasa, ta ɓullo da wani sabon zane na piano tare da maballin maɓalli da tsayin daka, wanda, a ra'ayi, ya buɗe mafi arziki. al'amura ga pianists.

A farkon shekara ta 1973, ɗaya daga cikin mujallun kiɗa na Turai ya buga wani dogon talifi da aka keɓe ga Monique de la Brucholrie, a ƙarƙashin jigo mai baƙin ciki: “Memories of a Living One.” Bayan 'yan kwanaki, mai wasan pian ya mutu a Bucharest. Abubuwan da ta gada da aka rubuta a cikin bayanan sun ƙunshi rikodi na duka wasan kwaikwayo na Brahms, kide kide da wake-wake na Tchaikovsky, Chopin, Mozart, Franck's Symphonic Variations da Rachmaninov's Rhapsody akan Jigo na Paganini, da kuma adadin waƙoƙin solo. Suna adana mana abubuwan tunawa da ƴar wasan kwaikwayo, wadda ɗaya daga cikin mawakan Faransa ta gani a tafiyarta ta ƙarshe da kalmomi masu zuwa: “Monique de la Bruchollie! Wannan yana nufin: aiki tare da banners masu tashi; yana nufin: sadaukar da kai ga aikata; yana nufin: haske ba tare da banality ba da rashin son kai na yanayi.

Grigoriev L., Platek Ya.