Mario Rossi |

Mario rossi

"Lokacin da mutum ya yi ƙoƙari ya yi tunanin wani madubi na Italiyanci na yau da kullum, mutum yana ɗaukar nauyin brio da jin dadi, sanguine tempos da ƙwaƙƙwarar sararin samaniya, "wasan kwaikwayo a wasan bidiyo", tashin hankali da kuma karya sandar jagorancin. Mario Rossi shine ainihin kishiyar wannan kallon. Babu wani abu mai ban sha'awa, rashin natsuwa, mai ban sha'awa, ko ma kawai wanda ba shi da daraja a ciki, "in ji masanin kida na Austrian A. Viteshnik. Kuma hakika, duka a cikin yanayinsa - kamar kasuwanci, ba tare da wani nuna sha'awa da ɗaukaka ba, kuma dangane da fassarar manufa, da kuma ma'anar repertoire, Rossi yana iya kusantar masu jagoranci na makarantar Jamus. Madaidaicin karimci, cikakkiyar kiyaye rubutun marubucin, mutunci da girman ra'ayi - waɗannan su ne halayensa. Rossi ya mallaki salon kide-kide daban-daban da kyau: girman girman Brahms, jin daɗin Schumann, da manyan hanyoyin Beethoven suna kusa da shi. A ƙarshe, kuma ya tashi daga al'adar Italiyanci, shi ne na farko mai nuna jin dadi, kuma ba mai gudanarwa ba.

Kuma duk da haka Rossi ainihin Italiyanci ne. Wannan yana bayyana a cikin tunaninsa don jin daɗin waƙoƙin mawaƙa (bel canto style) na numfashi na mawaƙa, kuma a cikin alherin alheri wanda yake gabatar da ƙananan yara ga masu sauraro, kuma ba shakka, a cikin repertoire na musamman, wanda tsohon - kafin karni na XNUMX - ya mamaye wuri mai mahimmanci musamman. karni - da kiɗan Italiyanci na zamani. A cikin wasan kwaikwayon na madugu, da yawa masterpieces by Gabrieli, Vivaldi, Cherubini, manta overtures da Rossini sun sami sabon rayuwa, k'ada Petrassi, Kedini, Malipiero, Pizzetti, Casella da aka yi. Koyaya, Rossi ba baƙo bane ga kiɗan opera na ƙarni na XNUMX: an kawo masa nasarori da yawa ta ayyukan ayyukan Verdi, musamman Falstaff. A matsayinsa na mai gudanar da wasan opera, a cewar masu sukar, “ya ​​haɗu da yanayin kudanci tare da tsantsan arewa da tsafta, kuzari da daidaito, wuta da ma'anar tsari, mafari mai ban mamaki da fahintar fahimtar gine-ginen aikin."

Hanyar rayuwa ta Rossi tana da sauƙi kuma babu abin sha'awa kamar fasaharsa. Ya girma kuma ya yi suna a garinsu na Roma. Anan Rossi ya sauke karatu daga Kwalejin Santa Cecilia a matsayin mawaki (tare da O. Respighi) da jagora (tare da D. Settacholi). A cikin 1924, ya yi sa'a ya zama magajin B. Molinari a matsayin shugaban ƙungiyar makaɗa ta Augusteo a Roma, wanda ya shafe kusan shekaru goma. Sa'an nan Rossi shi ne babban jagoran kungiyar Orchestra ta Florence (tun 1935) kuma ya jagoranci bukukuwan Florentine. Ko da a lokacin ya yi wasa a duk faɗin Italiya.

Bayan yakin, bisa gayyatar Toscanini, Rossi na dan lokaci ya gudanar da aikin fasaha na gidan wasan kwaikwayo na La Scala, sannan ya zama babban jagoran kungiyar kade-kade ta Italiyanci a Turin, kuma ya jagoranci Orchestra na Rediyo a Roma. A cikin shekaru da yawa, Rossi ya tabbatar da kansa a matsayin malami mai kyau, wanda ya ba da gudummawa sosai wajen haɓaka matakin fasaha na Orchestra na Turin, wanda ya zagaya Turai. Rossi kuma ya yi tare da mafi kyawun ƙungiyoyi na manyan cibiyoyin al'adu da yawa, sun halarci bukukuwan kiɗa a Vienna, Salzburg, Prague da sauran biranen.

L. Grigoriev, J. Platek, 1969