Leo Blech |

Leo Blech

Leo Blech basira ya kasance mafi bayyane kuma mafi cikakken bayyana a cikin gidan wasan kwaikwayo na opera, wanda aka haɗu da ƙarshen aikin jagoran mai ɗaukaka, wanda ya kasance kusan shekaru sittin.

A cikin ƙuruciyarsa, Blech ya gwada hannunsa a matsayin mai wasan pianist da mawaki: yana ɗan shekara bakwai, ya fara bayyana a kan wasan kwaikwayo, yana yin nasa piano guda. Blech ya kammala karatunsa da ƙwazo a babbar makarantar kiɗa da ke birnin Berlin, ya yi nazarin abubuwan da ke tattare da su a ƙarƙashin jagorancin E. Humperdinck, amma nan da nan ya gane cewa babbar sana'arsa ce ke gudanarwa.

Blech ya fara tsayawa a gidan wasan opera a garinsu na Aachen a cikin karnin da ya gabata. Sa'an nan ya yi aiki a Prague, da kuma daga 1906 ya zauna a Berlin, inda ya m ayyukan ya faru shekaru da yawa. Ba da daɗewa ba, ya koma cikin layi ɗaya tare da masu haskaka fasahar gudanarwa kamar Klemperer, Walter, Furtwängler, Kleiber. A karkashin jagorancin Blech, wanda kusan shekaru talatin yana shugaban gidan wasan opera a Unterden Linden, Berliners sun ji kyakyawan wasan kwaikwayo na duk wasan operas na Wagner, da yawa daga cikin sabbin ayyukan R. Strauss. Tare da wannan, Blech gudanar da wani babba adadin kide-kide, a cikin abin da ayyukan Mozart, Haydn, Beethoven, symphonic gutsuttsura operas da qagaggun romantics, musamman ƙaunar da shugaba.

Blech ba ya so ya yi yawon shakatawa sau da yawa, ya fi son yin aiki akai-akai tare da makada iri ɗaya. Koyaya, ƴan tafiye-tafiyen kide-kide sun ƙarfafa shahararsa. Musamman nasara da ɗan wasan ya yi tafiya zuwa Amurka a shekara ta 1933. A 1937 Blech aka tilasta yin hijira daga Nazi Jamus da kuma shekaru da yawa ya jagoranci gidan opera a Riga. Lokacin da aka shigar da Latvia a Tarayyar Soviet, Blech ya zagaya Moscow da Leningrad tare da babban nasara. A wancan lokacin, mai zanen ya kai kusan shekara saba'in, amma hazakarsa ta kasance a zamaninta. “A nan ne mawaƙin da ya haɗu da fasaha na gaske, manyan al'adu tare da ɗimbin ƙwarewar fasaha da aka tara cikin shekaru masu yawa na ayyukan fasaha. Ƙanshi mara kyau, kyakkyawar ma'anar salo, haɓakar yanayi - duk waɗannan fasalulluka babu shakka suna da kama da siffar Leo Blech. Amma, watakila, har ma mafi girma yana nuna ƙarancin filastik a watsawa da kowane layi da nau'in kiɗan gaba ɗaya. Blech ba ya ƙyale mai sauraro ya ji shi a waje da duka, a waje da mahallin gabaɗaya, motsi na gaba ɗaya; mai sauraro ba zai taba jin a cikin fassararsa da suturar da ke tattare da kowane nau'i na aikin ba, "D. Rabinovich ya rubuta a cikin jaridar "Soviet Art".

Masu sukar daga ƙasashe daban-daban sun yaba da kyakkyawar fassarar waƙar Wagner - bayyanannensa mai ban mamaki, haɗin kai numfashi, ya jaddada virtuoso ƙwararrun launuka na ƙungiyar makaɗa, da ikon "samun ƙungiyar makaɗa da ɗan jin sauti, amma kullun da ake iya fahimta", da "mai ƙarfi, amma ba kaifi, m fortissimo" . A karshe, an lura da zurfafa zurfafawa na madugu zuwa takamaiman salo daban-daban, da ikon isar da waka ga mai saurare ta hanyar da marubucin ya rubuta. Ba abin mamaki ba ne Blech sau da yawa yana son maimaita karin maganar Jamus: “Komai yana da kyau da ke daidai.” Rashin cikakkiyar “hankali mai zartarwa”, halin taka tsantsan ga rubutun marubucin ya samo asali ne daga irin wannan ra'ayin mai zane.

Bayan Rigi, Blech ya yi aiki na shekaru takwas a Stockholm, inda ya ci gaba da yin wasan kwaikwayo a gidan wasan kwaikwayo da kuma wasan kwaikwayo. Ya shafe shekaru na ƙarshe na rayuwarsa a gida kuma tun 1949 shine jagoran Opera na birnin Berlin.

L. Grigoriev, J. Platek