John Lill |

John Lill

John Lill ya tashi zuwa matakin kololuwa na babban filin wasa a gasar Tchaikovsky ta kasa da kasa ta IV da aka yi a birnin Moscow a shekarar 1970 tare da Vladimir Krainev, inda suka bar ’yan wasan pian da yawa masu hazaka kuma ba tare da haifar da sabani na musamman a tsakanin mambobin juri ba, ko sabani na gargajiya tsakanin alkalai da jama’a. . Komai ya zama kamar na halitta; duk da shekaru 25 da ya yi, ya riga ya kasance balagagge, babban ubangida. Wannan ra'ayi ne cewa kwarin gwiwar wasansa ya bar, kuma don tabbatar da shi, ya isa ya kalli ɗan littafin gasar, wanda ya ruwaito, musamman, cewa John Lill yana da ingantaccen repertoire - shirye-shiryen solo 45 da kusan kide-kide 45 tare da ƙungiyar makaɗa. . Bugu da kari, mutum zai iya karanta a wurin cewa a lokacin gasar shi ba dalibi ba ne, malami ne, har ma da farfesa. Royal College of Music. Ya juya ya zama ba zato ba tsammani, watakila, kawai cewa ɗan wasan Ingilishi bai taɓa gwada hannunsa a gasa ba. Amma ya fi son yanke shawarar makomarsa "tare da bugu ɗaya" - kuma kamar yadda kowa ya gamsu, bai yi kuskure ba.

Don duk wannan, John Lill bai zo ga nasarar Moscow ba tare da hanya mai santsi. An haife shi a cikin dangi mai aiki, ya girma a yankin London na Gabas ta Gabas (inda mahaifinsa ya yi aiki a masana'anta) kuma, ya nuna basirar kiɗa a lokacin ƙuruciya, na dogon lokaci ba shi da nasa kayan aikin. . Haɓaka hazakar matashi mai ma'ana, duk da haka, ya ci gaba da sauri. A lokacin da yake da shekaru 9, ya yi tare da ƙungiyar makaɗa a karon farko, yana wasa Concerto na Biyu na Brahms (ba wai aikin "yara" ba!), A 14, ya san kusan dukkanin Beethoven da zuciya. Shekaru na karatu a Royal College of Music (1955-1965) ya kawo masa bambanci daban-daban, ciki har da Medal D. Lipatti da Kwalejin Gidauniyar Gulbenkian. Wani ƙwararren malami, shugaban ƙungiyar "Youth Musical" Robert Mayer ya taimaka masa da yawa.

A cikin 1963, ɗan wasan pian ya fara halarta a hukumance a zauren bikin Royal: An yi wasan kwaikwayo na biyar na Beethoven. Duk da haka, da zarar ya sauke karatu daga koleji, Lill ya tilasta ba da lokaci mai yawa ga darussa masu zaman kansu - ya zama dole don samun rayuwa; bai jima ba ya samu class a almater dinsa. Sai kawai a hankali ya fara ba da kide kide da wake-wake, na farko a gida, sannan a Amurka, Kanada da kuma wasu kasashen Turai. Ɗaya daga cikin na farko da ya fara godiya da basirarsa shine Dmitri Shostakovich, wanda ya ji Lill ya yi a Vienna a 1967. Kuma bayan shekaru uku Mayer ya rinjaye shi ya shiga gasar Moscow ...

Don haka nasarar ta cika. Amma duk da haka, a cikin liyafar da jama'ar Moscow suka ba shi, akwai wani sanyin hankali: bai haifar da irin wannan jin daɗi ba cewa jin daɗin soyayya na Cliburn, asalin Ogdon mai ban sha'awa, ko fara'a na matasa waɗanda ke fitowa daga G. Sokolov ya riga ya haifar. Haka ne, duk abin da yake daidai, duk abin da yake a wurin, "amma wani abu, wani irin zest, ya ɓace. Haka kuma masana da dama sun lura da hakan, musamman lokacin da sha'awar gasa ta lafa, kuma wanda ya yi nasara ya tafi ziyararsa ta farko a ƙasarmu. Wani ma'aikaci mai kyau na wasan piano, mai sukar pianist P. Pechersky, yana ba da ladabi ga fasaha na Lill, bayyanannen ra'ayoyinsa da sauƙi na wasa, ya lura: "Mai pianist ba ya aiki" ko dai a jiki ko (alas!) na zuciya. Kuma idan na farko ya ci nasara kuma ya yi farin ciki, to, na biyu ya hana ... Duk da haka, da alama cewa manyan nasarorin John Lill har yanzu suna zuwa, lokacin da ya sami damar ƙara ƙarin zafi ga ƙwarewarsa mai wayo da haɓaka, kuma idan ya cancanta - da zafi.

Wannan ra'ayi gaba ɗaya (tare da inuwa daban-daban) ya kasance daga masu suka da yawa. Daga cikin cancantar mai zane, masu bitar sun dangana "lafin hankali", dabi'ar jin dadin kirkire-kirkire, sahihanci na kalaman kida, daidaiton jituwa, "babban sautin wasan gaba daya." Waɗannan talifofi ne za mu ci karo da su idan muka waiwayi bitar ayyukansa. Mujallar “Musical Life” ta rubuta: “Haka na sake burge ni da gwanintar matashin mawaƙin.” “Tuni dabararsa ta kwarin gwiwa tana iya isar da jin daɗin fasaha. Kuma octaves masu ƙarfi, da “jarumi” suna tsalle, da alamun fayafai marasa nauyi…

Kimanin shekaru talatin ke nan kenan. Menene abin ban mamaki game da waɗannan shekarun na John Lill, waɗanne sababbin abubuwa ne suka kawo wa fasahar mai zane? A waje, komai yana ci gaba da haɓaka cikin aminci. Nasarar da aka samu a gasar ta bude masa kofofin wasan kide-kide har ma da fadinsa: yana yawon shakatawa da yawa, ya rubuta kusan dukkanin sonatas na Beethoven da sauran ayyukan da dama. A lokaci guda, a zahiri, lokaci bai ƙara sabbin abubuwa ba a cikin sanannun hoton John Lill. A'a, basirarsa ba ta dusashe ba. Kamar yadda a baya, kamar yadda shekaru da yawa da suka wuce, manema labaru suna ba da ladabi ga "sauti mai zagaye da wadata", dandano mai mahimmanci, halin kulawa ga rubutun marubucin (maimakon, duk da haka, ga wasiƙarsa fiye da ruhunsa). Lill, musamman, ba ya yankewa kuma yana yin duk maimaitawa, kamar yadda mai yin waƙa ya tsara, baƙon abu ne ga sha'awar yin amfani da tasirin arha, wasa ga masu sauraro.

"Tun da yake kida a gare shi ba kawai siffa ce ta kyau ba, ba wai kawai abin sha'awa ba ne kawai ba kuma nishaɗi kawai ba, har ma da bayyana gaskiya, yana ɗaukar aikinsa a matsayin ainihin wannan gaskiyar ba tare da lalata ɗanɗano mai arha ba, ba tare da kyawawan ɗabi'u ba. kowane iri.” ya rubuta mujallar Record and Recording, yana bikin cika shekaru 25 na ayyukan kirkire-kirkire na mawaƙin a kwanakin da ya cika shekara 35!

Amma a lokaci guda, hankali na yau da kullum yakan juya zuwa hankali, kuma irin wannan "pianism" ba ya samun amsa mai dadi a cikin masu sauraro. “Ba ya barin kida ya kusance shi fiye da yadda yake tunanin karbuwa ne; yana tare da ita a ko da yaushe a kan ku,” in ji daya daga cikin masu sa ido a Ingila. Ko da a cikin sake dubawa na ɗaya daga cikin "lambobin kambi" na mai fasaha - Beethoven's Fifth Concerto, za a iya samun irin wannan ma'anar: "cikin ƙarfin hali, amma ba tare da tunani ba", "marasa rashin jin daɗi", "marasa gamsuwa da ban sha'awa." Ɗaya daga cikin masu sukar, ba tare da baƙin ciki ba, ya rubuta cewa "Wasan Lill yana da ɗan kama da rubutun wallafe-wallafen da malamin makaranta ya rubuta: duk abin da ya dace daidai ne, an yi la'akari da shi, daidai a cikin tsari, amma ba shi da wannan spontaneity da kuma jirgin. , ba tare da abin da kerawa ba zai yiwu ba, da kuma mutunci a cikin ɓangarorin da aka kashe da kyau. Jin wasu rashin jin daɗi, yanayin yanayi, mai zane a wasu lokuta yana ƙoƙarin yin ramawa ta hanyar artificially don wannan - ya gabatar da abubuwa na batun batun a cikin fassararsa, ya lalata tsarin kiɗa na rayuwa, yana gaba da kansa, kamar yadda yake. Amma irin wannan balaguron ba ya ba da sakamakon da ake so. A lokaci guda kuma, sabbin bayanan Lill, musamman na faifan sonatas na Beethoven, sun ba da dalilin yin magana game da sha'awar zurfin fasaharsa, don ƙarin bayyana wasansa.

Don haka, mai karatu zai yi tambaya, shin yana nufin cewa John Lill bai ba da tabbacin sunan wanda ya lashe gasar Tchaikovsky ba tukuna? Amsar ba ta da sauƙi. Tabbas, wannan ƙwararren ɗan piano ne, balagagge kuma haziƙi wanda ya shiga lokacin haɓakar ƙirƙirarsa. Amma ci gabanta a cikin wadannan shekarun da suka gabata bai yi sauri kamar da ba. Watakila, dalili shi ne cewa ma'auni na daidaitattun mawaƙin da asalinsa ba su yi daidai da basirar kiɗan da pian ɗinsa ba. Duk da haka, ya yi da wuri don yanke shawara ta ƙarshe - bayan haka, yuwuwar John Lill ya yi nisa da gajiyawa.

Grigoriev L., Platek Ya., 1990

An san John Lill gaba ɗaya a matsayin ɗaya daga cikin manyan ƴan pian na zamaninmu. A lokacin aikinsa na kusan rabin karni, dan wasan pian ya zagaya kasashe fiye da 50 tare da wasannin kade-kade da wake-wake da wake-wake da wake-wake da ya yi a matsayin mawakin solo tare da mafi kyawun makada a duniya. Ya samu yabo daga dakunan wasan kwaikwayo na Amsterdam, Berlin, Paris, Prague, Rome, Stockholm, Vienna, Moscow, St. Petersburg, biranen Asiya da Ostiraliya.

An haifi John Lill ranar 17 ga Maris, 1944 a London. Hazakarsa da ba kasafai ba ta bayyana kanta da wuri: ya ba da kide-kide na solo na farko yana dan shekara 9. Lill ya yi karatu a Kwalejin Kida ta Royal da ke Landan tare da Wilhelm Kempf. Tuni yana da shekaru 18, ya yi wasan kwaikwayo na Rachmaninov na No. 3 tare da ƙungiyar mawaƙa ta Sir Adrian Boult. Haƙiƙa na farko na London ba da daɗewa ba ya biyo baya tare da Beethoven's Concerto No. 5 a Gidan Bikin Sarauta. A cikin shekarun 1960, dan wasan pian ya lashe kyautuka da kyautuka a manyan gasa na kasa da kasa. Babban nasarar da Lill ta samu ita ce nasara a gasar kasa da kasa ta IV mai suna. Tchaikovsky a Moscow a cikin 1970 (ya raba kyautar XNUMXst tare da V. Krainev).

Lill's wide repertoire ya hada da fiye da 70 piano concertos (duk concertos na Beethoven, Brahms, Rachmaninov, Tchaikovsky, Liszt, Chopin, Ravel, Shostakovich, kazalika da Bartok, Britten, Grieg, Weber, Mendelssohn, Mozart, Prokofiev, Saint-Saint-Saint Frank, Schumann). Ya zama sananne, musamman, a matsayin fitaccen mai fassara ayyukan Beethoven. Dan wasan pian ya yi cikakken zagayowar sonata 32 fiye da sau daya a Burtaniya, Amurka da Japan. A Landan ya ba da kide-kide sama da 30 a cikin Proms na BBC kuma yana yin wasa akai-akai tare da manyan makada na kade-kade na kasar. A wajen Birtaniya, ya zagaya tare da kungiyar kade-kade ta Philharmonic da Symphony na London, da kungiyar makada ta Sojan Sama, da Birmingham, Halle, kungiyar kade-kade ta Royal Scotland da Orchestra na Sojan Sama na Scotland. A cikin Amurka - tare da ƙungiyoyin kade-kade na Cleveland, New York, Philadelphia, Dallas, Seattle, Baltimore, Boston, Washington DC, San Diego.

Wasan wasan pian ɗin na baya-bayan nan sun haɗa da kide-kide tare da Symphony na Seattle, St Petersburg Philharmonic, London Philharmonic da Czech Philharmonic. A cikin kakar 2013/2014, don tunawa da ranar haihuwarsa na 70th, Lill ya buga wasan Beethoven sonata a London da Manchester, kuma ya yi recitals a BenaroyaHall a Seattle, Dublin National Concert Hall, Babban Hall na St. Petersburg Philharmonic. ya kuma zagaya kasar Burtaniya tare da kungiyar kade-kade ta Royal Philharmonic (ciki har da wasan kwaikwayo a zauren bikin Royal), wanda aka yi muhawara tare da kungiyar makada ta kasa da kasa ta Beijing da kungiyar kade-kade ta Vienna Tonkunstler. An sake buga wasa tare da Ƙungiyoyin Ƙwallon Ƙasa na Halle, Ƙungiyar Sojan Sama na Ƙasar Wales, Ƙungiyar Ƙwararrun Ƙwararrun Ƙwararrun Ƙwararru ta Ƙasar Scotland da kuma Bournemouth Symphony Orchestra.

A watan Disamba na 2013, Lill ya yi a Moscow a bikin gayyata na Vladimir Spivakov…, yana yin duka biyun Beethoven Piano Concertos a maraice biyu tare da Orchestra na Philharmonic na Rasha wanda Vladimir Spivakov ya jagoranta.

An yi rikodi da yawa na mai wasan pian a kan lakabin DeutscheGrammophon, EMI (cikakkiyar zagayowar kide-kide na Beethoven tare da kungiyar kade-kade ta Royal Scottish Orchestra wanda A. Gibson ke gudanarwa), ASV (concertos Brahms guda biyu tare da Orchestra na Halle wanda J. Lachran ke gudanarwa; duk Beethoven sonatas), PickwickRecords (Concerto No. 1 na Tchaikovsky tare da ƙungiyar mawaƙa ta London Symphony wanda J. Judd ke gudanarwa).

Ba da dadewa ba, Lill ya rubuta cikakken tarin sonatas na Prokofiev akan ASV; cikakken tarin kide-kiden Beethoven tare da kungiyar kade-kade ta Birmingham wanda W. Weller da bagatelles dinsa suka gudanar akan Chando; Fantasy M. Arnold akan Jigo na John Field ( sadaukarwa ga Lill ) tare da ƙungiyar makaɗa ta Royal Philharmonic wanda W. Hendley ke gudanarwa akan Conifer; duk wasannin kide-kide na Rachmaninov, da kuma shahararrun wakokinsa na solo akan Nimbus Records. Sabbin faifan rikodin John Lill sun haɗa da ayyukan Schumann akan lakabin Classicsfor Pleasure da sabbin kundi guda biyu akan Signumrecords, gami da sonatas na Schumann, Brahms da Haydn.

John Lill likita ne mai girmamawa na jami'o'i takwas a Burtaniya, memba mai girmamawa na manyan kwalejoji da makarantun kiɗa. A cikin 1977 an ba shi mukamin Jami'in Tsarin Mulkin Burtaniya, kuma a cikin 2005 - Kwamandan Tsarin Mulkin Burtaniya don sabis na fasahar kiɗa.