Gastone Limarilli (Gastone Limarilli) |

Gastone Limarilli

Yanzu kusan an manta shi. Lokacin da ya mutu (a 1998), da Turanci mujallar Opera ya ba da singer kawai 19 laconic Lines. Kuma akwai lokacin da ake sha'awar muryarsa. Duk da haka, ba duka ba. Domin akwai a cikin waƙarsa, tare da kyakkyawan yanayi, wani nau'i na rashin kunya, wuce haddi. Bai hakura ba, ya rera waka da hargitsi, da sauri ya bar dandalin. Kololuwar aikinsa ya zo a cikin 60s. Kuma a tsakiyar shekarun 70s, ya fara bacewa a hankali daga matakan manyan gidajen wasan kwaikwayo na duniya. Lokaci ya yi da za a sanya masa suna: game da ɗan gidan Italiya Gaston Limarilli ne. A yau a sashinmu na gargajiya muna magana game da shi.

An haifi Gastone Limarilli a ranar 29 ga Satumba, 1927 a Montebelluna, a lardin Treviso. Game da farkon shekarunsa, game da yadda ya zo duniyar opera, mawaƙa, ba tare da jin dadi ba, ya gaya wa Renzo Allegri, marubucin littafin "Farashin Nasara" (wanda aka buga a 1983), wanda aka sadaukar don taurari na opera. Da dadewa daga duniyar fasaha, yana zaune a gida a cikin wani ƙaramin villa, babban iyali kewaye da karnuka da kaji, mai son girki da ruwan inabi, yana kama da wani mutum mai launi sosai a shafukan wannan aikin.

Kamar yadda sau da yawa yakan faru, babu wanda a cikin dangin mai daukar hoto, ciki har da Gaston kansa, ya yi tunanin irin wannan juyi na al'amuran a matsayin aikin mawaƙa. Matashin ya bi sawun mahaifinsa, ya tsunduma cikin daukar hoto. Kamar yawancin Italiyanci, yana son raira waƙa, ya shiga cikin wasan kwaikwayo na ƙungiyar mawaƙa na gida, amma bai yi tunani game da ingancin wannan aikin ba.

An lura da matashin a yayin wani wasan kide-kide a cocin daga wani masoyin kade-kade, mai son surukinsa Romolo Sartor. A lokacin ne farkon yanke hukunci a cikin makomar Gaston ya faru. Duk da lallashin Sartor, bai so ya koyi rera waƙa. Da haka abin ya kare. Idan ba don ɗaya ba amma ... Sartor yana da 'ya'ya mata biyu. Daya daga cikinsu yana son Gaston. Wannan ya canza lamarin sosai, sha'awar yin karatu ta farka ba zato ba tsammani. Ko da yake ba za a iya kiran hanyar novice mawaƙa cikin sauƙi ba. Akwai bege da rashin sa'a. Sartor kadai bai karaya ba. Bayan yunƙurin da bai yi nasara ba don yin karatu a ɗakin ajiya a Venice, ya kai shi Mario del Monaco da kansa. Wannan taron shine karo na biyu da aka juyo a cikin makomar Limarilli. Del Monaco ya yaba da ikon Gastone kuma ya ba da shawarar cewa ya je Pesaro zuwa maestro na Malocchi. Shi ne na karshen wanda ya sami damar "sata gaskiya" muryar saurayi a kan hanya. Bayan shekara guda, Del Monaco yayi la'akari da Gastone a shirye don fadace-fadace. Kuma ya tafi Milan.

Amma ba komai ba ne mai sauƙi a cikin rayuwar fasaha mai wahala. Duk ƙoƙarin samun haɗin gwiwa ya ƙare cikin rashin nasara. Shiga gasa kuma bai kawo nasara ba. Gaston ya yanke kauna. Kirsimeti 1955 shine mafi wuya a rayuwarsa. Tuni ya nufi gida. Kuma yanzu… gasa ta gaba ta Nuovo Theatre tana kawo sa'a. Mawakin ya tafi wasan karshe. An ba shi damar yin waƙa a Pagliacci. Iyaye sun zo wurin wasan kwaikwayon, Sartor tare da 'yarsa, wanda a lokacin ya kasance amaryarsa, Mario del Monaco.

Me za a ce. Nasara, nasara mai ban tsoro a cikin rana ɗaya "ya sauko" zuwa mawaƙa. Kashegari, jaridu sun cika da jimloli kamar "An haifi sabon Caruso." Ana gayyatar Limarilli zuwa La Scala. Amma ya yi biyayya da shawara mai hikima na Del Monaco - ba don gaggawa tare da manyan gidajen wasan kwaikwayo ba, amma don ƙarfafa ƙarfinsa da samun kwarewa a kan matakan lardin.

Aikin Limarilli ya riga ya hauhawa, yanzu ya yi sa'a. Shekaru hudu bayan haka, a cikin 1959, ya fara halarta a cikin Opera na Rome, wanda ya zama matakin da ya fi so, inda mawaƙin ya yi ta kai-tsaye har zuwa 1975. A wannan shekarar, a ƙarshe ya bayyana a La Scala (na farko a matsayin Hippolyte a cikin Pizzetti's Phaedra).

A cikin shekarun 60s, Limarilli ya kasance baƙon maraba akan dukkan manyan matakai a duniya. An yaba masa ta Covent Garden, Metropolitan, Vienna Opera, ba tare da ambaton abubuwan Italiyanci ba. A cikin 1963 ya rera Il trovatore a Tokyo (akwai rikodin sauti na ɗaya daga cikin wasan kwaikwayo na wannan yawon shakatawa tare da ƙwaƙƙwaran ƙwaƙƙwaran: A. Stella, E. Bastianini, D. Simionato). A cikin 1960-68 ya yi kowace shekara a Baths na Caracalla. Maimaitawa (tun 1960) yana rera waka a bikin Arena di Verona.

Limarilli shine mafi haske, da farko, a cikin repertoire na Italiyanci (Verdi, verists). Daga cikin mafi kyawun aikinsa akwai Radamès, Ernani, Foresto a cikin Attila, Canio, Dick Johnson a cikin Yarinya daga Yamma. Ya yi nasarar rera sassan Andre Chenier, Turiddu, Hagenbach a cikin "Valli", Paolo a cikin "Francesca da Rimini" Zandonai, Des Grieux, Luigi a cikin "The Cloak", Maurizio da sauransu. Ya kuma yi a cikin irin wannan matsayin kamar Jose, Andrey Khovansky, Walter a cikin Nuremberg Meistersingers, Max a cikin Free Shooter. Duk da haka, waɗannan sun kasance ƙwaƙƙwaran ɓoyayyiyar ɓarna fiye da iyakokin kiɗan Italiyanci.

Daga cikin abokan wasan Limarilli akwai manyan mawaƙa na wancan lokacin: T. Gobbi, G. Simionato, L. Gencher, M. Olivero, E. Bastianini. Gadon Limarilli ya haɗa da rikodin raye-raye da yawa na operas, daga cikinsu akwai "Norma" tare da O. de Fabritiis (1966), "Attila" tare da B. Bartoletti (1962), "Stiffelio" tare da D. Gavazzeni (1964), "Sicilian Vespers" "tare da D .Gavazzeni (1964), "The Force of Destiny" tare da M. Rossi (1966) da sauransu.

E. Tsodokov