Elizaveta Ivanovna Antonova |

Elisaveta Antonova

Kyawawan katako na murya mai haske da karfi, ma'anar raira waƙa, halayyar makarantar muryar Rasha, ta sami Elizaveta Ivanovna ƙauna da tausayi na masu sauraro. Har ya zuwa yanzu, muryar mawakiyar na ci gaba da jan hankalin masoyan wakokin da ke sauraron muryarta ta sihiri, wadanda aka adana a cikin faifan.

Antonova ta repertoire hada da fadi da dama sassa na Rasha classic operas - Vanya (Ivan Susanin), Ratmir (Ruslan da Lyudmila), Princess (Rusalka), Olga (Eugene Onegin), Nezhata (Sadko), Polina ("The Sarauniya Spades"). Konchakovna ("Prince Igor"), Lel ("The Snow Maiden"), Solokha ("Cherevichki") da sauransu.

A 1923, da singer, da yake yarinya mai shekaru goma sha tara, ya zo Moscow tare da abokinsa daga Samara, ba tare da sanin ko wani takamaiman shiri na aikin ba, sai dai babban sha'awar koyon waƙa. A Moscow, 'yan matan sun sami mafaka ta hanyar zane-zane VP Efanov, wanda ya sadu da su da gangan, wanda kuma ya zama ɗan'uwansu. Wata rana, suna tafiya a kan titi, abokai sun ga talla don shiga ƙungiyar mawaƙa na Bolshoi Theatre. Sai suka yanke shawarar gwada sa'arsu. Sama da mawaka dari hudu ne suka zo gasar, wadanda da yawa daga cikinsu suna da ilimin mazan jiya. Da sanin cewa 'yan mata ba su da ilimin kiɗa, an yi musu ba'a kuma, idan ba don buƙatun abokina ba, Elizaveta Ivanovna ba shakka zai ƙi gwajin. Amma muryarta ta yi tasiri sosai cewa ta shiga cikin ƙungiyar mawaƙa ta Bolshoi Theater, kuma mawaƙin mawaƙa Stepanov ya ba da damar yin karatu tare da mawaƙa. A lokaci guda, Antonova yana daukar darussa daga shahararren mawakin Rasha, Farfesa M. Deisha-Sionitskaya. A 1930, Antonova shiga farko Moscow Musical College, inda ta yi karatu shekaru da yawa karkashin jagorancin Farfesa K. Derzhinskaya, ba tare da daina aiki a cikin mawaƙa na Bolshoi Theater. Don haka, matashin mawaƙa a hankali ya sami ƙwarewa mai zurfi a fagen fasaha da fasaha, yana shiga cikin ayyukan opera na Bolshoi Theater.

A 1933, bayan da Elizaveta Ivanovna ta halarta a karon a Rusalka a matsayin Princess, ya bayyana a fili cewa singer ya kai sana'a balaga, kyale ta ta zama soloist. Ga Antonova, aiki mai wuya amma mai ban sha'awa yana farawa akan wasannin da aka sanya mata. Tun da yake tunawa da tattaunawar da ta yi da LV Sobinov da sauran jiga-jigan gidan wasan kwaikwayo na Bolshoi na waɗannan shekarun, mawaƙin ya rubuta: "Na gane cewa ina bukatar in ji tsoron abubuwan ban mamaki a zahiri, nisanta daga tarurrukan opera, guje wa clichés masu ban haushi… muhimmancin yin aiki a kan hotunan mataki. Ta koya wa kanta karatun ba kawai sashinta ba, har ma da wasan opera gabaɗaya har ma da tushen adabinsa.

A cewar Elizaveta Ivanovna, karanta waka marar mutuwa ta Pushkin "Ruslan da Lyudmila" ya taimaka mata don ƙirƙirar hoton Ratmir a cikin wasan kwaikwayo na Glinka, kuma juya zuwa rubutun Gogol ya ba da dama don fahimtar rawar Solokha a cikin "Cherevichki" Tchaikovsky. "Lokacin da nake aiki a wannan bangare," Antonova ya rubuta, "Na yi ƙoƙarin kasancewa kusa da hoton Solokha wanda NV Gogol ya kirkira, kuma na sake karanta sau da yawa layukan daga "Dare Kafin Kirsimeti" ... "Mawaƙin. , kamar yadda ake yi, ta ga a gabanta wata mace 'yar Ukrainian mai kaifin basira, mai ban sha'awa da mace, duk da cewa "ba ta da kyau kuma ba ta da kyau… Zane-zane na rawar kuma ya ba da shawarar manyan fasalulluka na aikin sashin murya. Muryar Elizaveta Ivanovna ta sami launi daban-daban lokacin da ta rera ɓangaren Vanya a cikin Ivan Susanin. Sau da yawa ana jin muryar Antonova a rediyo, a cikin kide-kide. Faɗin ɗakinta na repertoire ya haɗa da ayyukan da manyan ƴan ƙasar Rasha suka yi.

Hoton hoto na EI Antonova:

1. Olga ta part - "Eugene Onegin", na biyu cikakken version na opera, rubuta a 1937 tare da sa hannu na P. Nortsov, I. Kozlovsky, E. Kruglikova, M. Mikhailov, mawaƙa da makada na Bolshoi Theater.
2. Sashe na Milovzor - "The Queen of Spades", na farko da cikakken rikodi na opera a 1937 tare da sa hannu na N. Khanaev, K. Derzhinskaya, N. Obukhova, P. Selivanov, A. Baturin, N. Spiller da sauransu. ƙungiyar mawaƙa da ƙungiyar mawaƙa ta Bolshoi Theatre, shugaba S A. Samosud. (A halin yanzu, yawancin kamfanoni na kasashen waje sun fito da wannan rikodin a CD.)
3. Sashe na Ratmir - "Ruslan da Lyudmila", na farko da cikakken rikodi na opera a 1938 tare da sa hannu na M. Reizen, V. Barsova, M. Mikhailov, N. Khanaev, V. Lubentsov, L. Slivinskaya da sauransu, mawaƙa. da makada na Bolshoi Theatre, shugaba SA Samosud. (A tsakiyar shekarun 1980, Melodiya ta fitar da wani rikodin a kan rikodin phonograph.)
4. Bangaren Vanya shine Ivan Susanin, cikakken rikodin farko na opera a cikin 1947 tare da halartar M. Mikhailov, N. Shpiller, G. Nelepp da sauransu, ƙungiyar mawaƙa da ƙungiyar mawaƙa ta Bolshoi Theater, shugaba A. Sh. Melik-Pashaev. (A halin yanzu, wasu kamfanoni na waje da na cikin gida sun fito da rikodin a CD.)
5. Sashe na Solokha - "Cherevichki", na farko da cikakken rikodi na 1948 tare da G. Nelepp, E. Kruglikova, M. Mikhailov, Al. Ivanova da sauransu, mawaƙa da ƙungiyar mawaƙa na Bolshoi Theatre, shugaba A. Sh. Melik-Pashaev. (A halin yanzu an sake shi a ƙasashen waje akan CD.)
6. Sashe na Nezhata - "Sadko", na uku cikakken rikodi na 1952 opera tare da sa hannu na G. Nelepp, E. Shumskaya, V. Davydova, M. Reizen, I. Kozlovsky, P. Lisitsian da sauransu, mawaƙa da mawaƙa. Bolshoi gidan wasan kwaikwayo, madugu - N S. Golovanov. (A yanzu haka wasu kamfanoni na waje da na cikin gida sun fito da su akan CD.)