Dmitry Bashkirov (Dmitri Bashkirov) |

Dmitri Bashkirov

Yawancin mawakan matasa waɗanda suka sadu a farkon shekarun XNUMX a Moscow Conservatory tabbas suna tuna bayyanar farko a cikin ginshiƙan aji na swarthy, saurayi mai bakin ciki tare da motsin motsi da rayayyun fuskokin fuska akan wayar hannu. Sunansa Dmitry Bashkirov, abokansa nan da nan suka fara kiran shi kawai Delik. Kadan aka sani game da shi. An ce ya sauke karatu daga Tbilisi shekaru goma music makaranta karkashin Anastasia Davidovna Virsaladze. Da zarar, a daya daga cikin jarrabawa, Alexander Borisovich Goldenweiser ji shi - ya ji, ya yi farin ciki da kuma shawarce shi ya kammala karatunsa a babban birnin kasar.

Sabon dalibin Goldenweiser yana da hazaka sosai; kallonsa - kai tsaye, mutumin da ba a sani ba - ba shi da wahala a lura: don haka cikin sha'awa da rashin son kai, tare da irin wannan baiwar kai, kyawawan dabi'un gaske ne kawai za su iya amsa yanayin kamar shi…

Dmitry Aleksandrovich Bashkirov ya zama sananne a matsayin mai wasan kwaikwayo na wasan kwaikwayo tsawon shekaru. Komawa cikin 1955, ya sami Grand Prix a gasar M. Long - J. Thibault a Paris; wannan ya kaddamar da aikinsa na mataki. Yanzu yana da ɗaruruwan wasan kwaikwayo a bayansa, an yaba masa a Novosibirsk da Las Palmas, Chisinau da Philadelphia, a cikin ƙananan garuruwan Volga da manyan wuraren da suka shahara a duniya. Lokaci ya canza da yawa a rayuwarsa. Kasan da halinsa. Shi, kamar yadda ya gabata, yana da sha'awa, kamar idan mai sauri yana canzawa kuma yana sauri, kowane minti yana shirye don ɗaukar wani abu, don kama wuta…

Abubuwan da ke cikin yanayin Bashkir, waɗanda aka ambata, suna bayyane a fili a cikin fasaharsa. Launuka na wannan fasaha ba su shuɗe ba kuma sun ɓace tsawon shekaru, ba su rasa wadatar su ba, ƙarfi, iridescence. Pianist yana wasa, kamar da. m; in ba haka ba, ta yaya za ta damu? Zai yiwu babu wani hali ga kowa da kowa ya zagi Bashkirov artist saboda rashin sha'awa, ruhaniya rashin tausayi, satiety tare da m search. Don wannan, ya kasance marar natsuwa a matsayin mutum kuma mai fasaha, yana ci gaba da ƙonewa tare da wani nau'in wuta na ciki wanda ba zai iya kashewa ba. Wannan na iya zama dalilin wasu gazawar matakinsa. Babu shakka, a daya bangaren, shi ne daidai daga nan, daga rashin natsuwa na halitta da kuma mafi yawan nasarorinsa.

A shafukan da music-m latsa Bashkirov sau da yawa ake kira romantic pianist. Lalle ne, a fili yake wakilta zamani soyayya. (VV Sofronitsky, yana magana da V. Yu. Delson, ya faɗi: "Bayan haka, akwai kuma soyayya ta zamani, kuma ba kawai soyayya na karni na XNUMX ba, kun yarda?" (Memories na Sofronitsky S. 199.)). Duk abin da mawaki Bashkirov ya fassara - Bach ko Schumann, Haydn ko Brahms - yana jin kiɗan kamar an halicce shi a yau. Ga masu halartar kide-kide na nau'in nasa, marubucin ko da yaushe ya kasance na zamani: an goge tunaninsa kamar nasa, tunaninsa ya zama nasa. Babu wani abu da ya fi baƙo ga waɗannan 'yan wasan kide-kide fiye da salo, "wakilta", karya don archaic, nunin kayan tarihi na kayan tarihi. Wannan abu ɗaya ne: jin daɗin kiɗan mai zane mu zamani, na mu kwanaki. Akwai wani abu kuma, wanda kuma ya ba mu damar yin magana game da Bashkirov a matsayin wakili na al'ada na zane-zane na zamani.

Yana da madaidaicin ƙwararrun pianism. An yi imani da cewa yin kida na soyayya abin sha'awa ne marar karewa, bugu-bushe na ji, almubazzaranci na launuka masu haske, duk da yanayin sautin da ba su da siffa. Connoisseurs sun rubuta cewa masu zane-zane na soyayya suna yin la'akari da "marasa hankali, rashin fahimta, rashin fahimta da hazo", cewa "sun yi nisa da zane-zane na kayan ado" (Martins KA Dabarun piano guda ɗaya. - M., 1966. S. 105, 108.). Yanzu zamani ya canza. An gyara ma'auni, hukunci, dandano. A cikin shekarun da ake yin rikodi na gramophone mai tsauri sosai, watsa shirye-shiryen rediyo da talabijin, sautin “nebulae” da “rashin fahimta” kowa ba ya gafartawa, ga kowa kuma a cikin kowane yanayi. Bashkirov, soyayya na zamaninmu, ya kasance na zamani, a tsakanin sauran abubuwa, ta hanyar da hankali "wanda aka yi" na kayan aikin sa, ƙwararrun ɓarna na duk cikakkun bayanai da hanyoyin haɗin gwiwa.

Abin da ya sa kiɗansa yana da kyau, yana buƙatar cikar sharadi na kayan ado na waje, "zanen kayan ado na kayan ado". Jerin nasarorin da ya samu yana buɗewa da abubuwa kamar abubuwan gabatarwa na Debussy, Chopin's mazurkas, "Fleeting" da Prokofiev's Fourth Sonata, Schumann's "Launuka masu launi", Fantasia da F-kananan novelette, da yawa daga Schubert, Liszt, Scriabin, Ravel. . Akwai abubuwa masu ban sha'awa da yawa waɗanda ke jawo hankalin masu sauraro a cikin repertoire na gargajiya - Bach (F-minor concerto), Haydn (E-flat major sonata), Mozart (concert: Tara, sha huɗu, sha bakwai, ashirin da huɗu), Beethoven (sonatas: “ Lunar” , “Pastoral”, na sha takwas, kide-kide: na farko, na uku, na biyar). A cikin kalma, duk abin da ya ci nasara a cikin watsawar Bashkirov shine inda a cikin gaba akwai kyakkyawan tsarin sauti mai kyau, mai kyan gani na kayan aiki.

(Tun da farko an ce waɗanda suke buga piano, kamar masu zane-zane, suna amfani da dabaru daban-daban na “rubutu”: wasu kamar fensir mai kaifi, wasu kamar gouache ko launin ruwan ruwa, wasu kuma suna son fenti mai nauyi. Bashkirov galibi ana danganta shi. tare da mawallafin pianist: ƙirar sautin bakin ciki akan bangon tunani mai haske…)

Kamar mutane da yawa da gaske baiwa mutane, Bashkirov faruwa a canza ta m farin ciki. Ya san yadda zai zama mai zargi: "Ina tsammanin na yi nasara a cikin wannan wasan kwaikwayo," za ku iya ji daga gare shi bayan wasan kwaikwayo, "amma wannan ba haka ba ne. Farin ciki ya shiga hanya… Wani abu ya “canza”, ya zama ya fita daga “mayar da hankali” - ba yadda aka yi niyya ba. An san cewa farin ciki yana tsoma baki tare da kowa da kowa - masu farawa da mashawarta, mawaƙa, 'yan wasan kwaikwayo har ma da marubuta. "Lokacin da ni kaina na fi farin ciki ba shine lokacin da zan iya rubuta abubuwan da suka shafi mai kallo ba," in ji Stendhal; yana jin haka da yawan muryoyi. Kuma duk da haka, ga wasu, jin daɗi yana cike da babban cikas da matsaloli, ga wasu, ƙasa. Sauƙaƙe mai ban sha'awa, jin tsoro, yanayi masu faɗi suna da wahala.

A cikin lokutan farin ciki mai girma a kan mataki, Bashkirov, duk da nufinsa, ya hanzarta aikin, ya fada cikin farin ciki. Wannan yakan faru ne a farkon wasanninsa. A hankali, duk da haka, wasansa ya zama al'ada, siffofin sauti suna samun tsabta, layi - amincewa da daidaito; tare da gogaggen kunne, mutum na iya kamawa koyaushe lokacin da ɗan wasan pianist ya sami nasarar saukar da guguwar tashin hankali na matakin wuce gona da iri. An kafa gwaji mai ban sha'awa kwatsam a daya daga cikin maraice na Bashkirov. Ya buga waƙa iri ɗaya sau biyu a jere - ƙarshen Mozart's Piano Concerto na sha huɗu. A karo na farko - ɗan gaggawa da jin daɗi, na biyu (don haɓakawa) - ƙarin kamewa cikin sauri, tare da ƙarin kwanciyar hankali da kamun kai. Yana da ban sha'awa don lura da yadda lamarin yakerage tashin hankali"ya canza wasan, ya ba da sakamako daban, mafi girma na fasaha.

Fassarar Bashkirov ba su da alaƙa da stencil na yau da kullun, samfuran aikin da aka saba; Wannan ita ce fa'idarsu bayyananne. Suna iya zama (kuma suna) rigima, amma ba mara launi ba, kuma na zahiri, amma ba maras kyau ba. A cikin kide kide da wake-wake na artist, shi ne kusan ba zai yiwu a hadu da mutane sha'aninsu dabam, shi ba a yi magana da wadanda ladabi da kuma m yabo da yawanci ba a kan mediocrity. Bashkirov's art ko dai ana yarda da shi da ɗorewa da ɗorawa, ko kuma, ba tare da ƙwazo da sha'awa ba, suna tattaunawa da pianist, rashin jituwa da shi ta wasu hanyoyi kuma ba su yarda da shi ba. A matsayin mai zane-zane, ya saba da "'yan adawa" masu kirkiro; a ka'ida, wannan yana iya kuma ya kamata a ba da shi.

Wasu sun ce: a cikin wasan Bashkirov, sun ce, akwai mai yawa na waje; ya kasance wani lokacin wasan kwaikwayo, pretentious… Wataƙila, a cikin irin waɗannan maganganun, baya ga bambance-bambancen yanayi na ɗanɗano, akwai rashin fahimtar ainihin yanayin aikinsa. Shin yana yiwuwa ba a la'akari da nau'ikan nau'ikan nau'ikan wannan ko waccan na fasaha | hali? Bashkirov da concertant - irin wannan yanayi - ko da yaushe yadda ya kamata "duba" daga waje; mai haske da haske ya bayyana kansa a waje; abin da zai zama wasan kwaikwayo na wasan kwaikwayo ko strumming ga wani, yana da nau'i na kwayoyin halitta da na halitta kawai na "I". (The duniya gidan wasan kwaikwayo tuna Sarah Bernhardt tare da ta kusan eccentric mataki halaye, ya tuna da ladabi, wani lokacin inconspicuous a waje Olga Osipovna Sadovskaya - a cikin biyu lokuta shi ne na gaske, babban art.) kai a cikin m, kusan babu bambanci subtext. Idan za mu ɗauki matsayin mai suka, to a wani lokaci dabam.

Haka ne, fasaha na mai wasan piano yana ba masu sauraro budewa da motsin rai. Babban inganci! A kan dandalin wasan kwaikwayo, sau da yawa kuna fuskantar ƙarancinsa, maimakon ƙari. (Yawanci suna "fadi gajarta" a cikin bayyanar da ji, kuma ba mataimakin ba.) Duk da haka, a cikin jihohin tunaninsa - jin dadi, jin dadi, da dai sauransu - Bashkirov wani lokaci, akalla a baya, da ɗan uniform. Mutum zai iya ba da misalin fassararsa na Glazunov's B flat small sonata: ya faru da rashin almara, faɗi. Ko Concerto na Biyu na Brahms - a bayan wasan wuta mai ban sha'awa na sha'awa, a cikin shekarun da suka gabata, ba a koyaushe tunanin mai zane a ciki ba. Daga fassarori na Bashkirov akwai jan-zafi magana, halin yanzu na babban tashin hankali. Kuma wani lokaci mai sauraro ya fara jin sha'awar canzawa zuwa wasu, mafi nisa sautin motsin rai, zuwa wasu, mafi sabanin sassa na ji.

Duk da haka, magana yanzu game da baya tsohon. Mutanen da suka saba da wasan kwaikwayo na Bashkirov kullum suna samun canje-canje, canje-canje, da sauye-sauye na fasaha masu ban sha'awa a cikinsa. Ko dai wanda zai iya ganin zaɓi na zane-zane na zane-zane ya fi dacewa, ko kuma an bayyana hanyoyin da ba a sani ba a baya (a cikin 'yan shekarun nan, alal misali, sassan sassan layi na sonata na gargajiya sun yi sauti musamman mai tsabta da rai). Babu shakka, fasaharsa ta wadatar da sabbin abubuwan ganowa, ƙarin hadaddun abubuwa da bambance-bambancen tunani. Ana iya ganin wannan, musamman, a cikin wasan kwaikwayo na Bashkirov na wasan kwaikwayo ta KFE , Fantasia da Sonata a cikin C ƙananan ta Mozart, nau'in piano na Violin Concerto, Op. 1987 ta Beethoven, da dai sauransu)

Bashkirov babban mai magana ne. A dabi'ance shi mai bincike ne kuma mai bincike; yana sha'awar abubuwa da yawa; a yau, kamar a lokacin ƙuruciyarsa, yana duban duk abin da ke da alaka da fasaha, tare da rayuwa. Bugu da ƙari, Bashkirov ya san yadda za a iya tsara tunaninsa a fili da kuma a fili - ba daidai ba ne cewa ya buga labarai da yawa game da matsalolin wasan kwaikwayo na kiɗa.

"Na ce ko da yaushe," Dmitry Alexandrovich sau ɗaya furta a cikin wani zance, "cewa a cikin mataki kerawa babban abu mafi muhimmanci da aka ƙaddara ta sosai sito na gwaninta - nasa. mutum halaye da kaddarorin. Da wannan ne aka haɗa hanyar mai yin wasan kwaikwayo zuwa wasu al'amuran fasaha, fassarar ayyukan mutum ɗaya. Masu suka da kuma wani ɓangare na jama'a, wani lokacin, ba sa la'akari da wannan yanayin - yin la'akari da wasan mai zane a zahiri, bisa ga yadda suke. da Ina so in ji ana kunna kiɗan. Wannan gaba daya karya ne.

Tsawon shekaru, gabaɗaya na yi imani ƙasa da ƙasa game da wanzuwar wasu daskararru kuma maras tabbas. Alal misali - yadda ya zama dole (ko, akasin haka, ba lallai ba ne) don fassara irin wannan marubucin, irin wannan rubutun. Aiki ya nuna cewa yanke shawara na aiki na iya bambanta sosai kuma daidai da gamsarwa. Ko da yake wannan ba yana nufin, ba shakka, cewa mai zane yana da haƙƙin son kai ko son kai.

Wata tambaya. Shin wajibi ne a lokacin balaga, yana da shekaru 20-30 na gwaninta a bayansa, don kunna piano? Karafiye da samartaka? Ko kuma akasin haka - shin ya fi dacewa don rage yawan nauyin aiki tare da shekaru? Akwai ra'ayoyi da ra'ayoyi daban-daban akan wannan. Bashkirov ya ce: "A gare ni, amsar a nan za ta iya zama mutum ne kawai. “Akwai ’yan wasan da muke kira da virtuosos da aka haifa; tabbas suna buƙatar ƙarancin ƙoƙari don kiyaye kansu cikin kyakkyawan yanayin aiki. Kuma akwai wasu. Wadanda ba a taba ba su wani abu kamar haka ba, ba shakka, ba tare da kokari ba. A zahiri, dole ne su yi aiki ba tare da gajiyawa ba duk rayuwarsu. Kuma a cikin shekarun baya ma fiye da na matasa.

A gaskiya, dole ne in ce a cikin manyan mawaƙa, kusan ban taɓa saduwa da waɗanda, tsawon shekaru, da shekaru, za su raunana bukatun su a kan kansu. Yawancin lokaci akasin hakan yana faruwa.”

Tun 1957 Bashkirov yana koyarwa a Moscow Conservatory. Haka kuma, a tsawon lokaci, matsayi da mahimmancin ilimin koyarwa a gare shi yana ƙara karuwa. “A lokacin ƙuruciyata, sau da yawa nakan yaba da cewa, in ji su, ina da lokaci don komai - duka na koyarwa da shirya wasannin kide-kide. Kuma wannan ba wai kawai cikas ba ne ga ɗayan, amma watakila ma akasin haka: ɗaya yana goyon bayan, yana ƙarfafa ɗayan. A yau, ba zan yi jayayya da wannan… Lokaci da shekaru har yanzu suna yin nasu gyare-gyare - ba za ku iya kimanta wani abu daban ba. A zamanin yau, na yi tunanin cewa koyarwa yana haifar da wasu matsaloli don wasan kwaikwayo, yana iyakance shi. Anan akwai rikici wanda koyaushe kuke ƙoƙarin warwarewa kuma, abin takaici, ba koyaushe cikin nasara ba.

Tabbas, abin da aka fada a sama baya nufin cewa ina tambayar larura ko dacewa na aikin koyarwa ga kaina. Babu hanya! Ya zama wani muhimmin bangare na rayuwata ta yadda babu wasu matsaloli game da shi. Ina bayyana gaskiyar yadda suke.”

A halin yanzu, Bashkirov yana ba da kide-kide 55 a kowace kakar. Wannan adadi ya tabbata a gare shi kuma kusan shekaru da yawa bai canza ba. "Na san akwai mutanen da suka fi yin aiki da yawa. Ban ga wani abin mamaki ba a cikin wannan: kowa yana da kuzari daban-daban, juriya, ƙarfin jiki da tunani. Babban abu, ina tsammanin, ba nawa ne za a yi wasa ba, amma ta yaya. Wato, ƙimar fasaha na wasan kwaikwayo yana da mahimmanci da farko. Domin jin alhakin abin da kuke yi a kan mataki yana girma kullum.

A yau, ya ci gaba Dmitry Aleksandrovich, yana da matukar wuya a shagaltar da cancantar wuri a kan kasa da kasa m da kuma yin scene. Bukatar yin wasa sau da yawa isa; wasa a birane da kasashe daban-daban; gudanar da shirye-shirye daban-daban. Kuma, ba shakka, ba shi duka. a daidai matakin sana'a. Sai kawai a karkashin irin wannan yanayi, mai zane, kamar yadda suke faɗa, zai kasance a gani. Tabbas, ga wanda ya tsunduma cikin ilimin koyarwa, wannan ya fi wuya fiye da wanda ba malami ba. Saboda haka, yawancin matasa masu halartar kide-kide da gaske suna watsi da koyarwa. Kuma wani wuri za a iya fahimtar su - idan aka ba da gasa da ke karuwa a cikin fasahar fasaha ... "

Komawa ga tattaunawar game da nasa aikin koyarwa, Bashkirov ya ce a gaba ɗaya yana jin farin ciki sosai a ciki. Mai farin ciki saboda yana da ɗalibai, sadarwa mai ƙirƙira wanda ya kawo shi - kuma ya ci gaba da bayarwa - babban farin ciki. "Idan ka kalli mafi kyawun su, dole ne ka yarda cewa hanyar yin suna ba ta cika da wardi ga kowa ba. Idan har sun cimma wani abu, yawanci ta kokarinsu ne. Da kuma iyawa m kai ci gaban (wanda nake la'akari da mafi mahimmanci ga mawaƙa). Nawa iya aiki na fasaha ba su tabbatar da lambar serial ba a wannan ko waccan gasa, amma ta hanyar cewa suna wasa a yau akan matakan ƙasashe da yawa na duniya.

Ina so in faɗi kalma ta musamman game da wasu ɗalibai na. A taqaice. A zahiri a cikin 'yan kalmomi.

Dmitry Alekseev. Ina son shi a ciki rikicin cikin gidawanda ni a matsayina na malaminsa na sani sosai. Rikici a mafi kyawun ma'anar kalmar. Maiyuwa ba za a iya gani sosai a farkon gani ba - maimakon ɓoye fiye da bayyane, amma akwai, akwai, kuma wannan yana da mahimmanci. Alekseev a fili yana sane da ƙarfinsa da rauninsa, ya fahimci cewa gwagwarmayar da ke tsakanin su da yana nufin ci gaba a cikin sana'ar mu. Wannan motsi na iya gudana tare da shi, kamar sauran mutane, cikin sauƙi kuma a ko'ina, ko kuma yana iya ɗaukar nau'i na rikice-rikice da ci gaban da ba zato ba tsammani a cikin sabbin fasahohin ƙirƙira. Ba komai ta yaya. Yana da mahimmanci cewa mawaƙin ya ci gaba. Game da Dmitry Alekseev, ga alama a gare ni, ana iya faɗi wannan ba tare da tsoron faɗuwa cikin ƙari ba. Babban darajarsa a duniya ba ta ganganci ba ce.

Nikolai Demidenko. Akwai wani hali na kaskantar da kai gare shi lokaci guda. Wasu ba su yi imani da makomarsa ta fasaha ba. Me zan iya cewa game da wannan? An san cewa wasu masu yin wasan kwaikwayo suna girma da wuri, da sauri (wani lokaci ma suna girma da sauri, kamar wasu daga cikin ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwarar ) , a halin yanzu ), ga wasu kuma wannan tsari yana tafiya a hankali a hankali. Yana ɗaukar shekaru don ci gaba da haɓakawa, balagagge, tsayawa da ƙafafunsu, fitar da mafi kyawun abin da suke da shi… A yau, Nikolay Demidenko yana da kyakkyawan aiki, yana wasa da yawa a birane daban-daban na ƙasarmu da ƙasashen waje. Ba na yawan jinsa sosai, amma idan na je wasan kwaikwayonsa, sai na ga yawancin abubuwan da yake yi a yanzu ba su yi daidai da na dā ba. Wani lokaci kusan ban gane a cikin fassararsa na waɗannan ayyukan da muka wuce a cikin aji ba. Kuma ni, a matsayina na malami, wannan shine babban lada…

Sergey Erokhin. A VIII Tchaikovsky Competition, ya kasance daga cikin masu nasara, amma halin da ake ciki a wannan gasar ya kasance da wuya a gare shi: ya kawai debilized daga cikin sahu na Tarayyar Soviet Army, kuma, ta halitta, ya kasance da nisa daga mafi m form. A cikin lokacin da ya wuce tun lokacin gasar, Sergei ya yi, ga alama a gare ni, babban nasara sosai. Bari in tuna muku aƙalla kyautarsa ​​ta biyu a gasar da aka yi a Santander (Spain), game da abin da ɗaya daga cikin jaridun Madrid masu tasiri ya rubuta game da haka: “Wasannin da Sergey Erokhin ya yi sun fi kyau ba kawai lambar yabo ta farko ba, amma gasa duka.” A takaice dai, ba ni da shakka cewa Sergei yana da kyakkyawar makoma ta fasaha. Bugu da ƙari, an haife shi, a ganina, ba don gasa ba, amma don wasan kwaikwayo.

Alexander Bonduryansky. Ya sadaukar da kansa gaba ɗaya ga kiɗan ɗakin. Shekaru da dama, Alexander yana yin aiki a matsayin wani ɓangare na Moscow Trio, yana ƙarfafa shi da nufinsa, sha'awarsa, sadaukarwa, sadaukarwa, da kuma ƙwararrun ƙwarewa. Ina biye da ayyukansa da sha'awa, na gamsu da sake maimaita yadda yake da mahimmanci ga mawaƙa ya sami hanyarsa. Ina so in yi tunanin cewa mafarin sha'awar Bonduryansky na yin kida na ɗaki shine lura da ayyukan da nake yi na haɗin gwiwa tare da I. Bezrodny da M. Khomitser.

Eiro Heinonen. A gida, a Finland, yana ɗaya daga cikin mashahuran pianists da malamai (yanzu shi malami ne a Kwalejin Sibelius a Helsinki). Ina tunawa da farin ciki haduwata da shi.

Daga Thai Sean. Na yi karatu tare da shi lokacin da yake dalibin digiri a Moscow Conservatory; ya gana da shi daga baya. Na sami ra'ayoyi masu daɗi sosai daga tuntuɓar Sean - mutum da ɗan fasaha. Yana da wayo, haziki, fara'a da hazaka mai ban mamaki. Akwai lokacin da ya fuskanci wani abu kamar rikicin: ya sami kansa a cikin rufaffiyar sarari na salon guda ɗaya, kuma ko da can wani lokacin ya ga ba ya bambanta da yawa da yawa… Sean ya fi rinjaye wannan lokacin rikicin; zurfin yin tunani, sikelin ji, wasan kwaikwayo ya bayyana a cikin wasansa… Yana da kyakyawar pianistic a halin yanzu kuma, ko shakka babu, ba ƙaramin hassada a gaba ba.

Akwai wasu mawaka masu ban sha'awa, masu farin jini a cikin aji na a yau. Amma har yanzu suna girma. Saboda haka, zan dena magana a kansu.

Kamar kowane malami mai basira, Bashkirov yana da nasa salon aiki tare da dalibai. Ba ya son ya koma ga abstract Categories da Concepts a cikin aji, ba ya son ya yi nisa daga aikin da ake nazari. Yawancin lokaci yana amfani da, a cikin kalmominsa, daidai da sauran fasaha, kamar yadda wasu abokan aikinsa ke yi. Ya fito ne daga gaskiyar cewa kiɗa, mafi girman duniya na kowane nau'i na fasaha, yana da nasa dokokin, "dokokin", nasa ƙayyadaddun fasaha; don haka, yunƙurin jagorantar ɗalibin zuwa mafita na kiɗa zalla ta fanni mara kida suna ɗan wucin gadi. Amma game da kwatanci tare da wallafe-wallafe, zane-zane, da dai sauransu, za su iya ba da karfi kawai don fahimtar hoton kiɗa, amma ba maye gurbin shi da wani abu dabam ba. Yana faruwa cewa waɗannan kwatankwacinsu har ma suna haifar da lalacewar kiɗa - suna sauƙaƙe shi… “Ina tsammanin yana da kyau a bayyana wa ɗalibin abin da kuke so tare da taimakon yanayin fuska, motsin jagora kuma, ba shakka, nunin raye-raye akan keyboard.

Duk da haka, zaku iya koyar da wannan hanyar kuma ta wannan hanyar… Har ila yau, ba za a iya samun wata dabara guda ɗaya da ta duniya ba a wannan yanayin. ”

Ya ci gaba da komawa zuwa ga wannan tunanin: babu wani abu mafi muni fiye da son zuciya, akidar ka'idar, girman-girma ɗaya a cikin tsarin fasaha. "Duniyar kiɗa, musamman wasan kwaikwayo da koyarwa, ba ta da iyaka. Anan, mafi bambance-bambancen wurare masu daraja, gaskiyar fasaha, da takamaiman mafita na ƙirƙira na iya kuma dole ne su kasance tare. Yakan faru cewa wasu suna jayayya kamar haka: Ina son shi - yana nufin yana da kyau; Idan ba ku son shi, to tabbas yana da kyau. Irin wannan, don yin magana, hankali baƙo ne a gare ni. Ina ƙoƙarin mayar da shi baƙo ga ɗalibaina kuma. "

A sama, Bashkirov yayi magana game da rikice-rikice na cikin ɗalibinsa Dmitry Alekseev - rikici "a cikin mafi kyawun ma'anar kalmar", wanda "yana nufin ci gaba a cikin sana'ar mu." Wadanda suka san Dmitry Alexandrovich a hankali za su yarda cewa, da farko, irin wannan rikici yana da hankali a kansa. Ita ce wacce, haɗe da tsananin kamun kai ga kansa (Sau ɗaya, 7-8 shekaru da suka wuce, Bashkirov ya ce ya kasance yana ba wa kansa wani abu kamar alamomi don wasan kwaikwayo: “Maki, don faɗi gaskiya, yawanci suna ƙasa… Dole ne in ba da wasannin kide-kide da yawa, na gamsu da ƴan kaɗan… "A cikin wannan haɗin gwiwa, wani labari ya zo a zuciya ba da gangan ba, wanda GG Neuhaus ke son tunawa:" Leopold Godovsky, babban malami na, ya taɓa gaya mani: “Na ya ba a cikin wannan kakar 83 kide kide, kuma ka san nawa na yi farin ciki da? - uku! (Neigauz GG Tunani, abubuwan tunawa, diaries // zaɓaɓɓun labarai. Wasiƙu zuwa iyaye. P. 107).) - kuma ya taimake shi ya zama ɗaya daga cikin fitattun mutane a cikin pianism na zamaninsa; ita ce za ta kawo mai zane-zane, babu shakka, da yawa karin abubuwan ganowa.

G. Tsipin, 1990