Arnold Evadievich Margulyan (Margulyan, Arnold) |

Margulyan, Arnold

Jagorar Soviet, Mawallafin Jama'a na Ukrainian SSR (1932), Mawallafin Jama'a na RSFSR (1944), Kyautar Stalin (1946). A cikin galaxy na mawaƙa waɗanda suka tsaya a asalin aikin fasaha na Soviet, Margulyan yana da matsayi mai daraja da daraja. Ya fara aiki a shekarun kafin juyin juya hali, bai sami ilimin mazan jiya ba, amma ya wuce makaranta mai inganci. Yin wasa da violin a cikin ƙungiyar makaɗa na Opera House Odessa, Margulyan ya koyi abubuwa da yawa daga gogaggen jagora I. Pribik, kuma daga baya, a St. Petersburg, ya yi aiki a ƙarƙashin jagorancin V. Suk.

A cikin 1902, Margulyan ya fara halarta a karon a matsayin jagora, kuma nan da nan ya fara aikin fasaha mai tsanani. Petersburg, Kyiv, Kharkov, Odessa, Tiflis, Riga, biranen Siberiya da Gabas ta Tsakiya - inda mai zane bai yi aiki ba! Margulyan, na farko a matsayin ɗan wasan ƙungiyar makaɗa, sannan kuma a matsayin jagora, sau da yawa yana haɗin gwiwa tare da ƙwararrun masanan gidan wasan kwaikwayo na Rasha - F. Chaliapin, L. Sobinov, N. Ermolenko-Yuzhina, N. da M. Figner, V. Lossky… aikin haɗin gwiwa ya wadatar da shi ƙwarewa mai mahimmanci, an yarda ya shiga zurfi cikin duniyar hotunan opera na Rasha. Mafi kyawun hadisai na fassarar Ivan Susanin, Ruslan da Lyudmila, Boris Godunov, Khovanshchina, Prince Igor, Sarauniyar Spades, Sadko, Bride na Tsar, Snow Maiden ya karbi m da magaji.

The basira na artist aka cikakken bayyana a cikin shekaru na Soviet iko. Shekaru da yawa, Margulyan ya jagoranci Kharkov Opera House, yana shiryawa, tare da ayyukan gargajiya, da dama na wasan opera na marubutan Soviet - Dzerzhinsky's The Quiet Don and Virgin Soil Upturned, Yurasovsky's Trilby, Femilidi's The Rupture, Lyatoshinsky's Golden Hoop… Ayyukansa sun bar su a cikin Urals - na farko a Perm, sannan a Sverdlovsk, inda Margulyan daga 1937 har zuwa karshen kwanakinsa shine darektan zane-zane na gidan wasan opera. Ya yi nasarar samun ci gaba mai girma a matakin fasaha na ƙungiyar, ya wadatar da repertoire tare da ƙwararrun wasanni masu yawa; daya daga cikin mafi kyawun ayyukansa - samar da "Otello" na Verdi an ba shi kyautar Jiha. Jagoran ya gabatar da 'yan ƙasar Sverdlovsk zuwa wasan operas The Battleship Potemkin na Chishko, Suvorov na Vasilenko, Emelyan Pugachev na Koval.

Salon Margulyan a matsayin jagora wanda ya jawo hankali tare da fasaha mara kyau, amincewa, jituwa na ra'ayoyin fassarar, da ƙarfin tunani. "Aikin sa," ya rubuta a cikin mujallar Soviet Music. A. Preobrazhensky, - an lura da nisa ta hanyar hangen nesa, ikon gano ma'anar tunani mai kyau na mataki da kuma hoton kiɗa, don kiyaye manufar marubucin. Ya san yadda za a samar da daidaito mai kyau tsakanin sautin mawaƙa, mawaƙa da kuma matakin mataki.” Wasannin kide-kide da ba kasafai ba na mai zane ba su yi nasara ba. Mallakar fasaha mai ban mamaki, ilimi da basirar koyarwa, Margulyan, duka a cikin wasan kwaikwayo na opera da kuma a cikin Ural Conservatory, inda ya kasance farfesa tun 1942, ya haifar da shahararrun mawaƙa da yawa daga baya. A karkashin jagorancinsa, I. Patorzhinsky, M. Litvinenko-Wolgemut, Z. Gaidai, M. Grishko, P. Zlatogorova da sauran mawaƙa sun fara tafiya.

L. Grigoriev, J. Platek