Accordion litattafan

Kwanan nan, za ku iya samun wallafe-wallafe daban-daban kan koyan wasan ƙwallon ƙafa, amma ɗaya daga cikin irin wannan al'ada da tsarin ilimi mai mahimmanci don wannan kayan aiki shekaru da yawa shine Witold Kulpowicz's Accordion School, wanda Polskie Wydawnictwo Muzyczna ya buga. Matsayi ne da aka kawo ɗaruruwa ko ma dubban masu son kishi, ba kawai a Poland ba. Kowace ƴan shekaru, ana sake buga wannan ɗaba'ar, inda aka canza zanen murfin murfin, ko take, wanda kwanan nan shine "Makarantar Accordion", amma ainihin abun ciki bai canza ba tsawon shekaru.

Wannan littafin jagora bugu ne na shekaru da yawa na nazari kuma yana ɗaukar mu daga mafi sauƙi darussan zuwa ƙarin ci gaba. Kuna iya cewa muna da abin da za mu yi aiki a kai a cikin shekaru 3-4 na farko na karatu. A farkon, muna da cikakken bayani game da tsarin accordion, ka'idar aiki da kuma samar da sauti, daidaitaccen matsayi a kayan aiki, sanarwa, rabon rhythmic, da alamar rajista. Sannan akwai motsa jiki na farko na hannun dama sannan a tattauna bangaren bass. Tabbas, kuna da tebur bass mai hoto tare da nau'ikan masu girma dabam na accordions (8,12,32,60,80,120 bass) kuma ku je aikin bass na farko. Bayan waɗannan gabatarwar darussan hannu ɗaya, kuna matsawa zuwa motsa jiki na hannu biyu. Za ka fara da ƙimar duka bayanin kula a hannun dama da rubu'in bayanin kula a hagu har sai da sannu a hankali. Littafin karatun ya mayar da hankali kan fassarar bayanin kula da aka buga: legato - staccato, piano - forte, da dai sauransu, da kuma kan daidai yatsa. Babban ɓangaren darussan ya dogara ne akan etudes na Carl Czerny, amma kuma muna iya samun wasu mawaƙa, misali Tadeusz Sygietyński ko Michał Kleofas Ogiński. Babban ɓangarensa shine ƙaddamar da waƙoƙin jama'a bisa walczyce, obereks, ɗigon polka, da dai sauransu. Wannan littafin ba zai iya zama cikakke ba tare da manya da ƙananan ma'auni tare da rubuta yatsa ba. Babu shakka cewa Makarantar Accordion, wanda Witold Kulpowicz ya haɓaka, za a iya rarraba shi azaman asali kuma bugu na wajibi ga ɗan wasan motsa jiki.

Wani littafin da ya kamata a mai da hankali a kai shi ne “Szkoła na accordion” da Jerzy Orzechowski ya shirya kuma Ƙungiyar Mawaƙa ta Poland ta buga. Anan, kamar yadda yake a cikin abu na baya, a farkon muna da irin wannan bayanin gabatarwa game da tsarin kayan aiki, daidaitaccen matsayi, shimfidar hannu, dabaru na bellowing, alamar rajista da mahimman bayanai akan ka'idodin kiɗa. Wannan makaranta ta ƙunshi sassa biyu, amma a farkon na farko za ku ga cewa abu ne mai wahala fiye da na makarantar Kulpowicz a farkon. Anan, ana ba da fifiko mai yawa nan da nan akan murmushi, kuma matakin wahalar darussan da ke biyowa ya fi girma. Wannan abu ya ɗan bambanta dangane da nau'in waƙoƙin. A Kulpowicz, yawancin atisayen sun dogara ne akan tudu na Czerny, a nan mun haɗu da mawaƙa da yawa, musamman a cikin motsi na biyu. Babu shakka ƙari ne mai kyau sosai ga darasi da waƙoƙi daga Makarantar Kulpowicz.

Da zarar mun sami tushen farko na wasan kwaikwayo a bayanmu, yana da daraja samun sha'awar "School of Accordion Bellows and Articulation" wanda Włodzimierz Lech Puchnowski ya shirya. Marubucin wannan makaranta baya buƙatar gabatar da kowa ga kowa, saboda alama ce ta accordionism na Poland na karni na XNUMX. Wannan littafin, kamar yadda take ya gaya mana, an sadaukar da shi ne don ba da labari. An tattauna nau'ikan maganganu, hanyoyin samar da sauti, nau'ikan harinsa da ƙarewa.

Makarantun da aka gabatar sun riga sun zama tsofaffin wallafe-wallafe, amma ba su rasa ko ɗaya daga cikin abubuwan da suka dace ba. A duk rayuwarsu, mawaƙa suna haɓaka fasahar kiɗan su, suna kammala ƙwarewar su. Domin inganta wannan bitar yadda ya kamata, kuna buƙatar samun tushe daidai. Kuma yana cikin waɗannan littattafan, waɗanda aka tattara ta hanyar ƙa'idodi mafi iko, cewa zaku iya samun irin waɗannan kayan yau da kullun.