Lokacin sata, тмпо рубaто |
Sharuɗɗan kiɗa

Lokacin sata, тмпо рубaто |

Rukunin ƙamus
sharuddan da Concepts

Italiyanci, haske. – sata taki

Kyauta ga rhythmic. game da kiɗan. yi, don kare mutuncin bayyana ra'ayi, karkata daga lokaci guda. Kalmar ta samo asali ne daga wok. kiɗan zamanin Baroque (Tosi RF, Opinioni de cantori antichi e moderni o siene osservazioni sopra il canto figurato, Bologna, 1723, fassarar Rashanci a cikin littafin: Mazurin K., “Tsarin Waƙa”, Sashe na 1, M ., 1902) kuma asalin yana nufin 'yancin ƙin babban waƙar. muryoyin rakiyar da aka yi a lokaci-lokaci akai-akai. Game da aikace-aikacen irin wannan T. r. cikin instr. ya rubuta kida a cikin Skr. makaranta L. Mozart. A cikin kiɗan clavier na karni na 18. - a cikin CFE Bach ("Kwarewar hanyar da ta dace don kunna clavier", sashi na 1, ch. 3), WA Mozart da sauransu. T. r. wanda aka bayyana a cikin take hakkin daidaitawa na wasan hannu biyu. A cikin karni na 19th irin wannan fahimtar T. r. F. Chopin ya kiyaye shi, wanda ya kira hannun hagu a matsayin bandmaster, yana lura da ko da taki, daga abin da hannun dama ya ja da baya da yardar kaina (wannan shine bambanci tsakanin T. r. daga saba accelerando, rallentando, da dai sauransu). Ana iya ba da ra'ayin wannan nau'in wasan kwaikwayon ta wasu misalan "rubato da aka rubuta", inda aka canza waƙar dangane da rakiya, alal misali. a cikin Chopin's Fantasia f-moll (duba Syncopation). F. Lissafi idan aka kwatanta T. r. Chopin tare da iska, wanda ke girgiza ganye da rassan, yana barin gangar jikin bishiyar ba motsi. Duk da haka, a wannan zamani irin wannan T. r. ya fita daga amfani; rubato ya zama nadi don karkata daga matsananciyar lokaci, yana rufe dukkan muses. zane.

References: Milstein J., Chopin pianist, M., 1967; Vadura-Skoda E. und R., Mozart-Fassarar…, Lpz., 1957 (Fassarar Rashanci - Badura-Skoda E. da P., Fassarar Mozart, M., 1972, shafi na 52-56).

MG Harlap

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