Sakamakon |
daga lat. repercussio - tunani
1) A cikin rukunan fugue a cikin wani m style (J. Fuchs da sauransu), da wadannan bayan baje kolin, da rike da jigo da amsar a cikin dukan muryoyin (Jamus Wiederschlag, zweite Durchführung), da haifuwa na nuni da sabani. Canje-canje, yanayin polyphonic. bambance-bambance a kan fallasa (a cikin ilimin kiɗa na zamani, ba a amfani da kalmar; manufar "R." yana gabatowa manufar fugue counter-exposure). Muryar da ta gabatar da maudu’in a cikin baje kolin an damka ta da amsar a cikin R. (kuma akasin haka); Ana gabatar da jigon da amsar a cikin R. (mafi yawan lokuta akan dissonance) bayan an dakata ko ta tsalle a kan tazara mai faɗi, ta yadda ƙungiyar mawaƙa mai shigowa. muryar ta kara a cikin wani rajista daban na kewayon sa; a cikin R., sauye-sauye na jigon yana yiwuwa (misali, karuwa, juyawa), amfani da stretta (yawanci ƙasa da kuzari fiye da sashe na gaba na nau'i), da sauran hanyoyin ci gaba da bambanta. R. yawanci yana bin bayyanarwa ba tare da caesura ba; R. da ɓangaren ƙarshe na nau'i (reprise, stretta na ƙarshe, die Engführung) sau da yawa ana raba su ta hanyar cadenza. Dubi, alal misali, Buxtehude's Toccata da Fugue don Organ a cikin F-dur: bayyanuwa - sanduna 38-48; R. - sanduna 48-61; ya kammala. sashi daga ma'auni 62. A cikin manyan fugues, ana iya samun da yawa. R.
2) A cikin waƙar Gregorian, bayan kammala wasan, mafi mahimmancin sautin tunani shine yanayin, sauti, wanda aka tattara karin waƙa. tashin hankali (wanda kuma ake kira tenor, tuba). Yana bayyana sau da yawa fiye da sauran sautuna; a yawancin waƙoƙin Zabura. hali, ana yin karatu mai tsawo akansa. Ya ta'allaka ne a saman wasan karshe, an raba shi da tazara da aka siffanta a kowane ɗayan hanyoyin (daga ƙarami na uku zuwa ƙarami na shida). Babban alamar yanayin (finalis) da R. suna ƙayyade alaƙar modal na waƙar: a cikin yanayin Dorian, finalis d da R, kuma a cikin yanayin Hypodorian, d da f, bi da bi, a cikin yanayin Phrygian, e da c , da dai sauransu.
References: Fux J., Gradus ad Parnassum, W., 1725 (Fassarar Turanci - Matakai zuwa Parnassus, NY, 1943); Bellermann H., Der Contrapunkt, B., 1862, 1901; Bussler L., Der strenge Satz, B., 1905 Teppesen K., Kontrapunkt, Kbh., 1885, Lpz., 1925. Duba kuma lit. ku Art. Gregorian song.
VP Frayonov
