Larisa Ivanovna Avdeeva |

Larisa Avdeeva

Haihuwar a Moscow, a cikin iyali na opera singer. Ba tukuna tunani game da wani opera sana'a, ta riga ta girma a matsayin mawaƙa, sauraron jama'a songs, romances, opera Arias kara a cikin gida. Lokacin da yake da shekaru 11, Larisa Ivanovna ya rera waka a cikin ƙungiyar mawaƙa a House of Artistic Education of Children a cikin gundumar Rostokinsky, kuma a matsayin wani ɓangare na wannan ƙungiyar ta yi a maraice na gala a Bolshoi Theater. Koyaya, da farko, mawaƙin nan gaba ya yi nisa da tunanin zama ƙwararren mawaƙi. Bayan kammala karatu daga makaranta a lokacin Great Patriotic War, Larisa Ivanovna shiga ginin institute. Amma ba da daɗewa ba ta gane cewa sana'arta na gaskiya har yanzu ita ce wasan kwaikwayo na kiɗa, kuma daga shekara ta biyu ta ci gaba da shiga cikin Opera da Drama Studio. KS Stanislavsky. A nan, a karkashin jagorancin wani gogaggen kuma m malami Shor-Plotnikova, ta ci gaba da ilimin kide-kide da kuma samun ƙwararrun ilimi a matsayin mawaƙa. A karshen studio a 1947 Larisa Ivanovna aka yarda a cikin gidan wasan kwaikwayo na Stanislavsky da Nemirovich-Danchenko. Aiki a cikin wannan gidan wasan kwaikwayo yana da matukar muhimmanci ga samuwar siffar m na matashin mawaƙa. Halin tunani game da ayyukan kirkire-kirkire da ke cikin rukunin gidan wasan kwaikwayo, gwagwarmayar wasan opera da na yau da kullun - duk wannan ya koya wa Larisa Ivanovna yin aiki da kansa a kan hoton kiɗa. Olga a cikin "Eugene Onegin", Matar Dutsen Copper a cikin "The Stone Flower" na K. Molchanova da sauran sassa da aka rera a cikin wannan gidan wasan kwaikwayo ya shaida da hankali kara fasaha na matasa singer.

A shekarar 1952, Larisa Ivanovna aka bai halarta a karon a Bolshoi Theater a cikin rawar Olga, bayan da ta zama wani soloist na Bolshoi, inda ta ci gaba har shekaru 30. Kyakkyawan murya mai girma, makarantar murya mai kyau, shirye-shiryen mataki mai kyau ya ba Larisa Ivanovna damar shiga babban wasan kwaikwayo na mezzo-soprano na gidan wasan kwaikwayo a cikin ɗan gajeren lokaci.

Masu sukar wadanda shekaru sun lura: "Avdeeva ne m a cikin rawar da coquettish da m Olga, da gaske poetic a cikin lyrical ɓangare na Spring ("The Snow Maiden") da kuma a cikin m rawa na baƙin ciki schismatic Marfa ("Khovanshchina"). kashe kanta ga mutuwa…”

Amma har yanzu, mafi kyawun sassa na repertoire na mai zane a cikin waɗannan shekarun sune Lyubasha a cikin Bride Tsar, Lel a cikin Maiden Snow da Carmen.

Babban fasalin basirar matashin Avdeeva shine farkon lyrical. Wannan ya faru ne saboda ainihin yanayin muryarta - haske, haske da dumi a cikin timbre. Wannan lyricism kuma ya ƙayyade ainihin fassarar fassarar wani ɓangaren, wanda Larisa Ivanovna ya rera waƙa. Abin baƙin ciki shine makomar Lyubasha, wanda ya zama wanda aka azabtar da ƙaunarta ga Gryaznoy da ramuwar gayya ga Marta. NA Rimsky-Korsakov ya baiwa Lyubasha da hali mai karfi da karfi. Amma a cikin mataki hali na Avdeeva, zargi na wadanda shekaru lura: "Da farko, daya ji son kai na Lyubasha soyayya, domin Gryazny, wanda ya manta da kome -" uba da uwa ... ta kabilar da iyali ", da kuma wani. Rasha zalla, m mace muhimmi a cikin wannan marar iyaka warai auna da wahala yarinya ... Avdeeva ta murya sauti na halitta da kuma bayyana, bin da dabara melodic masu lankwasa na yadu rera karin waƙa da rinjaye a cikin wannan bangare.

Wani rawa mai ban sha'awa wanda mai zane ya yi nasara a farkon aikinsa shine Lel. A cikin rawar makiyayi - mawaƙa kuma mai son rana - Larisa Ivanovna Avdeeva ya jawo hankalin mai sauraro tare da sha'awar matasa, rashin fasaha na ɓangaren waƙa wanda ya cika wannan bangare mai ban mamaki. Hoton Lelya ya kasance mai nasara ga singer cewa a lokacin rikodin na biyu na "The Snow Maiden" ita ce aka gayyace ta don yin rikodin a 1957.

A 1953, Larisa Ivanovna dauki bangare a cikin wani sabon samar da G. Bizet ta opera Carmen, kuma a nan ana sa ran ta yi nasara. Kamar yadda masu sukar kiɗa na waɗannan shekarun suka lura, "Carmen" na Avdeeva shine, da farko, mace ce wadda jin daɗin rayuwarta ba ta da 'yanci daga kowane tarurruka da sarƙoƙi. Shi ya sa ba da daɗewa ba Carmen ta gaji da son son kai na Jose, wanda ba ta samun farin ciki ko jin daɗi. Saboda haka, a cikin bayyanar da ƙaunar Carmen ga Escamillo, actress yana jin ba kawai gaskiyar ji ba, har ma da farin ciki na 'yanci. An canza gaba ɗaya, Karmen-Avdeeva ya bayyana a wani biki a Seville, mai farin ciki, har ma da ɗan farin ciki. Kuma a cikin ainihin mutuwar Karmen-Avdeeva babu wani murabus zuwa ga kaddara, ko kuma m halaka. ta mutu, cike da rashin son kai na son Escamillo.

Disco da bidiyo na LI Avdeeva:

1. Film-opera "Boris Godunov", yin fim a 1954, L. Avdeeva - Marina Mnishek (sauran matsayin - A. Pirogov, M. Mikhailov, N. Khanaev, G. Nelepp, I. Kozlovsky, da dai sauransu).
2. Rikodi na "Eugene Onegin" a 1955, wanda B. Khaikin, L. Avdeev - Olga (abokan tarayya - E. Belov, S. Lemeshev, G. Vishnevskaya, I. Petrov da sauransu). A halin yanzu, wasu kamfanoni na cikin gida da na waje sun fito da CD..
3. Rikodi na "The Snow Maiden" a 1957, gudanar da E. Svetlanov, L. Avdeev
4. Lel (abokan tarayya - V. Firsova, V. Borisenko, A. Krivchenya, G. Vishnevskaya, Yu. Galkin, I. Kozlovsky da sauransu).
5. CD na Amurka kamfanin "Allegro" - rikodi (rayuwa) na 1966 na opera "Sadko" gudanar da E. Svetlanov, L. Avdeev - Lyubava (abokan tarayya - V. Petrov, V. Firsova da sauransu).
6. Rikodi na "Eugene Onegin" a cikin 1978, wanda M. Ermler, L. Avdeev - Nanny (abokan tarayya - T. Milashkina, T. Sinyavskaya, Y. Mazurok, V. Atlantov, E. Nesterenko, da dai sauransu).