Roberto Benzi |

Roberto Benzi

Babban mashahurin duniya ya zo ga Roberto Benzi da wuri - da wuri fiye da yawancin abokan aikinsa. Kuma ya kawo ta cinema. A shekarun 1949 da 1952, matashin mawakin ya taka rawa a cikin fina-finan kida guda biyu masu suna Prelude to Glory and Call of Destiny, bayan haka nan take ya zama gunki na dubun dubatar mutane a duk sassan duniya. Gaskiya ne, a wannan lokacin an riga an san shi, ta yin amfani da sunan ɗan wasan yara. Tun yana ɗan shekara huɗu, Roberto ya buga piano da kyau, kuma yana ɗan shekara goma ya fara tsayawa a filin wasa na ɗaya daga cikin mafi kyawun ƙungiyar makaɗa ta Faransa a Paris. Hazakar yaron mai ban mamaki, cikakkiyar rawar murya, ƙwaƙwalwar da ba ta da kyau, da kaɗe-kaɗe sun ja hankalin A. Kluytens, wanda ya ba shi darussa a cikin gudanarwa. To, bayan fitowar fim ɗin farko na ƙungiyar Philharmonic Society of Faransa, sannan wasu ƙasashe suna fafatawa da juna, sun gayyace shi yawon shakatawa…

Kuma duk da haka akwai mummunan tarnaƙi ga wannan ɗaukakar fim ɗin. Lokacin da yake balagagge, Benzi ya zama kamar dole ne ya tabbatar da ci gaban da ya samu a matsayin fitaccen jarumin fim. An fara wani mataki mai wahala a cikin samuwar mai zane. Fahimtar rikitarwa da alhakin aikinsa, mai zane ya yi aiki tuƙuru don inganta ƙwarewarsa da faɗaɗa labarinsa. Tare da hanyar, ya sauke karatu daga ilimin falsafa na Jami'ar Paris.

Daga matashin mai zane a hankali ya daina jiran jin dadi. Kuma ya tabbatar da begen da aka yi masa. Har yanzu Benzi ya ci nasara tare da kiɗa, 'yanci na fasaha, sassauci, kyakkyawar ikon sauraron ƙungiyar makaɗa da cire matsakaicin launukan sauti daga gare ta. Mawaƙin yana da ƙarfi musamman a cikin kiɗan shirin, a cikin irin waɗannan ayyuka kamar Respighi's Pines na Rome, Debussy's The Sea da Afternoon of a Faun, Duke's The Sorcerer's Apprentice, Ravel's Spanish Rhapsody, Saint-Saens' Carnival na Dabbobi. Ikon yin hoton kiɗan a bayyane, don jaddada halayen, don bayyana cikakkun bayanai na ƙungiyar makaɗa yana da cikakkiyar mahimmanci a cikin jagoran. Wannan kuma ya bayyana a cikin fassararsa na kiɗan Rasha, inda Benzi kuma ya fi jan hankali ta hanyar hotuna masu launi masu launi - misali, ƙananan ƙananan Lyadov ko Hotunan Mussorgsky a wani nuni.

Ya haɗa a cikin repertoine na karimcin Haydn da Frank, Hindemith's Mathis the Painter. Daga cikin nasarorin da R. Benzi ya samu, masu sukar sun hada da jagorancin kiɗa na samar da "Carmen" a gidan wasan kwaikwayo na Parisian "Grand Opera" (1960).

"Masu jagoranci na Zamani", M. 1969.