Yadda ake rera waƙa daidai: wani darasi na murya daga Elizaveta Bokova

Mawaƙin da bai shirya zaren muryarsa ba don wasu lodi da ke tasowa a lokacin wasan kwaikwayo na wasu ɓangarori na aiki, kamar ɗan wasan da bai yi zafi ba, yana iya samun rauni kuma ya rasa damar ci gaba da ayyukansa.

Mutanen da suke so su koyi yadda ake yin ayyukan murya masu inganci suna so su koyi yadda ake rera waƙa daidai domin su ji daɗin muryarsu. Kyakkyawan taimako a cikin wannan al'amari na iya zama darasi na bidiyo na Elizaveta Bokova, a lokacin da ta ba da atisayen waƙa guda shida tare da rikicewar sassan murya a hankali, sannan kuma ta bayyana wasu daga cikin abubuwan da suka dace game da waƙar da ta dace da kuma samar da sauti. Darussan sun dace da ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun waƙoƙi da kuma masu farawa.

Kalli darasin yanzu:

Idan kuna son samun ƙarin fa'ida kuma, mafi mahimmanci, motsa jiki mai inganci, to haka:

Menene ma'anar kowace waƙa?

Ana iya haɗa duk motsa jiki a ƙarƙashin ƙa'idar jagora ɗaya. Ya ƙunshi zaɓin maɓalli don rera waƙa, babban sautin wanda ya dace da ƙananan iyaka na kewayon muryar ku, bayan haka, farawa daga wannan sautin, ana yin ɓangaren waƙa, wanda ake maimaita duk lokacin da semitone ya girma, yana yin sama sama. motsi (har sai ya kai iyakar babba), sannan kuma ƙasa da sikelin chromatic.

Kusan a magana, ana rera darasi kamar haka: muna farawa daga ƙasa kuma mu maimaita abu ɗaya (wato iri ɗaya) sama da sama, sannan mu sake gangarawa.

Bugu da ƙari, abubuwan da ke cikin kowane wasa na gaba yana buƙatar mafi girman dabarun aiki. Kuma don samun tasiri yayin gudanar da atisayen shirye-shiryen waƙa, kuna buƙatar la'akari da wasu abubuwan da ke haifar da nasara, waɗanda suka haɗa da:

• daidai numfashi;
• Matsayin da ya dace na na'urar rera waƙa, wato, gabobin da ke da hannu wajen samar da sauti;
• wani shugabanci na kwararar sauti;
• tsananin bin shawarwarin kowane motsa jiki.

Nasihu don numfashi mai kyau

Ɗaya daga cikin shawarwarin game da yadda za a yi waƙa daidai ya shafi yanayin numfashi, wanda aka yi kawai tare da ciki. A lokaci guda, yana da mahimmanci don tabbatar da cewa kafadu da kirji ba su motsa ba, kuma babu damuwa a cikin tsokoki na wuyansa. Ya kamata ku numfasa sosai cikin nutsuwa, annashuwa, kusan ba za ku iya lura da wasu ba, kuma ku furta wasula ba tare da tunani ba, kawar da sauti da sauri kuma kada ku riƙe komai.

Mawaƙa ta ɗaya: raira waƙa tare da rufe bakinka

A cikin darasi na farko, marubucin darasin bidiyo ya ba da shawarar yin rera waƙa tare da rufe bakinka ta amfani da sautin "hmm ...", ƙara shi da rabin sautin tare da kowane cirewa na gaba, yayin da yake da mahimmanci cewa an cire haƙora kuma sautin kanta. ya nufi lebe.

Bayan ka rera wasu bayanan, zaku iya ci gaba da motsa jiki tare da buɗe baki, ta amfani da sautunan “mi”, “ni”, “ma”, “mo”, “mu” bi da bi, kuma bayan sun kai matsayi mafi girma, a hankali. komawa zuwa sautin farko .

Mataki na gaba na wannan darasi shine kunna jerin sautunan "ma-me-mi-mo-mu" a cikin numfashi ɗaya, ba tare da canza sauti ba, bayan haka tsari na wasulan ya canza kuma ana yin sashin a cikin jerin " mi-me-ma-mu-mu."

Vocal axiom. Lokacin yin waƙa daidai, duk sauti yana karkata zuwa wuri ɗaya, kuma matsayin sassan magana yayin waƙa yana da ɗan tuno da yanayin lokacin da dankalin turawa mai zafi a baki.

Ƙungiyar mawaƙa ta biyu: mu yi wasa a kan lebe

Motsa jiki na biyu, wanda malaman fasaha na "bel canto" ke yi don rera waƙa na virtuoso, yana da matukar amfani don haɓaka numfashi na raira da kuma cimma hanyar da ta dace na sauti. Hakanan zai taimaka tabbatar da daidaitaccen numfashi, ma'aunin kimantawa wanda shine ci gaba da sautin muryar.

Maganar da aka yi amfani da ita a nan tana tunawa da yadda ƙaramin yaro ke kwaikwayon sautin mota. Ana samar da sauti ta baki tare da rufaffiyar lebe amma annashuwa. A cikin wannan darasi, ana rera sautunan tare da babban triad, suna tashi da komawa zuwa sautin farko.

Chorus uku da hudu: glissando

Darasi na uku daidai yake da na biyu, sashin murya ne kawai ake yin ta ta hanyar amfani da fasaha na glissando (sliding), wato lokacin sake kunnawa, ba a buga rubutu daban-daban guda uku ba, sai ɗaya, wanda a hankali ya tashi zuwa saman sautin, sa'an nan kuma. , ba tare da katsewa ba, ya koma wurin farawa.

Motsa jiki na huɗu, wanda kuma aka yi ta amfani da fasaha na glissando, ya fi kyau a fara da bayanin kula "E" ko "D" na octave na biyu. Asalinsa shine yin waƙa ta hanci, yana hana iska barin makogwaro. A wannan yanayin, baki ya kamata a bude, amma har yanzu sautin yana kaiwa ga hanci. Kowace jumla ta ƙunshi sautuna uku, waɗanda, farawa daga sama, kawai sauko da sautin daga juna.

Waka ta biyar: vyeni, vyini, vyani???

Motsa jiki na biyar zai taimake ka ka fahimci yadda ake raira waƙa daidai da inganci, kuma zai shirya numfashinka don yin dogon jimla. Wasan ya ƙunshi sake buga kalmar Italiyanci "vieni" (wato, "inda"), amma tare da wasula da sauti daban-daban kamar: "vieni", "vieni", "viani".

An gina wannan jeri na wasulan ya danganta da wahalar samun son kai a cikin haifuwarsu. Kowane nau'in motsa jiki an gina shi akan sauti biyar na babban ma'auni kuma ana fara yin shi daga sautin takwas, yana motsawa ƙasa, kuma tsarin sa na rhythmic ya fi rikitarwa fiye da a baya. Sake kunnawa yana ɗaukar sigar “vie-vie-vie-ee-ee-nee”, inda ake kunna baƙaƙe guda uku na farko akan rubutu ɗaya, sauran sautunan ana saukar da su tare da matakan ma'aunin da aka ambata a sama, tare da wasulan “… uh-uh…” an yi shi a cikin hanyar legato.

Lokacin yin wannan sashin, yana da mahimmanci a rera dukkan jimloli guda uku a cikin numfashi ɗaya kuma buɗe bakinka don sautin ya bazu a cikin jirgin sama a tsaye, kuma zaku iya bincika madaidaicin magana ta hanyar danna yatsun hannun ku a kunci yayin fitar da sautin. Idan jaws sun isa sosai, to, yatsunsu za su fada tsakanin su da yardar kaina.

Chant shida - staccato

Ana yin motsa jiki na shida ta hanyar amfani da fasaha na staccato, wato, bayanin kula ba zato ba tsammani. Wannan yana ba da ra'ayi cewa sautin yana harbi a kai, wanda ke da ɗan tuno da dariya. Don motsa jiki, ana amfani da kalmar “le”, wanda, idan an buga shi, yana ɗaukar sigar jerin sautunan batsa “Le-oooo…” wanda aka yi a matakai na biyar tare da raguwa a hankali a cikin sautin sauti. A lokaci guda, don kauce wa rashin la'akari da sautuna, yana da muhimmanci a yi tunanin cewa motsi yana tasowa.

Tabbas, don koyon yadda ake rera waƙa da kyau, ƙila ba zai isa kawai karanta game da yadda ake rera waƙa daidai ba, amma bayanan da ke sama, haɗe da abubuwan da aka gabatar a cikin bidiyon, na iya wadatar da ayyukanku kuma suna taimaka muku samun sakamako mai ban sha'awa.