Yadda za a tantance mabuɗin waƙar?

Yana faruwa cewa waƙar ya zo a hankali kuma “ba za ku iya fitar da shi daga can tare da gungumen azaba ba” - kuna son yin wasa da wasa, ko ma mafi kyau, rubuta shi don kar ku manta. Ko kuma a cikin bita na gaba za ku koyi sabuwar waƙar aboki, kuna zazzage waƙoƙin ta kunne. A cikin duka biyun, kuna fuskantar gaskiyar cewa kuna buƙatar fahimta a cikin wanne maɓalli don kunna, raira ko rikodin.

Dukansu ɗan makaranta, suna nazarin misali na kiɗa a cikin darasi na solfeggio, da kuma ɗan rakiya mara daɗi, wanda aka nemi ya yi wasa tare da mawaƙin da ke buƙatar ci gaba da waƙoƙin kiɗan sau biyu ƙasa, suna tunanin yadda za a tantance maɓallin waƙar.

Yadda ake tantance mabuɗin waƙar: mafita

Ba tare da zurfafa cikin ka'idar kiɗa ba, algorithm don tantance maɓalli na waƙar kamar haka:

1. ƙayyade tonic;
2. ƙayyade yanayin;
3. tonic + yanayin = sunan maɓalli.

Wanda yake da kunnuwa, bari ya ji: kawai zai ƙayyade sautin ta kunne!

Tonic shine mafi kwanciyar hankali matakin sauti na sikelin, nau'in babban tallafi. Idan ka zaɓi maɓalli ta kunne, to gwada neman sautin da za ka iya ƙare waƙar a kai, sanya batu. Wannan sautin zai zama tonic.

Sai dai idan waƙar ta kasance ragon Indiya ko mugham na Turkiyya, ƙayyade yanayin ba shi da wahala haka. "Kamar yadda muka ji," muna da manyan hanyoyi guda biyu - manya da ƙananan. Major yana da haske, sautin farin ciki, ƙarami yana da duhu, sautin baƙin ciki. Yawancin lokaci, ko da kunnen da aka horar da dan kadan yana ba ka damar gano damuwa da sauri. Don gwada kai, zaku iya kunna triad ko sikelin maɓalli da ake tantancewa kuma kwatanta shi don ganin ko sautin ya jitu da babban waƙar.

Da zarar an sami tonic da yanayin, za ku iya sanya maɓalli a amince. Don haka, tonic "F" da yanayin "manyan" sune maɓalli na manyan F. Don nemo alamun a maɓalli, kawai koma zuwa teburin daidaita alamomin da tonalities.

Yadda za a ƙayyade maɓalli na karin waƙa a cikin rubutun waƙa? Karanta alamomin maɓalli!

Idan kana buƙatar ƙayyade maɓallin waƙa a cikin rubutun kiɗa, kula da alamun da ke cikin maɓalli. Maɓallai biyu ne kawai ke iya samun saitin haruffa iri ɗaya a cikin maɓalli. Wannan doka tana nunawa a cikin da'irar hudu da biyar da kuma tebur na dangantaka tsakanin alamu da tonalities da aka halitta a kan tushensa, wanda muka riga muka nuna muku kadan a baya. Idan, alal misali, an zana "F kaifi" kusa da maɓalli, to akwai zaɓuɓɓuka biyu - ko dai E qananan ko manyan G. Don haka mataki na gaba shine nemo tonic. A matsayinka na mai mulki, wannan shine bayanin kula na ƙarshe a cikin waƙar.

Wasu nuances lokacin ƙayyade tonic:

1) waƙar na iya ƙarewa akan wani tsayayyen sauti (III ko V matakin). A wannan yanayin, daga cikin zaɓuɓɓukan tonal guda biyu, kuna buƙatar zaɓar wanda triad ɗin tonic ya haɗa da wannan tsayayyen sauti;

2) "Modulation" yana yiwuwa - wannan shine yanayin lokacin da waƙar ya fara a cikin maɓalli ɗaya kuma ya ƙare a wani maɓalli. Anan kana buƙatar kula da sababbin, alamun "bazuwar" na canji wanda ke bayyana a cikin waƙar - za su zama alama ga mahimman alamun sabon maɓalli. Hakanan abin lura shine sabon tallafin tonic. Idan wannan aikin solfeggio ne, amsar da ta dace ita ce rubuta hanyar daidaitawa. Misali, daidaitawa daga D babba zuwa ƙananan B.

Akwai kuma lokuta masu rikitarwa waɗanda tambayar yadda za a tantance maɓalli na waƙar ta kasance a buɗe. Waɗannan wakoki ne na polytonal ko atonal, amma wannan batu yana buƙatar tattaunawa ta daban.

Maimakon ƙarewa

Koyan tantance mabuɗin waƙar ba shi da wahala. Babban abu shine horar da kunnen ku (don gane sautunan barga da kuma sha'awar damuwa) da ƙwaƙwalwar ajiya (don kada ku kalli tebur mai mahimmanci kowane lokaci). Game da karshen, karanta labarin - Yadda za a tuna da alamun maɓalli a cikin maɓalli? Sa'a!