Bella Mikhailovna Davidovich |

Bella Davidovich

…Bisa ga al'adar iyali, wata yarinya 'yar shekara uku, ba ta san bayanin kula ba, ta ɗauki ɗaya daga cikin walat ɗin Chopin ta kunne. Wataƙila haka ne, ko wataƙila waɗannan tatsuniyoyi ne daga baya. Amma a duk lokuta yana da alama cewa jaririn pianistic na Bella Davidovich yana hade da sunan gwanin kiɗa na Poland. Bayan haka, "hasken haske" na Chopin ne ya kawo ta wurin wasan kide kide, ta gano sunanta…

Duk da haka, duk wannan ya faru da yawa daga baya. Kuma ta halarta a karon na fasaha da aka kunna zuwa wani daban-daban repertoire kalaman: a garinsu Baku, ta buga wasan kwaikwayo na farko na Beethoven tare da ƙungiyar mawaƙa ta Nikolai Anosov. Ko da a lokacin, ƙwararrun sun ja hankali ga yanayin fasaha na yatsa mai ban mamaki da kuma fara'a na legato na asali. A Moscow Conservatory, ta fara karatu tare da KN Igumnov, kuma bayan mutuwar wani fitaccen malami, ta koma ajin Ya dalibi. V. Flier. "Da zarar," in ji pianist, "Na duba cikin ajin Yakov Vladimirovich Flier. Ina so in yi shawara da shi game da Rakhmaninov's Rhapsody a kan Jigo na Paganini kuma in kunna piano biyu. Wannan taron, kusan na bazata, ya yanke shawarar makomar ɗalibi na a nan gaba. Darasi tare da Flier ya burge ni sosai - kana buƙatar sanin Yakov Vladimirovich lokacin da yake mafi kyawunsa… - cewa nan da nan, ba tare da bata lokaci ba, na nemi zama ɗalibinsa. Na tuna cewa a zahiri ya burge ni da fasaharsa, sha'awar kiɗa, da yanayin tarbiyya. Mun lura cewa ƙwararrun ƙwararrun ƴan wasan pian sun gaji waɗannan halayen daga mai ba ta shawara.

Kuma ga yadda farfesa da kansa ya tuna wadannan shekaru: "Aiki tare da Davidovich ya kasance cikakken farin ciki. Ta shirya sababbin abubuwan ƙira tare da sauƙi mai ban mamaki. Ƙaunar waƙarta ta yi ƙarfi sosai, wanda kusan ba zan taɓa komawa ga wannan ko wannan guntun darussan da nake da ita ba. Davidovich abin mamaki da dabara ya ji salon mafi yawan mawaƙa - litattafai, romantics, impressionists, marubuta na zamani. Duk da haka, Chopin ya kasance kusa da ita musamman.

Haka ne, wannan dabi'a ta ruhaniya ga kiɗan Chopin, wanda ƙwararren makarantar Flier ya wadata, ya bayyana har ma a cikin shekarun ɗalibinsa. A 1949, wani dalibi da ba a sani ba na Moscow Conservatory ya zama daya daga cikin biyu nasara na farko bayan yakin gasar a Warsaw - tare da Galina Czerny-Stefanskaya. Tun daga wannan lokacin, Davidovich's concert aiki kullum a kan hawan line. Bayan kammala karatun digiri a cikin 1951, ta ƙara haɓaka shekaru uku a makarantar digiri tare da Flier, sannan ta koyar da wani aji a can kanta. Amma aikin wasan kwaikwayo ya kasance babban abu. Na dogon lokaci, kiɗan Chopin shine babban yanki na kulawar ƙirjinta. Babu wani daga cikin shirye-shiryenta da zai iya yi ba tare da ayyukansa ba, kuma ga Chopin ce ta sami ci gabanta cikin shahara. Kyakkyawan master of the piano cantilena, ta bayyana kanta sosai a cikin lyrical da kuma shayari Sphere: na halitta na watsa wani m magana, coloristic fasaha, mai ladabi dabara, da fara'a na fasaha hanya - wadannan su ne halayen da ke tattare da ita. da mamaye zukatan masu saurare.

Amma a lokaci guda Davidovich bai zama kunkuntar "kwararre a Chopin". A hankali, ta faɗaɗa iyakoki na repertoire, ciki har da shafuka masu yawa na kiɗa na Mozart, Beethoven, Schumann, Brahms, Debussy, Prokofiev, Shostakovich. A cikin maraice maraice, ta yi kide kide da wake-wake na Beethoven, Saint-Saens, Rachmaninov, Gershwin (kuma ba shakka, Chopin)… “Na farko, romantics suna kusa da ni, - Davidovich ya ce a cikin 1975. - Na kasance ina wasa da su. dogon lokaci. Na yi quite mai yawa Prokofiev kuma tare da babban yarda na shiga ta hanyar shi tare da dalibai a Moscow Conservatory ... A da shekaru 12, dalibi na Central Music School, na taka Bach ta English Suite a G qananan a maraice na dalibai na sashen Igumnov kuma ya sami babban alama a cikin latsawa. Bana tsoron zagin rashin hankali, domin a shirye nake in kara wadannan abubuwa nan da nan; ko da na kai girma, kusan ban taba kuskura in saka Bach a cikin shirye-shiryen na solo concerts. Amma ba wai kawai ina tafiya ta hanyar preludes da fugues da sauran abubuwan da ke cikin babban phonist tare da dalibai ba: waɗannan abubuwan da aka tsara suna cikin kunnuwana, a cikin kaina, saboda, rayuwa a cikin kiɗa, mutum ba zai iya yin ba tare da su ba. Wani abun da ke ciki, wanda yatsu ya ƙware sosai, ya kasance ba a warware muku ba, kamar dai ba ku taɓa samun damar jin labarin sirrin marubucin ba. Hakanan yana faruwa tare da wasan kwaikwayo masu daraja - wata hanya ko wata za ku zo gare su daga baya, wadatar da kwarewar rayuwa.

Wannan dogon zance yana bayyana mana waɗanne hanyoyi ne na haɓaka hazakar mai wasan pian da kuma wadatar da ayyukanta, da kuma samar da dalilai na fahimtar ƙarfin fasaharta. Ba daidaituwa ba ne, kamar yadda muke gani a yanzu, cewa Davidovich kusan bai taɓa yin kiɗan zamani ba: na farko, yana da wahala ta nuna babban makaminta a nan - cantilena mai ban sha'awa mai ban sha'awa, ikon yin waƙa a kan piano, na biyu kuma ita ce. ba a taɓa ta da hasashe, bari da cikakkun ƙira a cikin kiɗa ba. "Wataƙila na cancanci a zarge ni saboda iyakataccen tunani na," in ji mai zane. "Amma ba zan iya canza ɗaya daga cikin ƙa'idodin ƙirƙira na ba: ba za ku iya zama marasa gaskiya cikin aiki ba."

zargi ya dade da ake kira Bella Davidovich a piano mawãƙi. Zai zama mafi daidai don maye gurbin wannan kalmar gama gari da wani: mawaƙi akan piano. Don ita, kunna kayan kida koyaushe yana kama da rera waƙa, ita da kanta ta yarda cewa "tana jin kiɗan sosai." Wannan shi ne sirrin na musamman na fasaharta, wanda aka bayyana a fili ba kawai a cikin wasan kwaikwayo ba, amma har ma a cikin tarin. Komawa a cikin hamsin hamsin, ta sau da yawa taka leda a cikin wani duet tare da mijinta, wani talented violinist wanda ya mutu da wuri, Yulian Sitkovetsky, daga baya tare da Igor Oistrakh, sau da yawa yi da kuma rubuta tare da danta, da riga sananne violinist Dmitry Sitkovetsky. Mai wasan piano yana zaune a Amurka kusan shekaru goma yanzu. Ayyukan yawon shakatawa na kwanan nan ya ƙara tsananta, kuma ta yi nasarar kada ta yi asara a cikin rafi na virtuosos da ke fitowa a kowace shekara a kan matakan kide-kide a duniya. Ta "pianism na mata" a cikin mafi kyawun ma'anar kalmar yana rinjayar wannan bango har ma da karfi da kuma rashin jurewa. An tabbatar da hakan ta hanyar yawon shakatawa na Moscow a 1988.

Grigoriev L., Platek Ya., 1990