Angelika Kholina: ballet ballet

Akwai fara'a ta musamman lokacin da za ku rubuta game da matashin ɗan wasan kwaikwayo, ko da wanene - mawaƙa, ɗan rawa, mai yin kida. Saboda babu ra'ayi da aka kafa akan aikinsa, har yanzu yana cike da ƙarfi, kuma a ƙarshe, mutum na iya tsammanin abubuwa da yawa daga matashin maestro.

A wannan batun, yana da ban sha'awa sosai don kallon mawaƙin wasan kwaikwayo na Vakhtangov Theater (Moscow) - Angelika Kholina.

Rayuwarta da tarihin rayuwarta na kirkire-kirkire sun yi daidai da nau'in karamin bayanin:

– 1990 – Vilnius (Lithuania) al’amari ne da har yanzu yana cikin ƙuruciya;

– 1989 – sauke karatu daga Vilnius Ballet School;

- tun 1991 ya fara yin wasan ƙwallon ƙafa, watau - wannan shine gaskiyar haihuwar matashi (dan shekara 21) mawaƙa;

- tare da hanya, ta sauke karatu daga GITIS (RATI) a Moscow a 1996, halitta a Lithuania - Angelika Kholina Dance gidan wasan kwaikwayo (|) - 2000, kuma tun 2008. colaborates da Vakhtangov Theater, inda ta ake kira darektan-choreographer. ;

- ta riga ta sami nasarar karɓar odar Lithuania na Cross Knight a cikin 2011, amma abin da ya fi mahimmanci shi ne cewa ɗalibanta (daga Vilnius) an riga an san su a gasar ballet na duniya, kuma sunan Angelika Kholina sananne ne a Turai da Amurka. da'irar ballet.

Me yasa gidan wasan kwaikwayo na Vakhtangov yayi sa'a tare da Angelika Kholina?

Tarihin wannan gidan wasan kwaikwayo, wanda ke da alaƙa da kiɗa, ba sabon abu ba ne, yana da nau'o'in nau'i na nau'i daga bala'i na gargajiya zuwa vaudeville mai banƙyama, yana da 'yan wasan kwaikwayo masu haske, wasan kwaikwayon da ba a manta ba. Wannan burlesque ne, dariya, wasa, amma kuma zurfin tunani da falsafar farawa a lokaci guda.

A yau gidan wasan kwaikwayo na da dimbin tarihi da al'adu, Rimas Tuminas ne ya jagoranci shi. Baya ga kasancewarsa hazaka, shi ma dan kasar Lithuania ne. Wannan yana nufin cewa 'yan wasan kwaikwayo na Rasha, da son rai ko ba da son rai ba, an "zuba / cusa" tare da wani yanki na "wani jini." A matsayin darekta, R. Tuminas ya zama mai ba da lambar yabo ta Jiha ta Tarayyar Rasha kuma an ba shi lambar yabo ta Abokan Abokan Hulɗa. Wannan game da gudummawar Tuminas ne ga al'adun Rasha.

Sabili da haka darekta A. Kholina ya sami kansa a cikin wannan yanayi, kuma a matsayin mawaƙa ya sami damar yin aiki tare da 'yan wasan kwaikwayo na Rasha. Amma mai yiyuwa ne ta kawo wasu al'adun kasa a cikin aikinta da kuma ba da fifiko daban-daban.

Sakamakon shine cakuda mai ban mamaki, "cocktail" na dandano mai ban sha'awa, wanda ya kasance halayyar gidan wasan kwaikwayo na Vakhtangov. Saboda haka sai dai itace cewa choreographer Anzhelika Kholina samu ta gidan wasan kwaikwayo, da gidan wasan kwaikwayo samu wani talented darektan da choreographer.

Game da choreography da masu yin wasan kwaikwayo

A cikin raye-rayen A. Kholina, 'yan wasan kwaikwayo ne kawai ke yin ban mamaki, ban da O. Lerman, wanda ke da makarantar choreographic a bayanta.

Da yake bayyana waɗannan "fantasies" na choreographic da 'yan wasan kwaikwayo suka yi, dole ne a ce:

- aikin hannayen hannu yana bayyana sosai (kuma 'yan wasan kwaikwayo masu ban mamaki zasu iya yin wannan da kyau), ya kamata ku kuma kula da aikin hannu (a cikin solos da ensembles);

- mawallafin mawaƙa yana kula da nau'i-nau'i iri-iri (duka masu tsauri da tsayi), zane, "ƙungiya" na jiki, wannan shine aikinta;

- aikin ƙafa kuma yana da ma'ana sosai, amma wannan ba ballet ba ne, wannan daban ne, amma ba ƙaramin sigar wasan kwaikwayo mai ban sha'awa ba;

– Motsi na ’yan wasan kwaikwayo a kan mataki ne maimakon talakawan, maimakon saba matakan ballet. Amma suna samun ɗan ci gaba da kaifi. A cikin wasan kwaikwayo na yau da kullun babu irin waɗannan ƙungiyoyi (a cikin kewayon, iyaka, bayyanawa), ba a buƙatar su a can. Wannan yana nufin cewa rashin kalma ana maye gurbinsu da filastik na jikin ɗan wasan kwaikwayo, amma mai wasan ballet ba zai iya yin rawa ba (rawar) irin wannan "saiti" na choreographic (wani lokaci saboda sauƙi). Kuma masu wasan kwaikwayo suna yin shi da jin daɗi;

- amma ba shakka za ku iya gani da bincika wasu alamun ballet zalla (juyawa, ɗagawa, matakai, tsalle)

Don haka ya bayyana cewa a kan hanya daga wasan kwaikwayo zuwa ballet akwai yiwuwar zaɓuɓɓuka don wasan kwaikwayo ba tare da kalmomi ba, ballet mai ban mamaki, da dai sauransu, wanda Angelica Kholina ya yi nasara da basira.

Abin kallo

Yau a Vakhtangov Theater akwai 4 wasanni da Angelica Kholina: "Anna Karenina", "The Shore of Women", "Othello", "Maza da Mata". An siffanta nau'in su a matsayin wasan kwaikwayo marasa kalmomi (ba na magana ba), watau babu tattaunawa ko magana daya; Ana isar da aikin ta hanyar motsi da filastik. A dabi'a, kiɗa yana wasa, amma kawai 'yan wasan kwaikwayo masu ban mamaki "rawa".

A bayyane yake, wannan shine dalilin da ya sa ba a sanya wasan kwaikwayon ba a matsayin ballets, amma daban-daban, alal misali, a matsayin "haɗin gwiwar choreographic" ko "wasan kwaikwayo na rawa." A Intanet za ku iya samun bidiyoyi masu girman gaske na waɗannan wasan kwaikwayon, kuma an gabatar da "The Shore of Women" a kusan cikakkiyar sigar.

Akwai kuma bidiyo "Carmen" akan Intanet:

Wannan wasan kwaikwayo ne na Anzhelika Kholina Ballet Theater (|), amma 'yan wasan kwaikwayo na Vakhtangov Theater suna aiki, ko kuma " rawa," a ciki.

Bidiyon "Carmen" da "Anna Karenina" an bayyana su azaman, watau An gabatar da guntu mafi ban mamaki kuma 'yan wasan kwaikwayo da mawaƙa sun yi magana:

Don haka wannan nau'i, lokacin da 'yan wasan kwaikwayo suka "raye-raye" sannan suyi magana, suna da matukar nasara, saboda yana sa ya yiwu a fahimci da yawa.

Wadanne abubuwa masu ban sha'awa ita kanta Angelica Kholina da 'yan wasanta suka ce:

Game da kiɗa da sauran abubuwa

Matsayin kiɗa a cikin A. Kholina yana da girma. Kiɗa yana bayyana da yawa, yana ƙarfafawa, haɓakawa, sabili da haka kayan kiɗan ba za a iya kiran su da wani abu ba face manyan litattafai.

A cikin "Carmen" shine Bizet-Shchedrin, a cikin "Anna Karenina" shine Schnittke na wasan kwaikwayo mai haske. “Othello” tana da kida ta Jadams, kuma “The Coast of Women” tana fasalta wakokin soyayya na Marlene Dietrich a cikin Turanci, Jamusanci, Faransanci da Ibrananci.

"Maza da Mata" - ana amfani da kiɗa na ballet na gargajiya. Taken wasan kwaikwayon shine Soyayya da yanayin da mutane ke rayuwa, wanda ke nufin wannan ƙoƙari ne na yin magana game da mafi girman ji ta hanyar fasaha ban da kalmomi kuma, watakila, don samun fahimtarsa ​​daban.

A cikin Othello, ana samun cikar matakin saboda yawan masu rawa da babban tsari na alama a cikin nau'in ƙwallon ƙafa.

A cikin sabon wasan kwaikwayo "Othello" da "The Shore..." rawar da taron jama'a ke karuwa, kamar dai mawallafin mawaƙa yana jin daɗinsa.

Kuma wani ƙarami, amma mahimmancin taɓawa: lokacin da Anzhelika Kholina yayi magana game da wasan kwaikwayo da kuma 'yan wasan kwaikwayo, haƙƙinta na "Baltic" yana kama ido ba da gangan ba. Amma ta yaya duk wannan ya bambanta da yanayin motsi, sha'awa, da motsin zuciyar ayyukanta. Da gaske ne sama da ƙasa!

A yau, lokacin da aka ji kalmomi game da ballet na zamani, za mu iya magana game da wasan kwaikwayo daban-daban. Kuma da yawa ya dogara ga darakta, mahaliccin wasan kwaikwayon da kuma ’yan wasan kwaikwayo waɗanda yake aiki tare da su. Kuma idan ba a hana maestro-darektan basira, to, kawai muna fuskantar wani sabon abu a cikin wasan kwaikwayo Genre, wanda aka gani a fili a cikin misali na choreographer Anzhelika Kholina.

Kuma nasiha ta ƙarshe: fara fara saduwa da Angelica Cholina tare da aikinta na "Carmen", sannan - kawai jin daɗi da jin daɗi.

Alexander Bichkov.