Sauƙaƙan tazara mai sauƙi

Akwai tazara 15 kawai a cikin kiɗa. Takwas daga cikinsu (daga prima zuwa octave) ana kiransu masu sauƙi, galibi ana samun su a cikin wasannin kiɗa da waƙoƙi. Sauran bakwai ɗin su ne tsaka-tsakin tsaka-tsaki. Sun haɗu saboda sun kasance, kamar yadda suke, sun ƙunshi tazara masu sauƙi guda biyu - octave da wasu tazara, waɗanda aka ƙara zuwa wannan octave.

Mun riga mun yi magana da yawa game da sauƙaƙan tazara a baya, kuma a yau za mu magance rabin na biyu na tazarar, wanda yawancin ɗaliban makarantun kiɗa ba su sani ba ko kuma kawai manta game da wanzuwar su.

Sunayen tazarar mahalli

Tsakanin mahaɗa, kamar masu sauƙi, ana nuna su ta lambobi (daga 9 zuwa 15) kuma ana amfani da lambobi a cikin Latin don sunayensu:

9- nona (tazarar matakai 9) 10 - decima (matakai 10) 11 - undecima (matakai 11) 12- Duodecyma (matakai 12) 13 - terzdecima (matakai 13) 14 - quarterdecima (matakai 14) 15 - quintdecima (matakai 15)

Kowane tazara yana da ƙima da ƙima. Kuma a cikin wannan yanayin, ƙididdiga na lambobi yana nuna ɗaukar hoto na tazara, wato, adadin matakan da ake buƙatar wucewa daga ƙananan sauti zuwa babba. Saboda ƙimar ƙima, an raba tazara zuwa tsarkakakke, ƙanana, babba, haɓaka da raguwa. Kuma wannan kuma ya shafi cikakkiyar tazara.

Menene tsaka-tsakin tsaka-tsaki?

Tsakanin mahaɗa koyaushe yana faɗi fiye da octave, don haka kashi na farko shine tsantsa tsantsa. An gina wasu tazara mai sauƙi daga daƙiƙa zuwa wani octave a samansa. Menene sakamakon?

Nuna (9) octave + second (8+2). Kuma tun da daƙiƙa na iya zama ƙarami ko babba, nona kuma yana zuwa da iri. Misali: DO-RE (komai ta hanyar octave) babban nona ne, tunda mun kara dakika babba zuwa tsantsar octave, kuma bayanan DO da D-FLAT, bi da bi, suna samar da ƙaramin nona. Anan akwai misalan manya da ƙanana waɗanda ba sauti daban-daban:

ga yara (10) octave ne da na uku (8 + 3). Decima na iya zama babba da ƙanana, dangane da wane na uku aka ƙara zuwa octave. Misali: RE-FA – ƙananan decima, RE da FA-SHARP – babba. Misalan ƙididdiga daban-daban waɗanda aka gina daga duk ainihin sautunan:

Undecima (11) shine octave + quart (8 + 4). Quart ya fi yawan tsarki, don haka undecima kuma mai tsarki ne. Idan ana so, zaku iya, ba shakka, yin duka biyun ragewa da haɓaka undecima. Misali: DO-FA – tsarki, DO da FA-SHARP – ya karu, DO da F-FLAT – rage undecima. Misalai na tsantsar rashin yanke hukunci daga duk “fararen maɓallai”:

Duodecima (12) shi ne octave + na biyar (8 + 5). Duodecymes sau da yawa suna da tsabta. Misalai:

Takarda (13) shi ne octave + na shida (8 + 6). Tunda kashi shida sun kasance manya da ƙanana, terdecimals daidai suke. Misali: RE-SI babban adadi ne na uku, kuma MI-DO karama ce. Ƙarin misalai:

Quartdecima (14) octave ne kuma na bakwai (8 + 7). Hakazalika, akwai manya da kanana. A cikin misalan kiɗan, don dacewa, dole ne a rubuta ƙananan murya a cikin ƙwanƙwasa bass:

Quintdecima (15) – Waɗannan su ne octave guda biyu, octave + ɗaya ƙarin octave (8 + 8). misalai:

Kuma za mu nuna wani misali na kiɗa: za mu tattara a cikinsa duk tazara tsakanin abubuwan da aka gina daga bayanin kula DO da PE. Za a gani a fili yadda tare da karuwa a cikin adadin tazara, tazara kanta tana faɗaɗa a hankali, kuma a hankali sautinsa yana motsawa daga juna.

Tebur tazara mai hade

Don ƙarin haske, bari mu tattara tebur na tsaka-tsakin tsaka-tsaki, wanda a cikinsa za a iya ganin nau'ikan nau'ikan su a fili, yadda aka samar da su da kuma yadda aka keɓe su.

Matsakaicin haɗin kai akan piano

Lokacin da kake koyo, yana da amfani ba kawai don gina tazara a cikin bayanin kula ba, har ma don kunna piano. A matsayin motsa jiki, kunna tsaka-tsakin fili daga bayanin kula C akan piano kuma sauraron yadda suke sauti. Har yanzu kuna iya wasa ba tare da nuna alamar nau'ikan ba, babban abu shine tunawa da sunaye da ainihin ƙa'idar gini.

To, ta yaya? Samu shi? Idan eh, to mai girma! A cikin al'amurra na gaba za mu yi magana game da yadda tazarar jituwa da waƙa ta bambanta da yadda ake rarrabe su ta kunne. Domin kada ku rasa komai, yi ragista da group din mu na Facebook.