Side triads, fret gravity, barga-m matakai (Darasi 6)
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Side triads, fret gravity, barga-m matakai (Darasi 6)

Don haka, a cikin darasi na ƙarshe, mun tsaya a maƙallan manyan matakai na yanayin. A cikin wannan darasi, za mu yi ƙoƙarin fahimtar menene gefen mataki maƙarƙashiyath, or triads na gefeyadda aka gina su da kuma dalilin da ya sa ake buƙatar su kwata-kwata.

Triads waɗanda aka gina akan matakan II, III, VI da VII ana kiran su by-samfurori, domin "suna da mahimmanci na biyu" (wannan magana ce daga littafin koyarwa na hukuma). Wato, akan dukkan matakai, ban da I, IV da V (manin matakai), zamu iya gina ainihin triads waɗanda ake kira. «samfurori."

Idan kuna da himma, gwada yin wannan ginin ta hanyoyin da kuka sani: C major, G major da F babba. Bari in tunatar da ku cewa a cikin wannan yanayin, ana iya haɗa sautin wannan damuwa KAWAI a cikin triad. Wato a cikin manyan C, za a gina maballin a kan dukkan farar maɓalli, a G major, maimakon F, za a sami F kaifi, a cikin F babba, maimakon B, za a sami B flat.

Bayan mun yi wannan aikin (wato, ciyar da mintuna goma), za mu iya yanke shawara kamar haka:

  1. Triads na matakan gefe, wato triads akan digiri na III da VI, a matsayin mai mulkin, suna da sabanin launi (ya kamata ku sami ƙananan triads a cikin manyan hanyoyi).
  2. A kan matakan gabatarwa (II da VII), an gina triads biyu - ɗaya kuma tare da kishiyar damuwa, na biyu kuma - rage. A manyan kan digiri na biyu muna da ƙaramin triad, kuma a mataki na bakwai muna da raguwa. A cikin ƙarami, hoton ya ɗan bambanta, amma zan yi magana game da wannan a wani darasi.

Side triads, fret gravity, barga-m matakai (Darasi 6) Side triads, fret gravity, barga-m matakai (Darasi 6)

Side triads, fret gravity, barga-m matakai (Darasi 6)

Wato nau'i-nau'i iri-iri na yanayin suna da launi daban-daban, kuma wannan launi ya dogara da matakan da ke tattare da wannan triad. Yanayin ku na ɗan lokaci kusan iri ɗaya ne. Jimillar ɗimbin mafi ƙanƙanta ji, sha'awa da sha'awar da kuke fuskanta a halin yanzu. Kuma idan kun canza aƙalla ɓangaren yanayin ku - kuma duk yanayin ya zama ɗan bambanta, daidai?

Misali, kun sami kanku a cikin makiyayar furanni, kuna murna da bambancin furanni, kuna jin buzzing na kwari, ku yi murna da rana. Amma kamar haka, rana ta bugi idanunku da ƙarfi, kuma kuna son sha. Yarda, ya isa ku sanya hular Panama - kuma yanayin ku nan da nan ya canza daga tafiya. Ko sha ruwa mai sanyi - nan da nan kuma duk sauran abubuwan an zana su ɗan ɗan bambanta…

Hakanan ana ƙara canza launi - na musamman, wanda ba zai iya yiwuwa ba! – wani consonance. Daga canza launin kowane sautinsa daban. Saboda haka, kwanciyar hankali na kowane triad kai tsaye ya dogara ne akan adadin barga da kuma sautunan da ba su da ƙarfi za su kasance a cikin abun da ke ciki.

Mun riga mun san wannan ra'ayi a cikin darussan da suka gabata, lokacin da muka yi magana game da matakai masu tsayi na yanayi da rera waƙa.

Yanzu zan yi ƙoƙari in ƙara ilimin ku a wannan yanki kaɗan.

A kowane yanayi, sauti daban-daban zuwa digiri daban-daban suna da mallakar "nauyi" da "kwanciyar hankali". Misali, Ina mataki, tonic - mafi kwanciyar hankali sautin yanayin. Wannan yana nufin cewa, haɗuwa a cikin wani yanki na kiɗa, wannan sauti yana haifar da jin dadi na goyon baya mai dogara, gamsuwa a cikin mai sauraro.

Mataki na II - sautin ba shi da kwanciyar hankali kuma, lokacin yin sauti a cikin kiɗa na wani nau'i na sauti, yana haifar da rashin jin daɗi a cikin mai sauraro da sha'awar wani nau'i na ci gaba, kammalawa. Wannan sha'awar yana samun gamsuwa idan an maye gurbin sautin mataki na biyu da sautin tonic, ya shiga cikinsa. Yana kira"Ƙuduri“. Da sauransu - duk sauti na yanayin yana da dukiyar kwanciyar hankali da nauyi a cikin nau'i daban-daban.

Aƙalla, zaku iya shirya su gwargwadon girman kwanciyar hankali kamar haka:

  • Sashe na I - mafi kwanciyar hankali sauti, nauyi ba ya nan;
  • Mataki na II ba shi da kwanciyar hankali kuma yana motsawa zuwa ƙasa, zuwa tonic;
  • Mataki na III - kwanciyar hankali yana da rauni kadan, nauyi kusan ba ya nan;
  • Mataki na IV - rashin kwanciyar hankali, raguwa zuwa ƙasa, tare da matsakaicin ƙarfi;
  • Mataki na V - barga, nauyi ba shi da komai;
  • Mataki na VI - maras tabbas kuma yana motsawa a hankali zuwa matakin V;
  • VII - mafi ƙarancin sauti, wanda ba zai iya jurewa ba yana yin nauyi sama, zuwa tonic.

Side triads, fret gravity, barga-m matakai (Darasi 6)

Wannan rabe-rabe abu ne na zahiri, kuma yana iya zama ɗan bambanci a cikin ji na mutane daban-daban, kuma ba shakka, a cikin yanayi daban-daban. Amma gabaɗayan kwalayenta har yanzu daidai suke. A kowane hali, cikakken tabbataccen kwanciyar hankali na matakan I, III da V ba ya haifar da jayayya tsakanin kowa.

sabili da haka tonic triad, wanda ya ƙunshi gaba ɗaya na barga sautuna kadai - barga kuma gaba ɗaya. Haka kuma, wannan triad shine mafi kwanciyar hankali cikin jituwa. Yanzu za ka iya shirya bakwai triads na yanayin a cikin hanya guda bisa ga matakin kwanciyar hankali. Misali, me yasa triad din digiri na XNUMX ya fi kwanciyar hankali fiye da digiri na XNUMX, zaku iya tsammani a yanzu, daidai?

Tsarin tsara kiɗan - duka waƙarsa da jituwa - asali ya zo ne zuwa ka'idoji guda biyu: kuna haifar da tashin hankali (rashin kwanciyar hankali), kuma kuna warware shi. Kuma wannan shine dalilin da ya sa mai sauraro ya zama mai sha'awar sauraron kiɗan ku, kuma yana neman damar jin ta akai-akai ...

Bari mu yi ƙoƙarin jin duk nuances na tashin hankali da kwanciyar hankali tare da misalai:

Side triads, fret gravity, barga-m matakai (Darasi 6)

Side triads, fret gravity, barga-m matakai (Darasi 6)

Ina fatan komai ya yi muku aiki, kuma kun ji cikakken dukkan nuances na waɗannan ayyukan. Side triads, fret gravity, barga-m matakai (Darasi 6)

Ƙwaƙwalwar ajiya - Piano / Orchestral - Carlton Forrester

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