Nikolai Anatolievich Demidenko |

Nikolai Demidenko

"A cikin duk abin da N. Demidenko ke yi a kayan aiki, kuna jin daɗin jin daɗin fasaha, da buƙatar shi na waɗannan hanyoyin da yake amfani da su a cikin aikin. Komai yana fitowa daga kiɗa, daga bangaskiya mara iyaka a cikinta. Irin wannan ƙima mai mahimmanci yana bayyana sha'awar aikin pianist a cikin ƙasarmu da waje.

Lokaci yana wucewa da sauri. Da alama cewa kwanan nan mun ƙidaya Dmitry Bashkirov a cikin matasan pianists, kuma a yau masu son kiɗa suna ƙara saduwa da ɗalibansa a kan wasan kwaikwayo. Daya daga cikinsu shi ne Nikolai Demidenko, wanda ya sauke karatu daga Moscow Conservatory a aji na DA Bashkirov a 1978 da kuma kammala wani mataimakin kwas da horo tare da farfesa.

Wadanne abubuwa ne suka fi jan hankalin matashin mawakin da ya fara rayuwa mai zaman kanta a kwanan nan? Malamin ya lura a cikin dabbar dabbar sa wani nau'in haɗe-haɗe na fasaha na virtuoso kyauta tare da sabo na furcin kiɗa, yanayin yanayin wasan kwaikwayo, da ɗanɗano mai kyau. Don wannan ya kamata a ƙara wata fara'a ta musamman wacce ke ba mai wasan pian damar kafa lamba tare da masu sauraro. Demidenko yana nuna waɗannan halaye a cikin tsarinsa na daban-daban, har ma da bambancin ayyuka. A gefe guda, ya yi nasara a cikin sonatas Haydn, farkon Beethoven, kuma a daya hannun, Hotunan Mussorgsky a wani nuni, Rachmaninoff's Concerto na Uku, wanda Stravinsky da Bartok suka yi. Har ila yau, waƙoƙin Chopin suna kusa da shi (a cikin mafi kyawun nasarorin da ya samu akwai scherzos hudu na mawallafin Poland), wasan kwaikwayo na Liszt na virtuoso yana cike da girman kai. A ƙarshe, ba ya wucewa ta hanyar kiɗa na zamani, yana kunna ayyukan S. Prokofiev, D. Shostakovich, R. Shchedrin, V. Kikta. Faɗin repertoire, wanda ya haɗa da ayyukan da ba a taɓa jin ba, gami da, alal misali, sonatas Clementi, ya ba wa Nikolai Demidenko damar yin nasara na halarta a karon farko a matakin gasa - a cikin 1976 ya zama lambar yabo ta Gasar Duniya a Montreal.

Kuma a 1978 wani sabon nasara ya zo masa - lambar yabo ta uku na gasar Tchaikovsky a Moscow. Anan ga kimantawa da memba na juri EV Malinin ya ba shi: “Bazawar Nikolai Demidenko tana da kyau sosai. Mutum zai iya cewa game da shi a matsayin mawaƙa: yana da “murya mai kyau” – piano yana jin daɗi a ƙarƙashin yatsun Demidenko, har ma da ƙarfi na fortissimo ba ya taɓa tasowa zuwa “mafi kyau” tare da shi…. Lokacin da kuka saurare shi, yana da alama cewa mafi kyawun abubuwan ƙirƙira suna da sauƙin wasa… A lokaci guda, Ina so in ji a cikin fassararsa wasu lokuta ƙarin rikici, farkon ban mamaki. Duk da haka, ba da daɗewa ba mai suka V. Chinaev ya rubuta a cikin Musical Life: “Mawaƙin matashin mawaƙi yana cikin motsin kirkire-kirkire. Ana tabbatar da wannan ba kawai ta hanyar faɗaɗawa da sabuntawa ba, har ma ta hanyar juyin halittarsa ​​na ciki. Abin da ya zama kamar ba a sani ba a cikin wasansa shekaru biyu da suka wuce, boye a bayan sauti mai launi ko a bayan kyawawan dabi'un filigree, a yau ya zo kan gaba: sha'awar gaskiyar tunanin mutum, don siffar mai hankali amma kyakkyawa mai raɗaɗi ... Akwai pianists da suka yi. suna da ƙarfi a bayan wannan ko waccan rawar da suka samu daga wasannin kide-kide na farko an daidaita. Ba shi yiwuwa a rarraba Demidenko kamar haka: fasaharsa yana da ban sha'awa, tare da sauye-sauyensa, yana jin daɗin iyawar haɓakar haɓakawa.

A cikin lokacin da ya gabata, iyakokin ayyukan kide-kide na mawaƙin ya ƙaru da ban mamaki. Ayyukansa, a matsayin mai mulki, suna tayar da sha'awar masu sauraro ta hanyar rashin daidaitattun ka'idodin fassarar duka da kuma wani lokacin bincike na maimaitawa. "Kyakkyawan bayanan pianistic na N. Demidenko da ba za su bayyana kansu a sarari ba idan ba su kasance tushen fassarori masu ma'ana na rayayyun rayayyun zuciya ga mai sauraro ba." Wannan shi ne babban dalilin nasarar fasaha na Nikolai Demidenko.

Tun 1990 mai wasan piano yana zaune a Burtaniya.

L. Grigoriev, J. Platek, 1990

Автор фото - Mercedes Segovia