Eileen Farrell |

Eileen Farrell asalin

Duk da cewa aikinta a saman Olympus na opera bai daɗe ba, mutane da yawa suna ɗaukar Eileen Farrell a matsayin ɗaya daga cikin manyan sopranos na lokacinta. Mawaƙin yana da kyakkyawar makoma a cikin dangantakarta da masana'antar rikodi: ta yi rikodin ayyukan solo da yawa (ciki har da kiɗan "haske"), ya shiga cikin rikodi na operas duka, wanda ya kasance babban nasara.

Da zarar wani mai sukar kiɗa ga New York Post (a cikin lokacin 1966) ya yi magana game da muryar Farrell a cikin sharuɗɗan sha'awa masu zuwa: “[muryarta]… ta yi kama da muryar ƙaho, kamar mala'ika Jibra'ilu ya bayyana yana yin shelar zuwan sabon karni."

A zahiri, ta kasance sabon wasan opera diva ta hanyoyi da yawa. Kuma ba wai kawai saboda ta ji 'yanci a cikin irin waɗannan abubuwa masu kida kamar opera, jazz, da kuma shahararrun waƙoƙi, amma kuma a cikin ma'anar cewa ta jagoranci salon rayuwa na yau da kullun na mutum mai sauƙi, kuma ba prima donna ba. Ta auri wani ɗan sanda na New York, kuma cikin nutsuwa ta ƙi kwangila idan ta yi nisa da danginta - mijinta, ɗanta da 'yarta.

An haifi Eileen Farrell a Willimantic, Connecticut, a cikin 1920. Iyayenta sun kasance mawaƙan wasan kwaikwayo na vaudeville. Hazakar waka ta farko Eileen ya sa ta zama mai gabatar da rediyo na yau da kullun tun tana shekara 20. Daya daga cikin masu sha'awarta shi ne mijin da za ta haifa.

An riga an san shi ga mafi yawan masu sauraro ta hanyar rediyo da talabijin, Eileen Farrell ta fara halarta a karon a filin wasan opera na San Francisco a 1956 (rawar take a cikin Medea na Cherubini).

Rudolf Bing, Shugaba na Metropolitan Opera, ba ya son mawaƙan da ya gayyace su zuwa ga Met don samun nasarar farko a wajen bangon gidan wasan kwaikwayo a ƙarƙashin ikonsa, amma, a ƙarshe, ya gayyaci Farrell (ta kasance a lokacin 40 shekaru). tsohon) zuwa mataki "Alceste" na Handel a 1960.

A cikin 1962, mawaƙin ya buɗe kakar a Met a matsayin Maddalena a cikin Giordano's André Chénier. Abokin aikinta shine Robert Merrill. Farrell ya bayyana a Met a cikin matsayi shida sama da yanayi biyar (wasan kwaikwayo 45 gabaɗaya), kuma ya yi ban kwana da gidan wasan kwaikwayo a cikin Maris 1966, kuma a matsayin Maddalena. Shekaru bayan haka, mawaƙiyar ta yarda cewa koyaushe tana jin matsin lamba daga Bing. Duk da haka, ba a taɓa ta da irin wannan marigayi na halarta a karon a sanannen matakin ba: "A duk tsawon wannan lokacin an ɗora mini nauyin aikin ko dai a rediyo ko a talabijin, da kide kide da wake-wake da kuma zaman da ba su da iyaka a cikin faifan bidiyo."

Mawaƙin ya kuma kasance fitaccen ɗan wasan soloist na lokacin Philharmonic na New York, kuma ya ware Maestro Leonard Bernstein a matsayin wanda ta fi so na jagoran waɗanda dole ne ta yi aiki tare. Ɗaya daga cikin shahararrun haɗin gwiwar su shine wasan kwaikwayo na 1970 na wasan kwaikwayo na Wagner's Tristan und Isolde, wanda Farrell ya rera wani duet tare da tenor Jess Thomas (an sake yin rikodin daga wannan maraice a CD a 2000).

Ci gabanta a cikin duniyar kiɗan pop ya zo ne a cikin 1959 yayin wasan kwaikwayo a wurin bikin a Spoleto (Italiya). Ta ba da wani kide-kide na aria na gargajiya, sannan ta shiga cikin wasan kwaikwayon Verdi's Requiem, kuma bayan kwanaki biyu, ta maye gurbin Louis Armstrong mara lafiya, tana yin ballads da blues a cikin wani kade-kade tare da makada. Wannan gagarumin juyi na digiri 180 ya haifar da jin dadi a cikin jama'a a lokacin. Nan da nan bayan ta koma New York, daya daga cikin masu yin rikodin rikodin Columbia, wanda ya ji jazz ballads da soprano ya yi, ya sanya mata hannu don yin rikodin su. Albums ɗinta da suka buga sun haɗa da "Ina da 'yancin yin waƙa da Blues" da "Hen I Go Again."

Ba kamar sauran mawakan opera waɗanda suka yi ƙoƙarin ketare layin litattafai ba, Farrell yana kama da mawaƙin pop mai kyau wanda ya fahimci mahallin waƙoƙin.

“Dole a haife ku da ita. Ko dai ya fito ko a'a, ”ta yi tsokaci game da nasarar da ta samu a fagen “haske”. Farrell ta yi ƙoƙari ta ƙirƙira tafsirin fassarar a cikin tarihinta ba za ta iya daina raira waƙa ba - jimla, 'yancin kai da sassauci, ikon ba da cikakken labari a cikin waƙa ɗaya.

A cikin aiki na singer, akwai wani episodic dangane da Hollywood. 'Yar wasan kwaikwayo Eleanor Parker ce ta bayyana muryarta a cikin daidaitawar fim ɗin tarihin rayuwar tauraruwar opera Marjorie Lawrence, Melody mai katsewa (1955).

A cikin shekarun 1970s, Farrell ya koyar da vocals a Jami'ar Jihar Indiana, yana ci gaba da yin wasan kwaikwayo har sai da gwiwa ta ƙare ta ƙare aikin yawon shakatawa. Ta koma tare da mijinta a 1980 don zama a Main kuma ta binne shi bayan shekaru shida.

Ko da yake Farrell ta ce ba ta son yin waƙa bayan mutuwar mijinta, amma an lallashe ta ta ci gaba da naɗa fitattun CD na tsawon shekaru da yawa.

"Na dauka cewa na ajiye wani bangare na muryata. Yin bayanin kula, saboda haka, zai zama aiki mai sauƙi a gare ni. Wannan ya nuna abin da na kasance mai ban tsoro, domin a gaskiya ya zama ba sauki ba! Eileen Farrell ya yi murmushi. - "Kuma, duk da haka, Ina godiya ga kaddara cewa har yanzu zan iya yin waƙa a irin wannan shekarun kamar nawa"…

Elizabeth Kennedy. Kamfanin Dillancin Labarai na Associated Press. Takaitaccen fassarar daga Turanci ta K. Gorodetsky.