Dimitra Theodossiou |

Dimitra Theodossiou

Girkanci ta uba da Jamusanci ta uwa, soprano Dimitra Theodossiou a yau yana daya daga cikin manyan sopranos da jama'a da masu sukar suka fi girmamawa. Ta fara fitowa a 1995 a La Traviata a gidan wasan kwaikwayo na Megaron a Athens. Fitacciyar mai yin kidan Verdi, Donizetti da Bellini, Teodossiu ta nuna hazakar ta musamman a cikin shekarar bikin Verdi. Yakin da suka gabata sun wadata cikin nasarorin ƙirƙira: Attila da Stiffelio a Trieste, La Traviata a Helsinki da Troubadour a Montecarlo. Wani Troubadour, a wannan karon karkashin jagorancin Maestro Riccardo Muti, shine karo na farko a La Scala. Nasarar sirri a cikin opera guda ɗaya a mafi kyawun wuri kuma a lokaci guda mai wahala a waje - Arena di Verona. Rino Alessi yana magana da Dimitra Theodossiou.

Da alama "Troubadour" an ƙaddara shi don taka muhimmiyar rawa a cikin makomarku…

Sa’ad da nake ɗan shekara shida, mahaifina, mai son wasan opera, ya ɗauke ni gidan wasan kwaikwayo a karon farko a rayuwata. A ƙarshen wasan kwaikwayon, na gaya masa: lokacin da na girma, zan zama Leonora. Haɗuwa da opera ya kasance kamar tsawa, kuma kiɗa ya zama kusan abin sha'awa a gare ni. Na ziyarci gidan wasan kwaikwayo sau uku a mako. Babu mawaƙa a cikin iyalina, ko da yake kakata ta yi mafarkin sadaukar da kanta ga kiɗa da waƙa. Yakin ya hana ta cimma burinta. Mahaifina yana tunanin yin aiki a matsayin shugaba, amma dole ne ka yi aiki, kuma waƙa ba ta zama tushen abin dogaro ba.

Haɗin ku da kiɗan Verdi ya zama mara rabuwa…

Wasan operas na matashin Verdi shine ainihin repertoire wanda na fi jin daɗi. A cikin matan Verdi ina son ƙarfin hali, sabo, wuta. Na gane kaina a cikin halayensu, na kuma yi gaggawar amsawa ga halin da ake ciki, shiga cikin yaƙin idan ya cancanta ... Sannan, jarumawan matasa Verdi, kamar jarumawan Bellini da Donizetti, mata ne na soyayya, kuma suna buƙatar sautin murya mai faɗin gaske. salo kuma a lokaci guda babban motsi na murya .

Shin kun yarda da ƙwarewa?

Ee, na yi imani, ba tare da wata shakka da tattaunawa ba. Na yi karatu a Jamus, a Munich. Malama ita ce Birgit Nickl, wadda har yanzu muna karatu da ita. Ban taba tunanin yiwuwar zama mawaƙin solo na cikakken lokaci na ɗaya daga cikin gidajen wasan kwaikwayo na Jamus ba, inda kowa ke rera waƙa kowace maraice. Irin waɗannan abubuwan na iya haifar da asarar murya. Na gwammace in fara da manyan ayyuka a cikin fitattun gidajen wasan kwaikwayo ko žasa. Na yi shekara bakwai yanzu ina waƙa kuma sana'ata tana haɓakawa a zahiri: Na ga daidai.

Me yasa kuka zaɓi yin karatu a Jamus?

Domin ni Bajamushe ne a bangaren mahaifiyata. Ina da shekara ashirin lokacin da na zo Munich na fara karatun lissafin kudi da tattalin arziki na kasuwanci. Bayan shekara biyar, sa’ad da na riga na yi aiki da kuma tallafa wa kaina, na yanke shawarar daina kome kuma na ba da kaina ga yin waƙa. Na halarci kwasa-kwasan na musamman a Makarantar Waƙa ta Munich da ke Munich Opera House a ƙarƙashin jagorancin Josef Metternich. Sai na yi karatu a ɗakin ajiyar maza da mata da ke birnin Munich, inda na rera waƙa na farko a ɗakin wasan opera. A cikin 1993, na sami gurbin karatu daga gidan Maria Callas a Athens, wanda ya ba ni damar fara halarta na a La Traviata a gidan wasan kwaikwayo na Megaron bayan wani lokaci. Ina da shekara ashirin da tara. Nan da nan bayan La Traviata, na rera waƙa a Anne Boleyn ta Donizetti a gidan wasan opera na kasa da ke Kassel.

Babban farawa, babu abin da za a ce. La Traviata, Anne Boleyn, Maria Callas Scholarship. Kai Greek ne. Zan faɗi banal abu, amma sau nawa ka ji: ga sabon Callas?

Tabbas an gaya min wannan. Domin na yi waƙa ba kawai a La Traviata da Anne Boleyn ba, har ma a Norma. Ban kula shi ba. Maria Callas ita ce gunkina. Aikina yana bin misalinta, amma ba na so in yi koyi da ita. Ban da haka, bana jin zai yiwu. Ina alfahari da asalin Girkanci na, kuma cewa a farkon aikina na yi waƙa a cikin wasan kwaikwayo guda biyu waɗanda ke da alaƙa da sunan Callas. Zan iya cewa sun kawo min sa'a.

Gasar murya fa?

Akwai kuma gasa, kuma kwarewa ce mai amfani sosai: Belvedere a Vienna, Viotti a Vercelli, Giuseppe Di Stefano a Trapani, Operalia wanda Placido Domingo ya jagoranta. A koyaushe ina cikin na farko, idan ba na farko ba. Godiya ga ɗaya daga cikin gasa da na fara fitowa a matsayin Donna Anna a cikin Mozart's Don Giovanni, wasan opera na uku, wanda Ruggero Raimondi abokin tarayya ne.

Mu koma Verdi. Shin kuna tunanin fadada repertoire a nan gaba?

Oh tabbata. Amma ba duk operas na Verdi ne suka dace da muryata ba, musamman a halin da take ciki. An riga an ba ni damar yin wasan kwaikwayo a Aida, amma zai kasance da haɗari a gare ni in rera waƙa a cikin wannan wasan opera: yana buƙatar balagaggen murya wanda har yanzu ban kai ba. Hakanan ana iya faɗi game da Masquerade Ball da Ƙarfin Ƙaddara. Ina son duk waɗannan operas, kuma ina so in yi waƙa a cikin su nan gaba, amma yanzu ba na tunanin taɓa su. Tare da malamina, na shirya The Biyu Foscari, Joan na Arc da The 'yan fashi, a cikin abin da na yi na farko halarta a karon bara a Teatro Massimo a Palermo. A Don Carlos na rera waka a San Carlo da ke Naples. Bari mu ce a halin yanzu mafi ban mamaki hali a cikin repertore ne Odabella a Attila. Har ila yau, hali ne wanda ya nuna muhimmin ci gaba a cikin aikina.

Don haka kuna yin watsi da yiwuwar fitowar ku a cikin wasan opera biyu masu ban sha'awa da ban mamaki ta matasa Verdi, Nabucco da Macbeth?

A'a, ban yanke hukunci ba. Nabucco yana da ban sha'awa a gare ni, amma ba a ba ni damar yin waƙa a ciki ba tukuna. Amma ga Lady Macbeth, an miƙa mini ita, kuma na yi sha'awar raira waƙa a wannan bangare, domin ina tsammanin cewa wannan jarumar tana da irin wannan ƙarfin da ta willy-nilly dole ne a fassara shi yayin da kuke matashi kuma muryar ku ta kasance sabo. Duk da haka, mutane da yawa sun ba ni shawarar in jinkirta ganawara da Lady Macbeth. Na ce wa kaina: Verdi yana son mawaki mai mugunyar murya ya rera matar, zan jira har sai muryata ta yi muni.

Idan muka ware Liu a cikin "Turandot", ba ku taɓa yin waƙa a cikin ayyukan ƙarni na ashirin ba. Shin, ba a yaudare ku da manyan haruffa kamar Tosca ko Salome ba?

A'a, Salome hali ce da ta kore ni. Jaruman da na fi so su ne Lucia ta Donizetti da Anne Boleyn. Ina son sha'awar su, haukan su. A cikin al'ummar da muke rayuwa a ciki, ba zai yiwu a bayyana ra'ayoyin da muke so ba, kuma ga mawaƙa, opera ya zama nau'i na farfadowa. Kuma a sa'an nan, idan ina fassarar hali, dole ne in kasance da tabbacin XNUMX%. Suna gaya mani cewa nan da shekaru ashirin zan iya yin waƙa a wasan operas na Wagner. Wa ya sani? Ban yi wani shiri na wannan repertoire ba tukuna.

Hira da Dimitra Theodossiou da aka buga a cikin mujallar l'opera Fassara daga Italiyanci ta Irina Sorokina, operanews.ru