Alexey Fedorovich Lvov (Alexei Lvov) |

Alexei Lvov

Har zuwa tsakiyar karni na XNUMX, abin da ake kira "hasken son son rai" ya taka muhimmiyar rawa a rayuwar kiɗan Rasha. An yi amfani da yin kidan gida da yawa a cikin manyan mutane da mahalli. Tun daga zamanin Peter I, kiɗa ya zama wani ɓangare na ilimi mai daraja, wanda ya haifar da fitowar adadi mai yawa na masu ilimin kiɗa waɗanda suka yi daidai da kayan aiki ɗaya ko wata. Daya daga cikin wadannan "yan son" shi ne violinist Alexei Fedorovich Lvov.

Wani hali mai ban sha'awa, abokin Nicholas I da Count Benckendorff, marubucin waƙar Tsarist Rasha ("Allah Ceci Tsar") Lvov ya kasance mawaƙa na tsaka-tsaki, amma ƙwararren violin ne. Sa’ad da Schumann ya ji wasansa a Leipzig, ya keɓe masa layukan ɗorewa: “Lvov ɗan wasa ne mai ban sha’awa kuma ba kasafai ake yin sa ba har za a iya daidaita shi da masu fasaha na farko. Idan har yanzu akwai irin waɗannan masu son a babban birnin Rasha, to, wani ɗan wasan kwaikwayo zai iya koya a can fiye da koyar da kansa.

Wasan da Lvov ya yi ya burge matashin Glinka sosai: “A ɗaya daga cikin ziyarar mahaifina a St. ”

A. Serov ya ba da wani babban kima na wasan Lvov: "Waƙar baka a Allegro," ya rubuta, "tsarkakewa na innation da dapperness na" ado "a cikin sassa, da expressiveness, kai ga m sha'awa - duk. wannan daidai da AF Kadan daga cikin virtuosos a duniya sun mallaki zakuna.

An haifi Alexei Fedorovich Lvov a ranar 25 ga Mayu (5 ga Yuni, bisa ga sabon salon), 1798, a cikin wani iyali mai arziki wanda ya kasance daga cikin manyan sarakunan Rasha. Mahaifinsa, Fedor Petrovich Lvov, ya kasance memba na Majalisar Jiha. Wani mai ilimin kiɗa, bayan mutuwar DS Bortnyansky, ya ɗauki mukamin darektan kotun Singing Chapel. Daga shi wannan matsayi ya koma ga dansa.

Da farko uban ya gane basirar kida na dansa. A. Lvov ya tuna cewa “ya ga gwanin wannan fasaha a cikina. "Na kasance tare da shi akai-akai kuma tun ina ɗan shekara bakwai, ko dai ko mara kyau, na yi wasa da shi da kawuna Andrei Samsonovich Kozlyaninov, duk bayanan tsoffin marubutan da mahaifin ya rubuta daga dukan ƙasashen Turai."

A kan violin, Lvov yayi karatu tare da mafi kyawun malamai a St. Petersburg - Kaiser, Witt, Bo, Schmidecke, Lafon da Boehm. Yana da halayyar cewa ɗaya kawai daga cikinsu, Lafont, wanda ake kira "Faransa Paganini", ya kasance cikin yanayin virtuoso-romantic na violinists. Sauran sun kasance mabiyan makarantar gargajiya na Viotti, Bayo, Rode, Kreutzer. Sun sa dabbobinsu su ƙaunaci Viotti da kuma rashin son Paganini, wanda Lvov ya wulakanta shi ya kira “mai plasterer.” Daga cikin 'yan wasan violin na Romantic, ya fi gane Spohr.

Darussan Violin tare da malamai sun ci gaba har zuwa shekaru 19, sannan Lvov ya inganta wasansa da kansa. Lokacin da yaron ya kai shekara 10, mahaifiyarsa ta rasu. Ba da daɗewa ba mahaifin ya sake yin aure, amma ’ya’yansa sun kafa dangantaka mafi kyau da uwar uwarsu. Lvov yana tunawa da ita da zafi sosai.

Duk da basirar Lvov, iyayensa ba su yi tunanin komai ba game da aikinsa na ƙwararrun mawaƙa. Ayyukan fasaha, kiɗa, wallafe-wallafen sunyi la'akari da wulakanci ga masu daraja, sun shiga cikin fasaha kawai a matsayin masu son. Saboda haka, a cikin 1814, an sanya saurayin zuwa Cibiyar Sadarwa.

Bayan shekaru 4, ya kammala karatun digiri na farko a makarantar tare da lambar zinariya kuma an aika shi zuwa aiki a yankunan soja na lardin Novgorod, wanda ke karkashin jagorancin Count Arakcheev. Shekaru da yawa bayan haka, Lvov ya tuna da wannan lokacin da kuma zaluncin da ya gani da ban tsoro: “A lokacin aikin, shiru gabaɗaya, wahala, baƙin ciki a fuskoki! Haka suka wuce kwanaki, watanni, ba tare da hutu ba, sai ranar Lahadi, wanda yawanci ake azabtar da masu laifi a cikin mako. Na tuna cewa sau ɗaya a ranar Lahadi na hau kusan 15, ban wuce ƙauye ɗaya da na ji duka da kururuwa ba.

Amma, yanayin sansanin bai hana Lvov kusantar Arakcheev ba: “Bayan shekaru da yawa, na sami ƙarin zarafi na ganin Count Arakcheev, wanda duk da mugun fushinsa, a ƙarshe ya ƙaunace ni. Babu daya daga cikin ’yan uwana da ya bambanta da shi, babu wanda ya samu lambobin yabo masu yawa.

Tare da duk matsalolin sabis, sha'awar kiɗa ya kasance mai ƙarfi sosai cewa Lvov har ma a sansanin Arakcheev yana yin violin kowace rana don 3 hours. Bayan shekaru 8 kawai, a cikin 1825, ya koma St. Petersburg.

A lokacin tashin Decembrist, dangin Lvov na "aminci" ba shakka, sun kasance a nesa daga abubuwan da suka faru, amma kuma dole ne su jure tashin hankali. Daya daga cikin 'yan'uwan Alexei, Ilya Fedorovich, kyaftin na Izmailovsky rajimanti, aka tsare na kwanaki da yawa, mijin Darya Feodorovna 'yar'uwar, kusa da Prince Obolensky da Pushkin, da kyar ya tsere daga wahala.

Lokacin da abubuwan suka ƙare, Alexey Fedorovich ya sadu da babban jami'in gendarme, Benckendorff, wanda ya ba shi wurin mataimakinsa. Wannan ya faru ne a ranar 18 ga Nuwamba, 1826.

A shekarar 1828 aka fara yakin da Turkiyya. Ya zama mai kyau ga haɓakar Lvov ta cikin matsayi. Adjutant Benkendorf ya isa soja kuma ba da daɗewa ba aka sanya shi cikin ma'aikaci na sirri na Nicholas I.

Lvov ya kwatanta a cikin "bayanin kula" tafiye-tafiyensa tare da sarki da abubuwan da ya gani. Ya halarci nadin sarauta na Nicholas I, ya yi tafiya tare da shi zuwa Poland, Austria, Prussia, da dai sauransu; ya zama daya daga cikin makusantan sarki, da kuma mawakin fadarsa. A shekara ta 1833, bisa ga bukatar Nicholas Lvov ya hada waƙar waƙar da ta zama waƙar waƙar Tsarist Rasha. Mawaki Zhukovsky ne ya rubuta kalmomin waƙar. Domin m sarauta holidays, Lvov composes m guda da kuma buga su da Nikolai (a kan ƙaho), da Empress (a kan piano) da kuma manyan masu son - Vielgorsky, Volkonsky da sauransu. Har ila yau, yana tsara wasu kiɗan "official". Sarkin ya yi masa karimci da umarni da karramawa, ya mai da shi gadin sojan doki, kuma a ranar 22 ga Afrilu, 1834, ya kara masa girma zuwa reshen adjutant. Sarkin ya zama abokinsa na "iyali": a bikin auren da ya fi so (Lvov ya auri Praskovya Ageevna Abaza a ranar 6 ga Nuwamba, 1839), shi, tare da Countess gidansa na maraice na kiɗa.

Wani abokin Lvov shine Count Benckendorff. Alakar su ba ta iyakance ga sabis ba - sau da yawa suna ziyartar juna.

Yayin da yake tafiya a Turai, Lvov ya sadu da mawaƙa da yawa: a cikin 1838 ya buga quartets tare da Berio a Berlin, a 1840 ya ba da kide-kide tare da Liszt a Ems, wanda aka yi a Gewandhaus a Leipzig, a 1844 ya buga a Berlin tare da Kummer cellist. Anan Schumann ya ji shi, wanda daga baya ya mayar da martani da labarinsa abin yabawa.

A cikin Bayanan Lvov, duk da sautin fahariya, akwai abubuwa da yawa da ke sha'awar waɗannan tarurrukan. Ya kwatanta yin kaɗe-kaɗe da Berio kamar haka: “Na sami ɗan lokaci da yamma kuma na yanke shawarar yin wasa da shi kwata-kwata, kuma saboda haka na ce shi da ’yan’uwan Ganz biyu su buga viola da cello; ya gayyaci shahararren Spontini da wasu mafarauta biyu ko uku zuwa ga masu sauraronsa. Lvov ya buga kashi na biyu na violin, sannan ya nemi Berio ya ba shi izinin yin wasan violin na farko a cikin allurai na Beethoven's E-minor Quartet. Sa’ad da wasan ya ƙare, wani Berio mai farin ciki ya ce: “Ba zan taɓa gaskata cewa mai son, mai shagaltu da abubuwa da yawa kamar ku ba, zai iya haɓaka hazakarsa zuwa irin wannan matakin. Kai ƙwararren ɗan wasa ne, kana buga violin da ban mamaki, kuma kayan aikinka na da ban mamaki. Lvov ya buga violin na Magini, wanda mahaifinsa ya saya daga shahararren dan wasan violin Jarnovik.

A 1840, Lvov da matarsa ​​sun yi tafiya a kusa da Jamus. Wannan ita ce tafiya ta farko da ba ta da alaka da hidimar kotu. A Berlin, ya ɗauki darussan abun ciki daga Spontini kuma ya sadu da Meyerbeer. Bayan Berlin, da Lvov biyu tafi Leipzig, inda Alexei Fedorovich zama kusa da Mendelssohn. Ganawar da fitaccen mawakin Jamus na ɗaya daga cikin manyan abubuwan da suka faru a rayuwarsa. Bayan wasan quartets na Mendelssohn, mawaƙin ya gaya wa Lvov: “Ban taɓa jin ana yin kida na kamar haka ba; ba shi yiwuwa a isar da tunanina da daidaito mafi girma; kasan ko kadan daga cikin niyyata.

Daga Leipzig, Lvov ya yi tafiya zuwa Ems, sannan zuwa Heidelberg (a nan ya shirya wasan kwaikwayo na violin), kuma bayan tafiya zuwa Paris (inda ya sadu da Baio da Cherubini), ya koma Leipzig. A Leipzig, wasan kwaikwayon Lvov na jama'a ya faru a Gewandhaus.

Bari mu yi magana game da shi cikin kalaman Lvov da kansa: “A washegari da muka isa Leipzig, Mendelssohn ya zo wurina ya ce in je wurin Gewandhaus da violin, kuma ya ɗauki rubutu na. Na isa zauren, sai na tarar da wata kungiyar makada da ke jiranmu. Mendelssohn ya maye gurbin madugu kuma ya ce in yi wasa. Babu kowa a zauren, na buga kide-kide na, Mendelssohn ya jagoranci kungiyar makada da fasaha mai ban mamaki. Na yi tunanin cewa ya ƙare, na ajiye violin kuma na kusa tafiya, sai Mendelssohn ya dakatar da ni ya ce: “Abokina, abin da ake yi ne kawai don ƙungiyar makaɗa; jira kadan kuma ku kasance masu kirki don sake kunna guda ɗaya." Da wannan maganar, kofofin suka bude, jama'a suka taru a zauren; cikin 'yan mintoci kadan falon, falon kofar shiga, komai ya cika da jama'a.

Ga wani basaraken Rasha, ana ɗaukar magana da jama'a mara kyau; Masoya wannan da'irar an ba su damar shiga shagali na sadaka ne kawai. Saboda haka, abin kunyar Lvov, wanda Mendelssohn ya yi gaggawar kawar da shi, abu ne da za a iya fahimta sosai: “Kada ku ji tsoro, wannan wata zaɓaɓɓiyar al’umma ce da ni da kaina na gayyata, kuma bayan waƙar za ku san sunayen dukan mutanen da ke zauren.” Kuma lalle ne, bayan wasan kwaikwayo, mai ɗaukar hoto ya ba Lvov duk tikiti tare da sunayen baƙi da Mendelssohn ya rubuta.

Lvov ya taka rawar gani sosai amma mai yawan cece-kuce a rayuwar mawakan Rasha. Ayyukansa a fagen fasaha ba kawai alama ce ta tabbatacce ba, har ma da abubuwa marasa kyau. A dabi'a, shi ɗan ƙaramin mutum ne, mai hassada, mai son kai. Ƙaunar ra'ayoyin ra'ayoyin sun cika da sha'awar mulki da ƙiyayya, wanda ya shafi a fili, misali, dangantaka da Glinka. Yana da halayyar cewa a cikin "Notes" Glinka ba a ambata ba.

A shekara ta 1836, tsohon Lvov ya mutu, kuma bayan wani lokaci, an nada matashin Janar Lvov darektan kotun Singing Chapel a wurinsa. Rikicinsa a cikin wannan sakon da Glinka, wanda ya yi aiki a karkashinsa, sananne ne. "Daraktan Capella, AF Lvov, ya sa Glinka ya ji ta kowace hanya cewa "a cikin hidimar Mai Martaba" shi ba ƙwararren mawaki ne ba, ɗaukaka da girman kai na Rasha, amma mutum ne na ƙasa, jami'in da ke da cikakken iko. wajibi ne don kiyaye "tebur na darajoji" da kuma yin biyayya ga kowane umarni mafi kusa. Rikicin da mawakin ya yi da darakta ya kare ne da cewa Glinka ya kasa jurewa kuma ya mika takardar murabus din.

Duk da haka, ba zai zama rashin adalci ba a ketare ayyukan Lvov a cikin Chapel a kan wannan kawai kuma a gane su a matsayin masu illa. A cewar masu zamani, Chapel karkashin jagorancinsa ya rera waka da kamala da ba a ji ba. Ƙimar Lvov kuma ita ce ƙungiyar darussan kayan aiki a Chapel, inda matasa mawaƙa daga ƙungiyar mawaƙan yara maza da suka yi barci za su iya yin karatu. Abin takaici, azuzuwan sun kasance shekaru 6 kawai kuma an rufe su saboda rashin kuɗi.

Lvov shi ne mai shirya ƙungiyar Concert Society, wanda ya kafa shi a St. Petersburg a shekara ta 1850. D. Stasov ya ba da mafi girman ƙima ga kide-kide na al'umma, duk da haka, lura da cewa ba su samuwa ga jama'a, tun lokacin da Lvov ya rarraba tikiti. "Tsakanin abokansa - masu mulki da masu mulki."

Mutum ba zai iya wucewa cikin shiru maraice na kiɗa a gidan Lvov ba. An dauki Salon Lvov daya daga cikin mafi kyawun haske a St. Petersburg. Da'irori na kiɗa da salon gyara gashi sun yaɗu a rayuwar Rasha a wancan lokacin. Shahararsu ta kasance ta hanyar yanayin rayuwar kiɗan Rasha. Har zuwa 1859, ana iya ba da kide-kide na jama'a na murya da kiɗan kayan aiki kawai a lokacin Lent, lokacin da aka rufe duk gidajen wasan kwaikwayo. Lokacin wasan kwaikwayo yana ɗaukar makonni 6 kawai a shekara, sauran lokacin ba a yarda da kide-kide na jama'a ba. An cika wannan gibin ta hanyar yin kida na gida.

A cikin salon gyara gashi da da'irori, babban al'adun kiɗa ya balaga, wanda tuni a farkon rabin karni na XNUMX ya haifar da ɗimbin galaxy na masu sukar kiɗa, mawaƙa, da masu yin wasan kwaikwayo. Yawancin wasannin kide-kide na waje sun kasance masu ban sha'awa sosai. A cikin jama'a, sha'awar nagarta da tasirin kayan aiki ya mamaye. Ma'abota kida na gaskiya sun taru a cikin da'irori da kuma salon gyara gashi, an yi kyawawan dabi'u na fasaha.

A tsawon lokaci, wasu daga cikin salon gyara gashi, cikin sharuddan tsari, tsanani da kuma manufa na m ayyukan juya zuwa concert cibiyoyin na philharmonic irin - wani nau'i na ilimi a gida (Vsevolozhsky a Moscow, 'yan'uwa Vielgorsky, VF Odoevsky, Lvov). - a St. Petersburg).

Mawaki MA Venevitinov ya rubuta game da salon Vielgorskys: "A cikin 1830s da 1840s, fahimtar kiɗa ya kasance abin jin daɗi a St. ayyukan Beethoven, Mendelssohn, Schumann da sauran litattafai sun kasance kawai don zaɓaɓɓun baƙi na sanannen kida. maraice a cikin gidan Vielgorsky.

Wani mai sukar V. Lenz ya ba da irin wannan kimantawa ga salon Lvov: “Kowane mai ilimi na al’ummar St. ; Haikali wanda ya haɗu shekaru da yawa (1835-1855) wakilai na iko, fasaha, dukiya, dandano da kyau na babban birnin.

Ko da yake an yi amfani da salon salon ne don mutanen "mafi girma jama'a", an kuma buɗe kofofin su ga waɗanda ke cikin duniyar fasaha. Masu sukar kiɗa Y. Arnold, V. Lenz, Glinka sun ziyarci gidan Lvov. Shahararrun masu fasaha, mawaƙa, masu fasaha har ma sun nemi jawo hankalin salon. Glinka ya ce: “Ni da Lvov muna yawan ganin junanmu a lokacin sanyi a farkon shekara ta 1837, wani lokaci yakan gayyaci Nestor Kukolnik da Bryullov zuwa wurinsa kuma ya bi da mu a hanyar abokantaka. Ba na magana ne game da kiɗa (sai ya buga Mozart da Haydn da kyau; Na kuma ji wani uku na uku na Bach violin daga gare shi). Amma shi, yana so ya ɗaure masu fasaha da kansa, bai bar ko da kwalabe mai daraja na wasu ruwan inabi ba.

An bambanta wasannin kide-kide a cikin salon aristocratic da babban matakin fasaha. Lvov ya ce: “A cikin maraice na kiɗanmu, ƙwararrun masu fasaha sun halarci: Thalberg, Ms. Pleyel a kan piano, Servais a kan cello; amma adon waɗannan maraice shine Countess Rossi mara misaltuwa. Tare da irin kulawar da na shirya waɗannan maraice, nawa ne maimaitawa ya faru! .."

Gidan Lvov, wanda ke kan titin Karavannaya (yanzu titin Tolmacheva), ba a kiyaye shi ba. Kuna iya yin hukunci game da yanayin maraice na kiɗa ta hanyar kwatancin mai ban sha'awa wanda mai yawan ziyara ya bari a waɗannan maraice, mai sukar kiɗan V. Lenz. Yawanci ana ba da kide-kiden wake-wake a cikin zauren da aka yi niyya don bukukuwa, tarurrukan quartet sun faru a ofishin Lvov: “Daga ƙaramin zauren ƙofar, wani kyakkyawan matakalai mai haske na marmara mai launin toka mai launin toka mai duhu ja yana kaiwa a hankali da dacewa zuwa bene na farko. kai da kan ka ba ka lura da yadda suka tsinci kansu a bakin kofar da ke kai tsaye zuwa dakin da ke daki hudu na mai gida ba. Riguna masu kyau nawa, kyawawan mata nawa ne suka wuce ta wannan kofa ko kuma suna jira a bayanta lokacin da aka makara kuma an riga an fara quartet! Aleksey Fyodorovich ba zai gafarta ko da mafi kyawun kyau ba idan ta zo a lokacin wasan kwaikwayo na kiɗa. A tsakiyar ɗakin akwai tebur na huɗu, wannan bagadi na sacrament na kiɗa mai kashi huɗu; a kusurwa, piano ta Wirth; Kujeru kusan guda goma sha biyu, sanye da jar fata, suka tsaya kusa da bango ga wadanda suka fi kowa kusanci. Sauran baƙi, tare da matan gidan, matar Alexei Fedorovich, 'yar'uwarsa da mahaifiyarsa, sun saurari kiɗa daga ɗakin ɗakin mafi kusa.

Maraice na Quartet a cikin Lvov sun sami farin jini na musamman. Shekaru 20, an tara quartet, wanda, ban da Lvov, ya haɗa da Vsevolod Maurer (violin na biyu), Sanata Vilde (viola) da Count Matvei Yuryevich Vielgorsky; Wani lokaci ana maye gurbinsa da ƙwararren mai fafutuka F. Knecht. J. Arnold ya rubuta: “Ya kasance da yawa a gare ni na ji ƙwararrun ƙwararru masu kyau,” in ji J. Arnold, “alal misali, ’yan’uwa maza da ƙanana Muller, Leipzig Gewandhaus quartet wanda Ferdinand David, Jean Becker da sauransu ke shugabanta, amma cikin gaskiya da tabbaci na dole ne in yarda cewa a cikin ban taɓa jin kwata kwata sama da na Lvov ba dangane da aikin fasaha na gaskiya da tsafta.

Duk da haka, yanayin Lvov a fili ya kuma shafi aikinsa na hudu - sha'awar mulki ta bayyana a nan ma. "Aleksey Fedorovich koyaushe yana zaɓar quartets waɗanda zai iya haskakawa, ko kuma wanda wasansa zai iya kaiwa ga cikakken tasirinsa, na musamman a cikin zance na musamman da fahimtar gabaɗaya." A sakamakon haka, Lvov sau da yawa "ba ya yi ainihin halitta ba, amma Lvov ya sake yin shi sosai." "Lvov ya isar da Beethoven da ban mamaki, mai ban sha'awa, amma ba tare da ƙarami ba fiye da Mozart." Duk da haka, son rai ya kasance al'amari akai-akai a cikin wasan kwaikwayo na zamanin Romantic, kuma Lvov bai togiya ba.

Da yake Lvov mawaƙi ne na matsakaici, wani lokacin ma ya sami nasara a wannan fagen kuma. Tabbas, babban haɗin gwiwarsa da babban matsayinsa sun ba da gudummawa sosai wajen haɓaka ayyukansa, amma wannan ba shine kawai dalilin da ya sa ake samun karɓuwa a wasu ƙasashe ba.

A cikin 1831, Lvov ya sake yin aikin Stabat Mater na Pergolesi a cikin cikakkiyar ƙungiyar makaɗa da mawaƙa, wanda ƙungiyar St. Petersburg Philharmonic Society ta ba shi takardar shaidar girmamawa ta memba. Daga baya, don wannan aikin, an ba shi lambar girmamawa ta mawaki na Bologna Academy of Music. Don zabura guda biyu da aka yi a cikin 1840 a Berlin, an ba shi lambar girmamawa ta Cibiyar Waƙa ta Berlin da Kwalejin St. Cecilia a Rome.

Lvov shine marubucin wasan operas da yawa. Ya juya zuwa wannan nau'in marigayi - a cikin rabi na biyu na rayuwarsa. Haihuwar farko ita ce "Bianca da Gualtiero" - 2-act lyric opera, na farko da aka yi nasara a Dresden a 1844, sannan a St. Petersburg tare da halartar shahararrun masu fasaha na Italiya Viardo, Rubini da Tamberlic. Petersburg samarwa bai kawo laurels ga marubucin. Lokacin da ya isa a farkon, Lvov har ma ya so ya bar gidan wasan kwaikwayo, yana jin tsoron rashin nasara. Duk da haka, opera har yanzu yana da ɗan nasara.

Aiki na gaba, wasan opera mai ban dariya Baƙaƙen Rasha da Marauders na Faransa, akan taken yaƙin kishin ƙasa na 1812, samfuri ne na ɗanɗano mara kyau na chauvinistic. Mafi kyawun wasan operas ɗinsa shine Ondine (dangane da waƙar Zhukovsky). An yi shi a Vienna a shekara ta 1846, inda ya samu karbuwa sosai. Lvov kuma ya rubuta operetta "Barbara".

A 1858 ya buga ka'idar aikin "On Free ko Asymmetrical Rhythm". Daga abubuwan violin na Lvov an san su: fantasies guda biyu (na biyu don violin tare da ƙungiyar mawaƙa da mawaƙa, duka waɗanda aka haɗa a tsakiyar 30s); concerto "A cikin nau'i na ban mamaki scene" (1841), eclectic a cikin salon, a fili wahayi zuwa ga Viotti da Spohr concertos; 24 caprices don solo violin, wanda aka bayar a cikin hanyar gabatarwa tare da labarin mai suna "Nasiha ga Mafari don Kunna Violin". A cikin "Shawarwari" Lvov ya kare makarantar "classical", manufar da ya gani a cikin wasan kwaikwayo na shahararren dan wasan violin na Faransa Pierre Baio, kuma ya kai hari ga Paganini, wanda "hanyar", a ra'ayinsa, "ba ya jagoranci ko'ina."

A cikin 1857 Lvov ta lafiyar ta tabarbare. Daga wannan shekarar, sannu a hankali ya fara nisa daga harkokin jama'a, a 1861 ya yi murabus daga matsayin darektan Chapel, ya rufe a gida, ya kammala rubuta caprice.

Ranar 16 ga Disamba, 1870, Lvov ya mutu a gidansa na Roman kusa da birnin Kovno (yanzu Kaunas).

L. Rabin