Victoria de Los Angeles |

Nasarar Los Angeles

An haifi Victoria de Los Angeles a ranar 1 ga Nuwamba, 1923 a Barcelona, ​​​​a cikin dangin kiɗa. Tuni tun tana karama, ta gano manyan iyawar kida. Bisa shawarar mahaifiyarta, wanda ke da murya mai kyau, matashin Victoria ya shiga cikin Conservatory na Barcelona, ​​inda ta fara nazarin waƙa, kunna piano da guitar. Tuni dai wasan kwaikwayo na farko na Los Angeles a kide-kiden dalibai, a cewar shaidun gani da ido, wasan kwaikwayon na maigidan ne.

A halartan karon na Victoria de Los Angeles a kan babban mataki ya faru a lokacin da ta kasance shekaru 23 da haihuwa: ta raira waƙa da wani ɓangare na Countess a Mozart ta Aure na Figaro a Liceo Theater a Barcelona. Hakan ya biyo bayan nasarar da aka yi a babbar gasar murya da aka yi a birnin Geneva (gasar Geneva), inda alkalai ke sauraren masu yin wasan ba tare da saninsu ba, suna zaune a bayan labule. Bayan wannan nasara, a cikin 1947, Victoria ta sami gayyata daga kamfanin rediyo na BBC don shiga cikin watsa shirye-shiryen opera na Manuel de Falla Life is Short; kyakykyawan rawar da Salud ya taka ya baiwa matashin mawakin damar tsallakewa zuwa dukkanin manyan matakai na duniya.

Shekaru uku masu zuwa sun kawo wa Los Angeles ƙarin shahara. Victoria ta fara fitowa a Grand Opera da Metropolitan Opera a Gounod's Faust, Covent Garden ta yaba mata a cikin Puccini's La Bohème, kuma masu sauraron La Scala masu hankali sun gaishe ta Ariadne a cikin opera na Richard Strauss. Ariadne in Naxos. Amma mataki na Metropolitan Opera, inda Los Angeles yi mafi sau da yawa, ya zama tushen dandamali ga singer.

Kusan nan da nan bayan nasarar da ta samu na farko, Victoria ta sanya hannu kan kwangilar keɓancewar dogon lokaci tare da EMI, wanda ya ƙaddara makomarta mai farin ciki a cikin rikodin sauti. Gabaɗaya, mawaƙin ya rubuta operas 21 da fiye da shirye-shiryen ɗakin 25 don EMI; yawancin rikodin an haɗa su a cikin asusun zinariya na fasahar murya.

A cikin salon wasan kwaikwayon na Los Angeles, babu wani ɓarna mai ban tausayi, babu wani babban girma, babu sha'awar sha'awa - duk abin da yakan sa masu sauraron wasan opera su haukace. Duk da haka, yawancin masu suka da masu son wasan opera suna magana game da mawaƙa a matsayin ɗaya daga cikin 'yan takara na farko don taken "soprano na karni". Yana da wuya a tantance irin nau'in soprano - lyric-dramatic, lyric, lyric-coloratura, kuma watakila ma babban mezzo na wayar hannu; Babu wata ma'anar da za ta zama daidai, domin don nau'o'in muryoyin Manon gavotte ("Manon") da kuma soyayyar Santuzza ("Ƙasar girmamawa"), Violetta's aria ("La Traviata") da kuma duban Carmen ("Carmen"). "), Labarin Mimi ("La Bohème") da gaisuwa daga Elizabeth ("Tannhäuser"), waƙoƙin Schubert da Fauré, Scarlatti's canzones da Granados' goyesques, waɗanda ke cikin tarihin mawaƙa.

Tunanin rikicin Victoria na waje ne. Abin lura shi ne cewa a rayuwar yau da kullum mawaƙin ya yi ƙoƙari ya guje wa mummunan yanayi, kuma lokacin da suka tashi, ta fi son gudu; don haka, saboda rashin jituwa tsakaninta da Beecham, maimakon tashin hankali, sai kawai ta ɗauka ta bar wurin a tsakiyar rikodin Carmen, wanda sakamakon haka an kammala rikodin kawai bayan shekara guda. Wataƙila saboda waɗannan dalilai, aikin operatic na Los Angeles ya kasance ƙasa da ayyukanta na kide-kide, wanda bai tsaya ba sai kwanan nan. Daga cikin ayyukan mawaƙan da aka yi a cikin opera, ya kamata a lura da daidaitattun daidaitattun sassa na Angelica a cikin Vivaldi's Furious Roland (ɗayan 'yan rikodin Los Angeles da aka yi ba akan EMI ba, amma akan Erato, wanda Claudio Shimone ya gudanar) da Dido a cikin Purcell's Dido da Aeneas (tare da John Barbirolli a tsayawar madugu).

Daga cikin wadanda suka shiga cikin kide-kide don girmama bikin cika shekaru 75 na Victoria de Los Angeles a watan Satumba na 1998, babu wani mawaƙi ɗaya - mawaƙan kanta ta so. Ita kanta ta kasa halartar bikinta saboda rashin lafiya. Wannan dalilin ya hana ziyarar Los Angeles zuwa St.

Ga kadan daga cikin hirarrakin da mawakin ya yi da shi daga shekaru daban-daban:

"Na taɓa magana da abokan Maria Callas, kuma sun ce lokacin da Maria ta bayyana a MET, tambayarta ta farko ita ce: "Ku gaya mani abin da Victoria ke so?" Babu wanda ya iya amsa mata. Ina da irin wannan suna. Saboda kau da kai, nesa, ka gane? na bace Ba wanda ya san abin da ke faruwa da ni a wajen gidan wasan kwaikwayo.

Ban taba zuwa gidajen cin abinci ko gidajen dare ba. Na yi aiki a gida ni kadai. Sun gan ni a kan mataki. Ba wanda zai iya sanin yadda nake ji game da wani abu, menene imanina.

Ya kasance mai muni da gaske. Na yi rayuwa guda biyu gaba daya. Victoria de Los Angeles - tauraruwar opera, jama'a, "'yar lafiya ta MET", kamar yadda suka kira ni - da Victoria Margina, mace mai ban mamaki, cike da aiki, kamar kowa. Yanzu da alama ya zama wani abu na musamman. Idan na sake shiga cikin wannan yanayin, da na yi hali daban.”

“Na kasance ina rera waƙa kamar yadda nake so. Duk da irin zance da ikirari na masu suka, babu wanda ya taba gaya mani abin da zan yi. Ban taɓa ganin matsayina na gaba a fagen wasa ba, sannan kuma a zahiri babu manyan mawaƙa da za su zo su yi waƙa a Spain nan da nan bayan yaƙin. Don haka ba zan iya misalta fassarori na akan kowane tsari ba. Na kuma yi sa'a da na sami damar yin aikin da kaina, ba tare da taimakon madugu ko darakta ba. Ina tsammanin cewa lokacin da kuka yi girma kuma ba ku da kwarewa, mutanen da ke sarrafa ku za su iya halakar da keɓaɓɓen ku kamar ɗan tsana. Suna son ku a wani matsayi ko wata ku zama masu sanin kansu, ba na kanku ba.”

“A gare ni, ba da kide-kide abu ne mai kama da zuwa liyafa. Lokacin da ka isa wurin, kusan nan da nan za ku fahimci irin yanayin da ke tasowa a wannan maraice. Kuna tafiya, sadarwa tare da mutane, kuma bayan wani lokaci za ku gane abin da kuke bukata daga wannan maraice. Haka abin yake da shagali. Lokacin da ka fara waƙa, za ka ji martani na farko kuma nan da nan ka fahimci wanene abokanka a cikin waɗanda suka taru a zauren. Kuna buƙatar kulla kusanci da su. Alal misali, a shekara ta 1980 ina wasa a Wigmore Hall kuma na ji tsoro sosai domin ba ni da lafiya kuma na kusa soke wasan. Amma na hau kan mataki kuma, don shawo kan tsoro na, na juya ga masu sauraro: "Za ku iya tafawa, ba shakka, idan kuna so," kuma suna so. Nan take kowa ya huta. Don haka kyakyawan kide-kide, kamar liyafa mai kyau, wata dama ce ta saduwa da mutane masu ban sha'awa, shakatawa a cikin kamfaninsu sannan ku ci gaba da kasuwancin ku, tare da tunawa da babban lokacin da kuka yi tare. "

Littafin ya yi amfani da labarin Ilya Kukharenko