Nikolay Arnoldovich Petrov (Nikolai Petrov) |

Nikolay Petrov

Akwai masu wasan kwaikwayo - don kunkuntar da'irar masu sauraro. (Suna jin dadi a cikin ƙananan ɗakuna masu kyau, a cikin "nasu" - yadda yake da kyau ga Sofronitsky a cikin Gidan kayan gargajiya na Scriabin - kuma ko ta yaya ba su da dadi a kan manyan matakai.) Wasu, akasin haka, suna da sha'awar girma da alatu. na wuraren wasan kwaikwayo na zamani, taron dubban masu sauraro, al'amuran da suka cika da fitilu, manya, "Steinways". Na farko da alama yana magana da jama'a - a hankali, a hankali, a asirce; masu iya magana ta biyu da aka haifa suna da ƙarfi, masu dogaro da kai, tare da ƙarfi, muryoyi masu nisa. An rubuta game da Nikolai Arnoldovich Petrov fiye da sau ɗaya cewa an ƙaddara shi ga babban mataki. Kuma haka ne. Irin wannan shi ne yanayin fasaharsa, irin salon wasansa.

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Wannan salon ya samo, watakila, mafi ma'anar ma'anar "mafi girman gaske". Ga mutane kamar Petrov, ba wai kawai cewa duk abin da ke "nasara" a kan kayan aiki ba (ya tafi ba tare da faɗi ba ...) - duk abin da yake da girma, mai iko, mai girma a gare su. Wasansu yana burgewa ta hanya ta musamman, domin duk abin da ya burge shi a fasaha. (Shin ba mu fahimci almara na wallafe-wallafen ta wata hanya dabam da ɗan gajeren labari ba? Kuma ashe cocin St. Isaac's Cathedral ba ya tada ji daban-daban fiye da "Monplaisir" mai ban sha'awa? na ƙarfi da iko, wani abu wani lokaci wanda ba shi da daidaituwa tare da samfurori na yau da kullun; a cikin wasan na Petrov kusan koyaushe kuna jin shi. Abin da ya sa suka samar da irin wannan ra'ayi mai ban sha'awa na fassarar mawallafin irin waɗannan zane-zane kamar, a ce, Schubert's "Wanderer", Brahms' First Sonata da sauransu.

Duk da haka, idan muka fara magana game da nasarar Petrov a cikin repertoire, mai yiwuwa kada mu fara da Schubert da Brahms. Wataƙila ba soyayya ba ne ko kaɗan. Petrov ya zama sananne da farko a matsayin kyakkyawan mai fassara na sonatas da concertos na Prokofiev, yawancin ƙwararrun ƙwararrun Shostakovich, shi ne ɗan wasan farko na Khrennikov's Piano Concerto na biyu, Khachaturian's Rhapsody Concerto, Eshpai's Concerto na biyu, da kuma yawan sauran ayyukan zamani. Bai isa ya ce game da shi ba - mai zane-zane; amma farfaganda, popularizer na sabon a cikin Soviet music. Mai yada farfaganda mai kuzari da kwazo fiye da kowane mai wasan piano na zamaninsa. Ga wasu, wannan gefen aikinsa na iya zama kamar bai cika da wahala ba. Petrov ya sani, ya gamsu a aikace - yana da matsalolin kansa, matsalolinsa.

Suna son Rodion Shchedrin musamman. Waƙarsa - Ƙirƙirar Sashe Biyu, Preludes da Fugues, Sonata, Piano Concertos - ya daɗe yana wasa: "Lokacin da na yi ayyukan Shchedrin," in ji Petrov, "Ina jin cewa wannan waƙar ta rubuta ta ne. hannuwana - da yawa a gare ni a matsayina na ɗan wasan pian duk abin da ke nan yana da kyau, mai naɗewa, mai dacewa. Komai anan shine "a gareni" - duka a fasaha da fasaha. Wani lokaci mutum ya ji cewa Shchedrin yana da rikitarwa, ba koyaushe ake fahimta ba. Ban sani ba… Lokacin da kuka san aikinsa sosai, zaku iya yin hukunci akan abin da kuka sani da kyau, daidai ne? - kun ga nawa ne ainihin mahimmanci a nan, nawa dabaru na ciki, hankali, yanayi, sha'awa… Na koyi Shchedrin da sauri. Na koyi Concerto na biyu, na tuna, a cikin kwanaki goma. Wannan yana faruwa ne kawai a waɗancan lokuta lokacin da kuke son kiɗa da gaske…”

An faɗi fiye da sau ɗaya game da Petrov, kuma yana da kyau cewa shi adadi ne hankula ga tsararrun mawaƙa na yau, masu fasahar “sabbin tsara”, kamar yadda masu suka suka so su ce. Ayyukansa na mataki yana da tsari mai kyau, koyaushe yana yin daidai wajen aiwatar da ayyuka, dagewa da tsayin daka wajen aiwatar da ra'ayoyinsa a aikace. An taɓa faɗi game da shi: "Hankali injiniya mai hazaka ...": hakika tunaninsa yana da cikakkiyar tabbaci - babu shakka, rashi, da dai sauransu Lokacin fassara kiɗa, Petrov koyaushe ya san daidai abin da yake so, kuma, ba tare da tsammanin "fari ba" daga dabi'a "(sirrin walƙiya na fahimta mai ban sha'awa, sha'awar soyayya ba shine abin sa ba), ya cimma burinsa tun kafin ya shiga mataki. Shi ne da gaske fatan a kan mataki - na iya yin wasa sosai ko kuma da kyau, amma ba ya karye, ba ya ƙasa da wani matakin, ba zai yi wasa da kyau ba. Wani lokaci yakan zama kamar sanannun kalmomin GG Neuhaus suna magana da shi - a kowane hali, ga tsararrakinsa, ga mawallafan ma'ajiyar ajiyarsa: "... Matasan mu (na kowane nau'i na makamai) sun zama mahimmanci. mafi wayo, mafi hankali, mafi balaga, mafi mai da hankali, ƙarin tattarawa, ƙarin kuzari (I propose to multiply adjectives) fiye da ubanninsu da kakanninsu, don haka girman fifikonsu a cikin fasaha... » (Neigauz GG Tunani na memba na juri//Neigauz GG Tunani, memories, diaries. S. 111). Tun da farko, an riga an yi magana game da babban fifikon fasaha na Petrov.

Shi, a matsayin mai yin wasan kwaikwayo, yana da "dadi" ba kawai a cikin kiɗa na karni na XNUMX ba - a cikin Prokofiev da Shostakovich, Shchedrin da Eshpay, a cikin ayyukan piano na Ravel, Gershwin, Barber da abokansu; ba ƙasa da 'yanci da sauƙi kuma an bayyana shi a cikin yaren mashawartan ƙarni na XNUMX. Af, wannan ma na hali ga wani artist na "sabon tsara": repertoire baka "classic - XX karni". Don haka, akwai clavirabends a Petrov, wanda aikin Bach ya yi nasara. Ko, ka ce, Scarlatti - yana wasa da yawa daga cikin sonatas na wannan marubucin, kuma yana taka rawa sosai. Kusan koyaushe, kiɗan Haydn yana da kyau duka a cikin sauti mai rai da kuma rikodin rikodi; mai yawa nasara a cikin fassararsa na Mozart (misali, Sonata na goma sha takwas a F manyan), farkon Beethoven (Sonata na bakwai a cikin D babba).

Irin wannan shi ne hoton Petrov - mai zane-zane tare da lafiya da ra'ayi na duniya, dan wasan pianist na "abun ban mamaki", kamar yadda mawallafin kiɗa ya rubuta game da shi, ba tare da ƙari ba. Kaddara ce ta kaddara shi ya zama mai zane. Kakansa, Vasily Rodionovich Petrov (1875-1937) ya kasance sanannen mawaƙa, ɗaya daga cikin masu haskaka gidan wasan kwaikwayo na Bolshoi a cikin shekarun farko na karni. Kaka ta yi karatu a Moscow Conservatory tare da shahararren dan wasan pian KA Kipp. A cikin kuruciyarta, mahaifiyarta ta ɗauki darussan piano daga AB Goldenweiser; uba, wanda ya yi sana'a a sana'a, ya taba lashe kambun lambar yabo a Gasar Kungiyar Mawaka ta Farko ta Mawaka. Tun daga zamanin d ¯ a, an yi amfani da fasaha a gidan Petrovs. Daga cikin baƙi wanda zai iya saduwa da Stanislavsky da Kachalov, Nezhdanova da Sobinov, Shostakovich da Oborin ...

A cikin biography, Petrov bambanta da dama matakai. Da farko kakarsa ta koya masa kida. Ta buga shi da yawa - opera arias wanda aka haɗa tare da ƙananan piano; ya ji dadin karbe su da kunne. Kaka daga baya aka maye gurbinsu da malamin Central Music School Tatyana Evgenievna Kestner. Opera aria ya ba da hanya zuwa ga ilimi ilimi abu, zabi da kunne - tsananin shirya azuzuwan, na tsare ci gaban fasaha da m credits a Central Music School for Sikeli, arpeggios, etudes, da dai sauransu - duk wannan amfana Petrov, ya ba shi ban mamaki pianistic makaranta. . Ya ce: “Ko sa’ad da nake ɗalibin Makarantar Waƙoƙi ta Tsakiya, na soma sha’awar zuwa wasan kwaikwayo. Ya so ya je ajin maraice na manyan furofesoshi na Conservatory - AB Goldenweiser, VV Sofronitsky, LN Oborin, Ya. V. Flier. Na tuna cewa wasan kwaikwayo na ɗaliban Yakov Izrailevich Zak ya ba ni sha'awa ta musamman. Kuma lokacin da lokaci ya yi don yanke shawara - daga wanda zan kara karatu bayan kammala karatun - Ban yi jinkiri ba na minti daya: daga gare shi, kuma daga wani ... "

Tare da Zach, Petrov nan da nan ya kafa yarjejeniya mai kyau; a cikin mutumin Yakov Izrailevich, ya sadu da ba kawai mai hikima jagora ba, amma kuma mai kula, mai kula da kulawa har zuwa aikin motsa jiki. Lokacin da Petrov ke shirya gasar farko a rayuwarsa (mai suna bayan Van Cliburn, a birnin Fort Worth na Amurka, 1962), Zak ya yanke shawarar kada ya rabu da dabbarsa ko da a lokacin hutu. Petrov ya ce: "A watannin bazara, mun zauna a cikin jihohin Baltic, ba da nisa da juna ba," in ji Petrov, "taron yau da kullun, yin tsare-tsare na gaba kuma, ba shakka, aiki, aiki… gasar ba kasa da ni ba. A zahiri ba zai bar ni in tafi ba…” A cikin Fort Worth, Petrov ya sami lambar yabo ta biyu; babbar nasara ce. Wani kuma ya biyo baya: matsayi na biyu a Brussels, a gasar Sarauniya Elizabeth (1964). "Na tuna Brussels ba don fadace-fadacen gasa ba," Petrov ya ci gaba da labarin da ya gabata, "amma don gidajen tarihi, wuraren zane-zane, da fara'a na gine-gine na da. Kuma duk wannan saboda II Zak abokina ne kuma jagorana a kewayen birni - yana da wuya a yi fatan mafi alheri, ku gaskata ni. Wani lokaci ya zama kamar a gare ni cewa a cikin zanen Renaissance na Italiyanci ko zane-zane na masanan Flemish, bai fahimci mafi muni fiye da na Chopin ko Ravel… "

Yawancin maganganu da takaddun shaida na Zack sun kasance da tabbaci a cikin ƙwaƙwalwar ajiyar Petrov. "A kan mataki, za ku iya yin nasara kawai saboda ingancin wasan," in ji malaminsa sau ɗaya; Petrov sau da yawa yayi tunani game da waɗannan kalmomi. "Akwai masu fasaha," in ji shi, "waɗanda a sauƙaƙe ana gafarta musu don wasu kurakuran wasa. Su, kamar yadda suke faɗa, suna ɗaukar wasu… ”(Yana da gaskiya: jama'a sun san yadda ba za a lura da lahani na fasaha a cikin KN Igumnov ba, ba don haɗa mahimmancin abubuwan ƙwaƙwalwar ajiya a cikin GG Neuhaus ba; ta san yadda za a kalli abubuwan da suka gabata. VV Sofronitsky tare da lambobin farko na shirye-shiryensa, a kan bayanan bazuwar daga Cortot ko Arthur Rubinstein.) "Akwai wani nau'i na masu wasan kwaikwayo," Petrov ya ci gaba da tunaninsa. “Ƙaramar kulawar fasaha tana ganin su nan da nan. Ga wasu, yana faruwa cewa "kaɗan" na bayanan da ba daidai ba ba a lura da su ba, ga wasu (a nan su ne, rashin daidaituwa na aikin ...) ɗaya zai iya lalata al'amarin - Na tuna cewa Hans Bülow ya yi kuka game da wannan ... Ni, alal misali, , Koyi da dadewa cewa ba ni da hakkin yin lalatar fasaha, rashin daidaituwa, rashin nasara - irin wannan shine rabo na. Ko kuma, irin wannan shine nau'in aikina, yanayina, salo na. Idan bayan wasan kwaikwayo ba ni da jin cewa ingancin wasan kwaikwayon ya isa sosai, wannan yana daidai da matakin fiasco a gare ni. Babu wani ra'ayi game da ilhama, sha'awar jama'a, lokacin da, suka ce, "komai ya faru," Ba zan sami kwanciyar hankali a nan ba.

Petrov yana ƙoƙari ya ci gaba da inganta abin da ya kira "ingancin" wasan, ko da yake, yana da daraja maimaitawa, dangane da fasaha, ya riga ya kasance a matakin "ma'auni" mafi girma na duniya a yau. Ya san ajiyarsa, da kuma matsalolinsa, ayyukan yi. Ya san cewa kayan sauti a cikin guda ɗaya na repertoire ɗin nasa zai iya yin kyan gani; yanzu a'a, a'a, kuma an lura cewa sautin pianist yana da nauyi, wani lokacin kuma yana da ƙarfi - kamar yadda suke faɗa, "da gubar." Wannan ba mummunan ba ne, watakila, a cikin Sonata na uku na Prokofiev ko a karshen na bakwai, a cikin maɗaukaki na Brahms 'sonatas ko Rachmaninov's concertos, amma ba a cikin kayan ado na lu'u-lu'u na Chopin ba (a kan hotunan Petrov wanda zai iya samun ballads hudu, hudu scherzos, Barcarole, etudes da wasu ayyukan wannan marubucin). Wataƙila za a bayyana masa ƙarin sirri da kyawawan sautin rabin lokaci na tsawon lokaci a fagen pianissimo - a cikin waƙoƙin piano na Chopin, a cikin Scriabin's Fifth Sonata, a cikin Ravel's Noble and Sentimental Waltzes. Wani lokaci yana da wuyar gaske, ba mai jujjuyawa ba, ɗan madaidaiciya a cikin motsinsa na rhythmic. Wannan shi ne quite a cikin Bach ta toccata guda, a cikin Weber's instrumental fasaha basira (Petrov na son kuma taka sonatas superbly), a cikin wasu classic Allegro da Presto (kamar sashe na farko na Beethoven's Seventh Sonata), a cikin da dama ayyuka na zamani repertoire - Prokofiev, Shchedrin, Barber. Lokacin da dan wasan pianist ya yi Schumann's Symphonic Etudes ko, ka ce, cantilena na languid (tsakiyar sashi) na Liszt's Mephisto-Waltz, wani abu daga kalmomin soyayya ko kuma 'yan ra'ayi na Impressionists, za ka fara tunanin cewa zai yi kyau idan salonsa ya fi sauƙi. , ruhaniyanci, bayyananne… Duk da haka, babu wata dabara da ba za a iya inganta. Tsohuwar gaskiya: mutum na iya ci gaba a cikin fasaha ba tare da ƙarewa ba, tare da kowane mataki yana jagorantar mai fasaha zuwa sama, ƙarin abubuwan ban sha'awa da ban sha'awa ne kawai ke buɗewa.

Idan an fara tattaunawa tare da Petrov a kan irin wannan batu, yawanci yakan amsa cewa sau da yawa yakan dawo cikin tunani zuwa abubuwan da ya gabata - fassarar shekarun sittin. Abin da aka yi la'akari da shi ba tare da wani sharadi ba, yana kawo masa layya da yabo, yau bai gamsar da shi ba. Kusan duk abin da ke yanzu, shekarun da suka gabata, yana so a yi shi daban - don haskakawa daga sabuwar rayuwa da matsayi na ƙirƙira, don bayyana shi tare da ƙarin hanyoyin aiwatarwa. Ya ci gaba da gudanar da irin wannan aikin "maidowa" - a cikin B-flat major (No. 21) Schubert's sonata, wanda ya taka leda a matsayin dalibi, a cikin Hotunan Mussorgsky a wani nuni, da kuma wasu abubuwa da yawa. Ba shi da sauƙi a sake tunani, sake fasalin, sake gyarawa. Amma babu wata hanyar fita, Petrov ya maimaita akai-akai.

A tsakiyar shekarun tamanin, nasarorin da Petrov ya samu a dakunan shagali na yammacin Turai da Amurka sun zama abin lura sosai. 'Yan jarida suna ba da amsa mai ban sha'awa game da wasansa, ana sayar da tikiti don wasan pianist na Soviet tun kafin fara yawon shakatawa. ("Kafin wasan kwaikwayon nasa, wani katon layi na tikitin tikiti ya kewaye ginin dakin wasan kwaikwayo. Kuma bayan sa'o'i biyu, da aka kammala wasan kwaikwayo, da farin ciki da yabo na masu sauraro, jagoran kungiyar kade-kade na gida ya dauki wani gagarumin biki daga pianist. Alkawarin sake yin aiki a Brighton shekara mai zuwa. Irin wannan nasarar tare da Nikolai , Petrov a duk biranen Burtaniya inda ya yi " // al'adun Soviet. 1988. Maris 15.).

Karatun rahotannin jaridu da asusun shaidun gani da ido, mutum na iya samun ra'ayi cewa Petrov pianist yana jin daɗi a ƙasashen waje fiye da a gida. Domin a gida, bari mu kasance masu gaskiya, Nikolai Arnoldovich, tare da dukan nasarorin da ba za a iya jayayya da shi ba da ikonsa, ba kuma ba ya cikin gumaka na masu sauraro. Af, kun haɗu da irin wannan al'amari ba kawai a cikin misalinsa ba; akwai kuma wasu masanan da nasarorin da suka samu a yammacin duniya sun fi burgewa da girma fiye da kasarsu ta haihuwa. Wataƙila a nan an bayyana wasu bambance-bambance a cikin abubuwan dandano, a cikin kyawawan halaye da son rai, sabili da haka ganewa tare da mu ba lallai ba ne ya zama sananne a can, kuma akasin haka. Ko, wa ya sani, wani abu dabam yana taka rawa. (Ko wataƙila da gaske babu annabi a ƙasarsa? Takaitaccen tarihin Petrov ya sa ka yi tunani game da wannan batu.)

Duk da haka, muhawara game da "fiididdigar shahara" na kowane mai zane koyaushe yana da sharadi. A matsayinka na mai mulki, babu bayanan ƙididdiga masu dogara akan wannan batu, kuma game da sake dubawa na masu dubawa - na gida da na waje - za su iya zama akalla duka a matsayin tushen abin dogara. A wasu kalmomi, nasarar da Petrov ya samu a yammacin Turai bai kamata ya rufe gaskiyar cewa har yanzu yana da yawan masu sha'awar a ƙasarsa - waɗanda suke son salonsa, salon wasansa, waɗanda ke raba "a'idarsa" a cikin wasan kwaikwayo.

Bari mu lura a lokaci guda cewa Petrov yana da matukar sha'awar shirye-shiryen jawabinsa. Idan gaskiya ne cewa hada da concert shirin da kyau wani nau'i ne na fasaha (kuma wannan gaskiya ne), to, babu shakka Nikolai Arnoldovich ya yi nasara a irin wannan fasaha. Bari mu tuna aƙalla abin da ya yi a cikin 'yan shekarun nan - wasu sabo, ra'ayi na asali sun kasance a bayyane a ko'ina, an ji ra'ayin da ba daidai ba a cikin komai. Misali: “Wani Maraice na Fantasies na Piano”, wanda ya haɗa da sassan da CFE Bach, Mozart, Mendelssohn, Brahms da Schubert suka rubuta a cikin wannan nau'in. Ko "Kiɗa na Faransa na ƙarni na XVIII - XX" ( zaɓin ayyukan Rameau, Duke, Bizet, Saint-Saens da Debussy). Ko kuma: "A ranar cika shekaru 200 na haihuwar Niccolò Paganini" (a nan, an haɗa abubuwan da aka tsara don piano, wata hanya ko wata da aka haɗa da kiɗa na babban violin: "Bambance-bambance a kan Jigo na Paganini" by Brahms, nazarin " Bayan Paganini" na Schumann da Liszt, "Sadakar Paganini" Falik). Yana yiwuwa a ambaci a cikin wannan jerin ayyuka irin su Berlioz's Fantastic Symphony a cikin rubutun Liszt ko na Biyu na Piano Concerto na Saint-Saens (wanda Bizet ya shirya don piano guda ɗaya) - ban da Petrov, wannan watakila ba a samuwa a cikin kowane daga cikin 'yan pianists. .

Nikolai Arnoldovich ya ce: "A yau ina jin ƙiyayya ga shirye-shirye masu ra'ayin mazan jiya, "hackneyed". "Akwai abubuwan da aka tsara daga nau'in musamman" overplay" da "gudu", wanda, gaskanta ni, ba zan iya yin wasa a fili ba. Ko da sun kasance kyawawan abubuwan da aka tsara a cikin kansu, kamar Beethoven's Appassionata ko Rachmaninov's Na biyu Piano Concerto. Bayan haka, akwai ban mamaki da yawa, amma kiɗan da ba a yi ba - ko ma ba a sani ba ga masu sauraro. Don gano shi, dole ne kawai mutum ya ɗauki mataki nesa da kyawawan hanyoyin da suka lalace, waɗanda aka buge…

Na san cewa akwai ’yan wasa da suka fi son sanya sanannun kuma shahararru a cikin shirye-shiryensu, domin hakan ya ba da tabbacin zama a zauren Filharmonic har zuwa wani lokaci. Ee, kuma a zahiri babu haɗarin fuskantar rashin fahimta… A gare ni da kaina, ku fahimce ni daidai, irin wannan “fahimtar” ba a buƙata. Kuma nasarar karya ba ta jawo ni ba. Ba kowane nasara ya kamata ya farantawa ba - tsawon shekaru kuna fahimtar wannan da ƙari.

Tabbas, yana iya zama wasan da wasu ke buga sau da yawa yana burge ni kuma. Sannan zan iya, ba shakka, gwada kunna shi. Amma duk wannan ya kamata a yi shi ta hanyar kida kawai, abubuwan ƙirƙira, kuma ba ta kowace hanya ta dama ba kuma ba "kuɗi".

Kuma hakika abin kunya ne, a ganina, idan mai zane ya yi wasa iri ɗaya daga shekara zuwa shekara, daga kakar zuwa kakar wasa. Ƙasarmu tana da girma, akwai wuraren wasan kwaikwayo da yawa, don haka za ku iya, bisa manufa, "mirgina" iri ɗaya yana aiki sau da yawa. Amma ya isa haka?

Mawaƙin a yau, a cikin yanayinmu, dole ne ya zama malami. Ni kaina na gamsu da wannan. Farkon ilimantarwa ne a fagen wasan kwaikwayo wanda ke kusa da ni a yau. Saboda haka, ta hanyar, Ina matukar girmama ayyukan irin waɗannan masu fasaha kamar G. Rozhdestvensky, A. Lazarev, A. Lyubimov, T. Grindenko ... "

A cikin aikin Petrov, zaka iya ganin fuskoki da bangarori daban-daban. Duk ya dogara da abin da kuke kula da shi, akan kusurwar kallo. Daga abin da za a duba da farko, abin da za a ba da fifiko. Wasu suna lura a cikin ƙwararrun pian galibi "sanyi", wasu - "ƙasasshen kayan aikin kayan aiki." Wani ya rasa a cikinsa "ƙauna da sha'awar", amma wani ya rasa "cikakkiyar tsaftar da ake ji da sake ƙirƙirar kowane ɓangaren kiɗa." Amma, ina tsammanin, ko ta yaya mutum ya yi la'akari da wasan na Petrov kuma ko ta yaya mutum ya amsa shi, ba zai iya kasa biyan haraji ga babban nauyi na musamman wanda yake kula da aikinsa ba. Wannan shine ainihin wanda za'a iya kiransa ƙwararren ƙwararren a cikin mafi girman ma'anar kalmar…

"Ko da akwai, a ce, mutane 30-40 ne kawai a zauren, zan yi wasa da cikakkiyar sadaukarwa. Adadin wadanda suka halarta a wurin wakokin ba su da wani muhimmin mahimmanci a gare ni. Wallahi, masu sauraren da suka zo sauraren wannan jarumar ta musamman, ba wani ba, wato wannan shirin da ke sha’awarta, shi ne masu sauraro a gare ni. Kuma ina godiya da ita fiye da maziyartan abubuwan da ake kira manyan kide-kide, wadanda ba su da mahimmanci a je inda kowa ya je.

Ba zan taɓa fahimtar ƴan wasan da suka yi gunaguni bayan wasan kwaikwayo ba: "kai, ka sani, ya ji ciwo", "ba a kunna hannu ba", "piano mara kyau ...", ko koma ga wani abu dabam, yana bayyana wasan da bai yi nasara ba. A ganina, idan kun hau kan mataki, dole ne ku kasance a saman. Kuma isa iyakar fasahar ku. Komai ya faru! Ko kuma kar a yi wasa kwata-kwata.

A ko'ina, a kowace sana'a, ana buƙatar nata ladabi. Yakov Izrailevich Zak ya koya mani wannan. Kuma a yau, fiye da kowane lokaci, na fahimci yadda ya dace. Don ci gaba da mataki ba tare da tsari ba, tare da shirin da ba a gama ba, ba a shirya tare da duk kulawa ba, yin wasa da rashin kulawa - duk wannan kawai rashin mutunci ne.

Kuma akasin haka. Idan mai yin wasan kwaikwayo, duk da wasu matsalolin sirri, rashin lafiya, wasan kwaikwayo na iyali, da dai sauransu, har yanzu ya taka leda sosai, "a mataki," irin wannan mai zane ya cancanci, a ganina, girmamawa sosai. Suna iya cewa: wata rana ba laifi ba ne kuma ku huta… A'a kuma a'a! Kun san abin da ke faruwa a rayuwa? Mutum ya sa rigar riga da takalmi mara tsabta, sannan wani, kuma… Yana da sauƙi ka sauka, kawai ka ba wa kanka sauƙi.

Dole ne ku girmama aikin da kuke yi. Girmama Kiɗa, don Sana'a shine, a ganina, abu mafi mahimmanci."

… Lokacin da, bayan Fort Worth da Brussels, Petrov ya fara sanar da kansa a matsayin mai yin wasan kwaikwayo, mutane da yawa sun gan shi, da farko, mai kirki, sabon ɗan wasan pianist. Wasu mutane sun karkata su zarge shi da fasaha mai zurfi; Petrov zai iya amsa wannan tare da kalmomin Busoni: domin ya tashi sama da virtuoso, dole ne mutum ya fara zama daya ... Ya yi nasarar tashi sama da virtuoso, wasan kwaikwayo na pianist a cikin shekaru 10-15 na ƙarshe sun tabbatar da wannan tare da dukan shaida. Wasansa ya zama mai tsanani, ya fi ban sha'awa, ya zama mai gamsarwa, ba tare da rasa ƙarfinsa da ƙarfinsa ba. Saboda haka gane cewa ya zo Petrov a kan matakai da yawa na duniya.

G. Tsipin, 1990